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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms Christian

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Classification Prints

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Bristol High Cross
Creator:
Print made by Samuel Buck, 1696–1779, British
Date:
1734
Medium:
Line engraving and stipple engraving, hand-colored on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 9/16 x 11 11/16 inches (49.7 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Betrayal of Christ
Creator:
Print made by William Faithorne, ca. 1620–1691, British
Date:
1653
Medium:
Line engraving with stipple engraving on moderately thick, slightly textured cream laid paper
Dimensions:
Sheet: 9 5/8 × 8 inches (24.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching and stipple engraving with color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 9/16 x 7 3/16 inches (11.6 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:
Image: 4 1/2 x 7 3/16 inches (11.5 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St Paul Preaching in Athens
Creator:
George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on moderately thick, smooth, beige wove paper
Dimensions:
Image: 5 7/8 x 7 3/8 inches (14.9 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Etching and stipple engraving with aquatint on cream card
Dimensions:
Image: 5 5/16 x 6 3/4 inches (13.5 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching and stipple engraving with color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 7 3/4 x 8 9/16 inches (19.7 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Healing of the Lame Man
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth cream wove paper mounted on contemporary cream card
Dimensions:
Mount: 8 3/8 x 9 15/16 inches (21.2 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Death of Ananias
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on cream card with cream card cutout pasted on top
Dimensions:
Mount: 7 15/16 x 9 5/8 inches (20.2 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Conversion of the Proconsul
Creator:
Print made by George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Etching and stipple engraving with aquatint and red color woodcut on thick, smooth, cream wove paper
Dimensions:
Image: 5 1/4 x 8 1/4 inches (13.4 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 6 15/16 x 7 7/8 inches (17.7 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rev. Dr. Thomas Percy, Dean of Carlisle
Creator:
William Dickinson, 1746–1823, British
Date:
1775
Medium:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 3/4 × 10 15/16 inches (37.5 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Repose in Egypt
Creator:
Print made by James Barry, 1741–1806, Irish
Date:
ca. 1776
Medium:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 1/8 x 10 9/16 inches (20.6 x 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Repose in Egypt
Creator:
Print made by James Barry, 1741–1806, Irish
Date:
ca. 1776
Medium:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Death of Ananias
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 3/4 x 7 1/16 inches (12 x 18 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Christ's Charge to Peter
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The North Prospect of the Cathedral Church of St. Mary at Worcester
Creator:
John Harris, 1811–1865, British
Date:
undated
Medium:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 15/16 x 13 7/16 inches (25.3 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Cathedral Church of Worcester
Creator:
John Harris, 1811–1865, British
Date:
undated
Medium:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 1/4 x 12 9/16 inches (20.9 x 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Last Supper
Creator:
Print made by Bradshaw & Blacklock, active ca.1850, British
Date:
ca. 1854
Medium:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 5/8 × 8 3/4 inches (14.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mater Purissima
Creator:
Print made by Henry Bonnart, 1642–1711, French
Date:
undated
Medium:
Etching, drypoint, and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 4 7/16 inches (16.8 × 11.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Frederick Bacon, 1803–1887, British
Date:
between 1842 and 1887
Medium:
Stipple engraving and etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 19 15/16 x 13 1/2 inches (50.6 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 7 11/16 x 10 1/8 inches (19.6 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection