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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms angels

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Joseph Wright of Derby The Blacksmith's Shop
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
The Blacksmith's Shop
1771
Thomas Stothard An Unfinished Study of Venus and Adonis
Thomas Stothard, 1755–1834, British
An Unfinished Study of Venus and Adonis
between 1800 and 1820
Not on view
Sir James Thornhill Jacob's Dream
Sir James Thornhill, 1675–1734, British
Jacob's Dream
1705
Not on view
Philippe-Jacques de Loutherbourg The Angel Binding Satan
Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
The Angel Binding Satan
ca. 1797
Not on view
unknown artist The Choir, Canterbury Cathedral
unknown artist, eighteenth century
The Choir, Canterbury Cathedral
between 1712 and 1715
Not on view
Joseph Highmore The Angel of Mercy
Joseph Highmore, 1692–1780, British
The Angel of Mercy
ca. 1746
Not on view
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827, British
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake Pity
Print made by William Blake, 1757–1827, British
Pity
ca. 1795
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827, British
Mary Magdalen at the Sepulchre
ca. 1805
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake Jerusalem, Plate 20, "But when they saw Albion...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
William Blake Jerusalem, Plate 75, "And Rahab Babylon the Great...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 25, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake Songs of Innocence, Plate 16, "Night" (Bentley 20)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
William Blake Jerusalem, Plate 18, "From every-one of the Four Regions...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 18, "From every-one of the Four Regions...."
1804 to 1820
William Blake Jerusalem, Plate 44, "With one accord...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 44, "With one accord...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
William Blake Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
William Blake Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
William Blake Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
William Blake A Father's Memoirs of His Child
William Blake, 1757–1827, British
A Father's Memoirs of His Child
1806
Simon Gribelin From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
Simon Gribelin, 1662–1733, French, active in Britain
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
Edward Francis Burney Allegory of Napoleonic Battles
Edward Francis Burney, 1760–1848, British
Allegory of Napoleonic Battles
undated
Sir James Thornhill Design for a Ceiling
Sir James Thornhill, 1675–1734, British
Design for a Ceiling
undated
George Richardson Design for a Ceiling
George Richardson, ca.1738–ca.1813, British
Design for a Ceiling
undated
John Martin The Release of Saint Peter from Prison
Attributed to John Martin, 1789–1854, British
The Release of Saint Peter from Prison
undated
Sir James Thornhill A Design for a Ceiling
Sir James Thornhill, 1675–1734, British
A Design for a Ceiling
undated
Thomas Carwitham Design for a Ceiling Decoration
Thomas Carwitham, active 1723, British
Design for a Ceiling Decoration
1723
Edward Francis Burney Allegory of Steam
Edward Francis Burney, 1760–1848, British
Allegory of Steam
undated
Sir James Thornhill The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
Sir James Thornhill, 1675–1734, British
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
Sir James Thornhill Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
Sir James Thornhill, 1675–1734, British
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
Sir James Thornhill The Birth of Venus
Sir James Thornhill, 1675–1734, British
The Birth of Venus
undated
unknown artist The Destruction of Sodom and Gomorrah
unknown artist, nineteenth century
The Destruction of Sodom and Gomorrah
undated
Augustus Welby Northmore Pugin Sketches of the Butler-Bowden cope
Augustus Welby Northmore Pugin, 1812–1852, British
Sketches of the Butler-Bowden cope
undated
Augustus Welby Northmore Pugin Elevation of a Baptismal Font
Augustus Welby Northmore Pugin, 1812–1852, British
Elevation of a Baptismal Font
undated
Isaac Fuller The Nymph Galatea
Isaac Fuller, 1606/20–1672, British
The Nymph Galatea
undated
John Flaxman Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
John Flaxman, 1755–1826, British
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
John Flaxman To Phoebus at His Birth, From Aeschylus, Furies
John Flaxman, 1755–1826, British
To Phoebus at His Birth, From Aeschylus, Furies
undated
John Flaxman The Creation of the Heavens
John Flaxman, 1755–1826, British
The Creation of the Heavens
ca. 1790
John Flaxman Get Thee Behind Me, Satan
John Flaxman, 1755–1826, British
Get Thee Behind Me, Satan
between 1783 and 1787
Henry Fuseli The Peasant's Dream, Paradise Lost, Book 1, 781-8
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
The Peasant's Dream, Paradise Lost, Book 1, 781-8
1793 to 1800
James Gillray Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
James Gillray, 1756–1815, British
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
Francesco Bartolozzi For the Benefit of Mr. Borghi
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
For the Benefit of Mr. Borghi
1789
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Meeting of a Family in Heaven
1808, published 1813
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Day of Judgment
1808, published 1813
Augustus Welby Northmore Pugin Design for a Gothic Church Altar and Organ
Augustus Welby Northmore Pugin, 1812–1852, British
Design for a Gothic Church Altar and Organ
undated
Gregory, Collins and Reynolds The Religion of Europe: Professed and Practiced
Print made by Gregory, Collins and Reynolds, active 1843, British
The Religion of Europe: Professed and Practiced
ca. 1845
Richard Earlom The West Window of the Chapel, New College Oxford:
Richard Earlom, 1743–1822, British
The West Window of the Chapel, New College Oxford
1785
George Siegmund Facius West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
1805
unknown artist Ornamental Ticket for Society of Painters
unknown artist, (Richard Hayes)
Ornamental Ticket for Society of Painters
1690
John Linnell Behemoth and Leviathan
circle of John Linnell, 1792–1882, British
Behemoth and Leviathan
undated
John Linnell Title Page: Illustrations of the Book of Job
circle of John Linnell, 1792–1882, British
Title Page: Illustrations of the Book of Job
after 1825
John Linnell The Creation
circle of John Linnell, 1792–1882, British
The Creation
undated
John Linnell The Fall of Satan
circle of John Linnell, 1792–1882, British
The Fall of Satan
undated
Jan de Bisschop The Entombment of Christ
Print made by Jan de Bisschop, 1628–1671, Dutch
The Entombment of Christ
1671
Joseph Wilton Design for a Monument
Joseph Wilton, 1722–1803, British
Design for a Monument
undated
Simon Gribelin The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
Print made by Simon Gribelin, 1662–1733, French, active in Britain
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
Simon Gribelin The Ceiling in the Banqueting House at Whitehall
Print made by Simon Gribelin, 1662–1733, French, active in Britain
The Ceiling in the Banqueting House at Whitehall
ca. 1720
William Sharp Niobe
Print made by William Sharp, 1749–1824, British
Niobe
1792
John Linnell Job and His Family
circle of John Linnell, 1792–1882, British
Job and His Family
undated
John Linnell Satan before the Throne of God
circle of John Linnell, 1792–1882, British
Satan before the Throne of God
undated
John Linnell Satan Going Forth from the Presence of the Lord
circle of John Linnell, 1792–1882, British
Satan Going Forth from the Presence of the Lord
undated
Ralph Hudson Pilgrim's Progress Illustrated, Uncut Panorama
Print made by Ralph Hudson, active ca. 1820, British
Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820
Luigi Schiavonetti The Day of Judgment
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Day of Judgment
1808
Luigi Schiavonetti The Meeting of a Family in Heaven
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Meeting of a Family in Heaven
1808
Luigi Schiavonetti The Death of the Good Old Man
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Death of the Good Old Man
1808