Marcellus Laroon the Elder, 1653–1702, Dutch, active in Britain (from ca. 1660)
Self-Portrait
ca. 1700
Not on view
8
John Frederick Herring Jr., 1815–1907, British
Returning from the Hunt
ca. 1855
Not on view
9
Edwin W. Cooper of Beccles, (previously Edward Cooper), 1785–1833, British
A Gentleman Driving Tandem to a Jaunting Car
ca. 1820
Not on view
10
Christopher Hewetson, 1737/38–1798, British, active in Italy (from 1765)
Pope Clement XIV (Giovanni Vincenzo Antonio Ganganelli, 1705–1774; reigned 1769–1774)
ca. 1772
Not on view
11
Henry Cave, 1780–1836, British
York, the Old Bridge and St. William's Chapel
1820
12
unknown artist, ( A. Roos )
Deepdene, South West Front Elevation
1841
13
Samuel Davis, 1760–1819, British
Tassisudon
1783
14
unknown artist, eighteenth century
Pile Driving on the Banks of the Thames
undated
15
Robert Adam, 1728–1792, British
Headfort House, Ireland: Detail of Entablature in the Staircase
between 1771 and 1775
16
Willem van de Velde the Younger, 1633–1707, Dutch, active in Britain (from 1672)
An English Man of War, Starboard Quarter View: Possibly the Victory
ca. 1675
17
Print made by Samuel Middiman, ca. 1750–1831, British
High Street, Oxford
1811
18
Print made by John Pye, 1782–1874, British
A View of Oxford from the Abingdon Road
1818
19
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
20
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c., taken from Pont Marie
1802
21
etching by Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1803
22
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1803
23
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
24
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
25
Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
26
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
27
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
28
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
29
Thomas Girtin, 1775–1802, British
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
30
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1803
31
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
32
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
33
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
34
Thomas Girtin, 1775–1802, British
The Water Mill above the Bridge at Charenton
1803
35
John Varley, 1778–1842, British
Llanberis Lake, with Castle Dolbadern
ca. 1805
36
William Daniell, 1769–1837, British
Windsor Castle from near Brocas Meadows
1827
37
Joseph Farington, 1747–1821, British
View of Skiddaw and Derwentwater
ca. 1780
38
Print made by James Basire the younger, 1769–1822, British
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
39
Samuel Howitt, 1756–1822, British
The Kill
undated
40
William Bernard Cooke, 1778–1855, British
[Racing] Hap-Hazard. The Property of the Rt. Hon. the Earl of Darlington
1805
41
Richard Banks Harraden, 1778–1862, British
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
42
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
43
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
44
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
45
Thomas Girtin, 1775–1802, British
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
46
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
47
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
48
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
49
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1803
50
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c. taken from Pont Marie
1802
51
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1802
52
Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1802
53
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1802
54
Thomas Girtin, 1775–1802, British
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
55
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
56
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1802
57
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
58
Charles Robert Cockerell, 1788–1863, British
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
59
Print made by Joseph Constantine Stadler, active 1780–1812, British
Rosehill
ca. 1810
60
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1802
61
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
62
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
63
Print made by Thomas Girtin, 1775–1802, British
On the Banks of the Marne below the Bridge at Charenton
1803
64
Samuel Davis, 1760–1819, British
Mr. Croft's bungalow, Near Madras
undated
65
Samuel Davis, 1760–1819, British
Old Mosque at Rajemahl [Rajmahal]
undated
66
James Godby, 1767–1849, British
The Drinking Well in Hyde Park
1802
67
unknown artist, ( James Phelps )
A View of St. Katharine's Dock in the Month of January, 1828
1828
68
Robert Adam, 1728–1792, British
Headfort House: Lady's Room Ceiling
1772
69
John Wood, 1728–1781, British
The View from One Tree Hill in Greenwich Park
1744
70
Print made by Daniel Wilson, 1816–1892
Ancient Carthage - The Embarcation of Regulus
1840
71
Print made by James T. Willmore, 1800–1863, British
Ancient Italy - Ovid Banished from Rome
1842
72
Richard Earlom, 1743–1822, British
Tiger Hunting in the East Indies
1802
73
Richard Earlom, 1743–1822, British
Embassy of Hyderbeck to Calcutta
1800
74
Richard Earlom, 1743–1822, British
Labourers
1790
75
William Ward, 1766–1826, British
The Truants
1796
76
Thomas Malton, 1726–1801, British
Lleweney Bleach Works
1798
77
James Ward, 1769–1859, British
A Boy Employed in Burning Weeds
1793
78
Print made by Samuel William Reynolds, 1773–1835, British
Death of Captain Alexander Hood
1798
79
Print made by Thomas Malton the Younger, 1748–1804, British
Cambridge University: Queens College
1800
80
Thomas Malton the Younger, 1748–1804, British
South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
1799
81
Thomas Malton the Younger, 1748–1804, British
The East Front of the Library of Trinity College in the University of Cambridge
1800
82
Richard Woodman, 1784–1859, British
Hare Hunting and Coursing: His Majesty's Harriers
1815
83
Charles Knight, 1743–c.1826, British
Fox Hunting
1808
84
Print made by Andrew Lawrence, 1708–1747, French
The Death of the Stag
1753
85
Print made by Gerard van der Gucht, 1696–1776, British
The Cape of Good Hope
1736
86
William Ward, 1766–1826, British
Selling Rabbits
1796
87
Print made by William Sharp, 1749–1824, British
Niobe
1792
88
Abraham Raimbach, 1784–1868, British
Distraining for Rent
1828
89
Wenceslaus Hollar, 1607–1677, Bohemian
(i) A True and Exact Prospect of the Famous Citty of London, . . . (ii) Another Prospect of the Sayd Citty taken from the Same Place . .
1666
90
Print made by J. P. Quilley, active 1828
Boccaccio, the Bird Cage
1830
91
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
92
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
93
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
94
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
95
Thomas Anburey, 1759–1840, British
Mahore, a Fortress Belonging to Nizam Alley (1 of 6)
ca. 1792
96
Print made by James Basire the younger, 1769–1822, British
PLATE XV. Elevation of a Window Bay &c
1805
97
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Chamber Floor Plan
1830
98
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Principal Floor Plan
1830
99
Print made by William Miller, 1796–1882, British
Kilchurn Castle, Loch Awe
1847
100
Print made by James T. Willmore, 1800–1863, British