Study for Cloutsham Farm, Exmoor (`The Devon and Somerset')
1925
Not on view
7
John James Chalon, 1778–1854, French, active in Britain
A View of Theobald's Park, Hertfordshire
ca. 1840
Not on view
8
unknown artist, eighteenth century
View of Horse Guards and Whitehall
ca. 1750
Not on view
9
Henry Singleton, 1766–1839, British
The Wandering Sailor
ca. 1798
Not on view
10
George Smith, 1714–1776, British
Hop Pickers Outside a Cottage
mid-18th century
Not on view
11
Francis Calcraft Turner, active 1782–1846, British
The Berkeley Hunt, 1842: The Death
1842
Not on view
12
Francis Calcraft Turner, active 1782–1846, British
The Berkeley Hunt, 1842: The Chase
1842
Not on view
13
Francis Calcraft Turner, active 1782–1846, British
The Berkeley Hunt, 1842: Full Cry
1842
Not on view
14
Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708)
The Reverend Jemmet Browne at a meet of foxhounds
1730 to 1732
Not on view
15
Francis Wheatley, 1747–1801, British
Portrait of a Man, called George Basil Woodd
ca. 1780
Not on view
16
William Williams, 1758–1797, British
James Rann (1756-1813)
ca. 1780
Not on view
17
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Wilton House from the Southeast
between 1758 and 1760
Not on view
18
Dean Wolstenholme, 1757–1837, British
Lord Glamis and his Staghounds
1823
Not on view
19
Abraham Cooper, 1787–1868, British
'Elis' at Doncaster, Ridden by John Day, with his Van in the Background
between 1836 and 1837
Not on view
20
John Ferneley, 1782–1860, British
Euxton, with John White Up, at Heaton Park
1829
Not on view
21
Thomas Butler of Pall Mall, active 1750, British
Learning about the Hounds
ca. 1750
Not on view
22
Richard Roper, active 1749–1765, British
The Match between Aaron and Driver at Maidenhead, Aug. 1754: Aaron winning the Second Heat
ca. 1754
Not on view
23
Francis Smith, active 1763–1780, British
The Grand Vizier giving Audience to the English Ambassador
ca. 1760
Not on view
24
Francis Calcraft Turner, active 1782–1846, British
The Berkeley Hunt, 1842: The Meet
1842
Not on view
25
John Wootton, 1682–1764, British
George I at Newmarket, 4 or 5 October, 1717
ca. 1717
Not on view
26
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Portrait of a Man, Known as the "Indian Captain"
ca. 1767
Not on view
27
Francis Wheatley, 1747–1801, British
Portrait of a Sportsman with His Son
1779
Not on view
28
John Hamilton Mortimer, 1740–1779, British
Thomas Le Blanc
ca. 1767
Not on view
29
Unknown artist, eighteenth century
The Cousin of John Gawler of Ramridge House, Weyhill, Hampshire
ca. 1765
Not on view
30
John Frederick Herring, 1795–1865, British
Memnon, with William Scott Up
1825
Not on view
31
James Millar, ca.1735–1805, British
Family Group
between 1774 and 1780
Not on view
32
unknown artist, eighteenth century
The Practical Joke
ca. 1740
Not on view
33
Edward Penny, 1714–1791, British
The Profligate Punished by Neglect
1774
Not on view
34
John Wootton, 1682–1764, British
The Duke of Rutland's Bonny Black
ca. 1715
Not on view
35
Benjamin West, 1738–1820, American, active in Britain (from 1763)
The Artist and His Family
ca. 1772
Not on view
36
John Singleton Copley, 1738–1815, American, active in Britain (from 1776)
Richard Heber
1782
Not on view
37
Marcellus Laroon the Younger, 1679–1772, British
Lovers in a glade
between 1750 and 1755
Not on view
38
William Jones, active 1832–1836, British
Fishing: Playing a Fish
ca. 1830
Not on view
39
George Garrard, 1760–1826, British
A Bay Horse Approached by a Stable-Lad with Food and a Halter
1789
Not on view
40
Charles Hancock, 1802–1877, British
Gentlemen's Carriages: A Cabriolet
between 1820 and 1830
Not on view
41
George Morland, 1763–1804, British
Foxhunting in Hilly Country
1792
Not on view
42
James Pollard, 1792–1867, British
The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington
1835
Not on view
43
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket
ca. 1730
Not on view
44
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body
ca. 1730
Not on view
45
James Seymour, 1702–1752, British
The Stables and Two Famous Running Horses belonging to His Grace, the Duke of Bolton
1747
Not on view
46
Benjamin Herring, 1830–1871, British
Silks and Satins of the Turf
1865
Not on view
47
William Jones, active 1832–1836, British
Fishing: Bottom Fishing
ca. 1830
Not on view
48
Benjamin Marshall, 1768–1835, British
Portrait of a Sportsman, Possibly Richard Prince
between 1825 and 1826
Not on view
49
Sir Alfred J. Munnings, 1878–1959, British
Newmarket Again
ca. 1952
Not on view
50
Sir Alfred J. Munnings, 1878–1959, British
Going Out
1932
Not on view
51
Thomas Spencer, 1700–1753, British
Scipio, a spotted hunter, the property of Colonel Roche
ca. 1750
Not on view
52
George Morland, 1763–1804, British
A Party Angling
1789
Not on view
53
Henry Thomas Alken, 1785–1851, British
Scenes From a Steeplechase: Another Hedge
ca. 1845
Not on view
54
Print made by Robert Polhill Bevan, 1865–1925, British
The Meet
1898-1899
55
Print made by Robert Polhill Bevan, 1865–1925, British
Found!
1898-1899
56
Print made by Robert Polhill Bevan, 1865–1925, British
The Flying Pack
1898-1899
57
Print made by Robert Polhill Bevan, 1865–1925, British
Who-o-p!
1898-1899
58
Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
59
Henry William Bunbury, 1750–1811, British
A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
undated
60
James Roberts, active 1766–1809, British
Officer with Cockade and Sword
undated
61
Samuel Shelley, 1750–1808, British
Peers in their Robes
undated
62
Francis Hayman, 1707/8–1776, British
Falstaff Inspecting the Recruits
between 1761 and 1765
63
Robert Smirke, 1752–1845, British
Anne Page and Slender
1821
64
unknown artist
Design for a Greenhouse at Kew Gardens
undated
65
Print made by George Barret, ca. 1728/32–1784, Irish
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
66
Print made by William Angus, 1752–1821, British
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
67
Nicholas Pocock, 1740–1821, British
Man Drinking from a Spout
undated
68
Print made by Matthew Darly, active 1754–1778, British
Caricature of Matthew Darly
1776
69
Print made by Matthew Darly, active 1754–1778, British
Matthew Darly
ca. 1771
70
Mary Hoare, 1744–1820, British
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
71
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Twelfth Night, Act V, Scene I: The Street
1803
72
Thomas Ryder, 1746–1810, Irish
Twelfth Night, Act III, Scene IV: Olivia's House
1803
73
James Gillray, 1756–1815, British
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
74
James Gillray, 1756–1815, British
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
75
James Gillray, 1756–1815, British
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
76
James Gillray, 1756–1815, British
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
77
James Gillray, 1756–1815, British
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
78
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Francis Grose
1787
79
Print made by Rowney & Forster, active 1820–1822
The Show
after 1821
80
Print made by Rowney & Forster, active 1820–1822
May Day
after 1821
81
Joshua Cristall, 1768–1847, British
Study of a Man Holding a Stick
undated
82
Joshua Cristall, 1768–1847, British
Young Woodcutter
1818
83
James Ward, 1769–1859, British
Study of a Coat and Breeches
undated
84
Print made by Henry William Bunbury, 1750–1811, British
Love and Wind
undated
85
Robert Smirke, 1752–1845, British
Malvolio Dancing
1827
86
Print made by Bradshaw & Blacklock, active ca.1850, British
Eight colour prints
after 1850
87
Print made by Bradshaw & Blacklock, active ca.1850, British
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
88
Robert Smirke, 1752–1845, British
Malvolio abusing Maria, Fabian and Sir Toby
1822
89
Robert Smirke, 1752–1845, British
Ford in a Rage After Seeing Falstaff
1821
90
Robert Thew, 1758–1802, British
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
91
Print made by James Gillray, 1756–1815, British
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
92
James Gillray, 1756–1815, British
Le Coup de Maitre
1797
93
Print made by Robert Barnes, 1840–1895, British
Boy Tying a Girl's Shoe
undated
94
Print made by Robert Barnes, 1840–1895, British
Boy Sketching a Man with Two Girls Watching
undated
95
Print made by Bradshaw & Blacklock, active ca.1850, British
Rural Scenes
after 1850
96
Robert Smirke, 1752–1845, British
Ferdinand Reunited with his Father
1821
97
Robert Smirke, 1752–1845, British
Katherina and Grumio
1821
98
Print made by Robert Barnes, 1840–1895, British
Boy Holding an Apple for a Girl with Two Girls Beyond
undated
99
Simon François Ravenet, 1706–1774, French, active in Britain
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
100
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)