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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms literary theme

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William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The First Book of Urizen, Plate 22 (Bentley 24)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 22 (Bentley 24)
1794
William Blake The First Book of Urizen, Plate 24 (Bentley 26)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 24 (Bentley 26)
1794
William Blake The First Book of Urizen, Plate 16 (Bentley 17)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 16 (Bentley 17)
1794
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)
1794
William Blake The First Book of Urizen, Plate 11 (Bentley 17)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 11 (Bentley 17)
1794
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878, British
Bolton Abbey
1834
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868, British
St. Herbert's Chapel
1834
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878, British
Bolton Abbey
1834
Edward Goodall Columbus and his Son
Print made by Edward Goodall, 1795–1870, British
Columbus and his Son
1834
Edward Goodall The Boy of Egremond
Print made by Edward Goodall, 1795–1870, British
The Boy of Egremond
1834
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket: Anacreontic Society Meeting
1773
Robert Wallis Bolton Abbey
Print made by Robert Wallis, 1794–1878, British
Bolton Abbey
1834
Edward Goodall The Boy of Egremond
Print made by Edward Goodall, 1795–1870, British
The Boy of Egremond
1834
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868, British
Abbotsford, Vignette Title
1834
Robert Smirke Olivia and Maria
Robert Smirke, 1752–1845, British
Olivia and Maria
1822
Robert Smirke She Never Told Her Love, But Sat Like Patience on a Monument
Robert Smirke, 1752–1845, British
She Never Told Her Love, But Sat Like Patience on a Monument
1827
Robert Smirke Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing
Robert Smirke, 1752–1845, British
Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing
undated
Robert Smirke Illustration for Don Quixote, Two Figures at a Table
Robert Smirke, 1752–1845, British
Illustration for Don Quixote, Two Figures at a Table
undated
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868, British
Abbotsford, Vignette Title
1834
Robert Smirke Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)
Robert Smirke, 1752–1845, British
Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)
undated
Robert Smirke Taming of the Shrew
Robert Smirke, 1752–1845, British
Taming of the Shrew
1821
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868, British
Abbotsford, Vignette Title
1834
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket: Anacreontic Society Meeting
1779
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868, British
St. Herbert's Chapel
1834
Edward Goodall Bolton Abbey
Print made by Edward Goodall, 1795–1870, British
Bolton Abbey
1834
Francesco Bartolozzi Ophelia: There's Rue for You, and Here's Some for Me
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ophelia: There's Rue for You, and Here's Some for Me
1784