The Society for the Encouragement of the Arts (2 copies)
after 1783
5
James Barry, 1741–1806, Irish
The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
after 1783
6
John Harris, active 1686–1740
West Prospect of ...Great Yarmouth
undated
7
James Duffield Harding, 1798–1863, British
View of the Clifton Suspension Bridge
undated
8
Print made by James Clark, 19th century
Cowdray Ruins
1824
9
William James Ward, ca. 1800–1840, British
David Wilkie, R.A
1818
10
Print made by George Cooke, 1781–1834, British
Hythe, Kent
1824
11
Print made by Robert Wallis, 1794–1878, British
Folkstone, Kent
1814 to 1826
12
Print made by Robert Wallis, 1794–1878, British
Folkstone, Kent
1826
13
Print made by George Cooke, 1781–1834, British
Florence, from the Chiesa al Monte
1820
14
Print made by John Landseer, 1769–1852, British
Fall of the Tees
1818-1823
15
Print made by William Radclyffe, 1780–1855, British
Hornby Castle from Tatham Church
1822
16
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
17
unknown artist, eighteenth century
Prospectus Westmonasteriensis Londini
undated
18
unknown artist
A View of Westminster Bridge from Stangate Stairs
19
unknown artist
The Fatal Conflagration of the Custom House, 12th February 1814
1814
20
Augustus Charles Pugin, 1762–1832, French
The Opening of the Waterloo Bridge on the 18th June 1817
1818
21
unknown artist, eighteenth century
The West Prospect of the Cathedral Church of St. Pauls London
undated
22
Print made by James Basire the younger, 1769–1822, British
View of the Cathedral of Christ Church and Part of Corpus Christi College
1808
23
Print made by William Bernard Cooke, 1778–1855, British
Torbay from Brixham
1814 to 1826
24
Print made by Robert Wallis, 1794–1878, British
Ramsgate
1814 to 1826
25
Print made by James C. Allen, active 1821–1831, British
Dunbar
1824
26
Print made by James Basire the younger, 1769–1822, British
South View of Christ Church, etc. from the Meadows
1799
27
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
28
Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
29
John Harris, 1811–1865, British
Coaching: The Early Delivery
1863
30
John Harris, 1811–1865, British
Coaching: The Right Sort
1863
31
John Harris, 1811–1865, British
Coaching: The Last Change Down
1863
32
Print made by Day & Haghe, 1824–1913, British
The High Street, Southampton
1828
33
Print made by John Doyle ('H.B.'), 1797–1868, Irish
A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume
1846
34
Charles Hunt, 1803–1877, British
Shooting [A Pair]: 2. The Sportsman Preparing
1829
35
Francis Jukes, 1747–1812, British
Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
1800
36
James Gillray, 1756–1815, British
Junction of Parties
1783
37
James Gillray, 1756–1815, British
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
38
James Gillray, 1756–1815, British
Duke William's Ghost
1799
39
James Gillray, 1756–1815, British
Playing in Parts
1801
40
James Gillray, 1756–1815, British
Miss, I have a Monstrous Crow to pluck with you!!
1794
41
unknown artist, nineteenth century
View of the Coronation Procession of George IV
ca. 1821
42
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
43
Georg Paul Nusbiegel, 1713–1776
Jacob Bates / The Famous English Horse Rider
1766
44
John Wood, 1728–1781, British
Racing: Sir Charles Sedley's Bay Gelding "True Blue" / He won Two Subscription Plates for Hunters of 60 Guineas each at Nottingham ..
1753
45
John Harris, 1811–1865, British
Coaching: The First Change Up
1863
46
James Pollard, 1792–1867, British
The Ceremony of the Procession ad Montem
47
Theodore Henry Adolphus Fielding, 1781–1851, British
Fox Hunting: Leicestershire - The Meeting
1827
48
James Gillray, 1756–1815, British
The Injured Countess
1786-1788
49
James Gillray, 1756–1815, British
Sawney in the Bog-House
1779
50
James Gillray, 1756–1815, British
The Fall of Phaeton
1788
51
James Gillray, 1756–1815, British
The Royal Joke or Black Jacks Delight
1788
52
James Gillray, 1756–1815, British
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
53
James Gillray, 1756–1815, British
The Bolgna Sausages or Opposition Flux'd
1788
54
James Gillray, 1756–1815, British
Patience on a Monument
1791
55
James Gillray, 1756–1815, British
Swearing to the Cutting Monster or A Scene in Bow Street
1790
56
James Gillray, 1756–1815, British
The Monster going to take his Afternoons Luncheon
1790
57
James Gillray, 1756–1815, British
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
58
James Gillray, 1756–1815, British
Lubber's Hole - alias - The Crack'd Jordan
1791
59
James Gillray, 1756–1815, British
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
60
James Gillray, 1756–1815, British
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
61
James Gillray, 1756–1815, British
The Physick; - or - The News of Shooting the King of Sweden
1792
62
James Gillray, 1756–1815, British
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
63
James Gillray, 1756–1815, British
Going to London, through "Epping Forest"
1802
64
James Gillray, 1756–1815, British
Wha Wants Me?
1792
65
James Gillray, 1756–1815, British
National Conveniences
1796
66
James Gillray, 1756–1815, British
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
67
James Gillray, 1756–1815, British
Fashionable Jockeyship
1796
68
James Gillray, 1756–1815, British
Ladies Dress, as it soon will be
1796
69
James Gillray, 1756–1815, British
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
70
James Gillray, 1756–1815, British
Brisk Cathartic
1804
71
James Gillray, 1756–1815, British
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
72
James Gillray, 1756–1815, British
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
73
James Gillray, 1756–1815, British
The French Invasion; or John Bull, bombarding the Bum Boats
1793
74
James Gillray, 1756–1815, British
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
75
James Gillray, 1756–1815, British
The Grand - Signior retiring
1796
76
James Gillray, 1756–1815, British
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
77
James Gillray, 1756–1815, British
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
78
James Gillray, 1756–1815, British
The Man of Feeling, in search of Indispensibles
1800
79
James Gillray, 1756–1815, British
Palemon and Lavinia
1805
80
James Gillray, 1756–1815, British
Evacuation of Malta
1803
81
James Gillray, 1756–1815, British
- "and would'st thou turn the vile Reproach on me?"
1807
82
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
83
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
84
James Gillray, 1756–1815, British
The Castle in the Moon
1782
85
James Gillray, 1756–1815, British
Wouski
1788
86
James Gillray, 1756–1815, British
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
87
James Gillray, 1756–1815, British
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
88
James Gillray, 1756–1815, British
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
89
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
90
Theodore Henry Adolphus Fielding, 1781–1851, British
Fox Hunting: Leicestershire - Full Cry
1827
91
Theodore Henry Adolphus Fielding, 1781–1851, British
Fox Hunting: Leicestershire - Getting Away
1827
92
Theodore Henry Adolphus Fielding, 1781–1851, British
Fox Hunting: Leicestershire - The Death
1827
93
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
94
Print made by Miles Edmund Cotman, 1810–1858, British
The Red House on the Lake near Norwich Oct. 7th, 1841
1847
95
Print made by Miles Edmund Cotman, 1810–1858, British
The Devil's Tower, Norwich Oct. 1841
1847
96
Print made by Miles Edmund Cotman, 1810–1858, British
From the Garden front of my Father's House at Thorpe next Norwich
1847
97
Print made by Miles Edmund Cotman, 1810–1858, British
The Red House on the Lake near Norwich Oct. 7th, 1841
1847
98
Print made by Miles Edmund Cotman, 1810–1858, British
The Red House on the Lake near Norwich Oct. 7th, 1841
1847
99
J. Wells, active 1780–1791
A View of Margate with the Bathing Place
1786
100
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers