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Credit Line Yale Center for British Art, Paul Mellon Collection
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1
- Calais Jetty, France
- ca. 1824
2
- William Augustus, Duke of Cumberland
- 1732
- Not on view
3
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
4
- 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
- 1786
- Not on view
5
- The Barber
- between 1760 and 1769
- Not on view
6
- Ruined House
- between 1807 and 1810
- Not on view
7
- An Unknown Woman in a Drawing Room
- between 1740 and 1741
- Not on view
8
- An Unknown Man in a Library
- between 1740 and 1741
- Not on view
9
- Pheasant Shooting
- mid-19th century
- Not on view
10
- Barges on a River
- 1826
- Not on view
11
- Grand Canal, Venice
- 1826
- Not on view
12
- In the Forest at Fontainebleau
- ca. 1825
- Not on view
13
- Southampton Water, near Hamble
- after 1837
- Not on view
14
- Mountainous Landscape with Figures and Cattle
- 1806 to 1807
- Not on view
15
- The Royal Mail Coach on the Road
- 1841
- Not on view
16
- The Rising Moon
- 1857
17
- Moeris and Galatea
- plate etched between 1880 and 1883; impression printed in 1924
18
- Human Skeleton, Anterior View (Final study)
- 1795 to 1806
19
- Human Figure, Posterior View (Outline drawing for a key figure showing the final stage of dissection)
- 1795 to 1806
20
- A Sleeping Leopard
- 1791
21
- Tiger Body, Lateral View
- 1795 to 1806
22
- Tiger Body, Lateral View
- 1795 to 1806
23
- Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
- 1795 to 1806
24
- Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V)
- 1795 to 1806
25
- Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)
- 1795 to 1806
26
- Horse in Breton Yard
- undated
27
- Hogarth Painting the Comic Muse
- 1764
28
- Dent de Lion, Margate
- ca. 1791
29
- Jason
- 1807
30
- Chain of Alps from Grenoble to Chamberi
- 1812
31
- Amada, 9:30 am, 12 February 1867
- 1867
32
- Wied Zurrik (Malta)
- 1848
33
- The Parable of the Wise and Foolish Virgins
- ca. 1825
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
34
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
35
- Illustrations to Dante's Divine Comedy
- 1827
36
- Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
- 1802-1804
37
- Study of the Capital of a PIllar
- 1802-1804
38
- Study of the Capital of a Pillar
- 1802-1804
39
- Ruins at Capua
- 1802-1804
40
- View From Cori Towards Villetri
- 1802-1804
41
- Skiddaw & Derwent water
42
- Lodore Rocks -- fall & cottage - distance
43
- View across Windermere looking to the Great Island
44
- No. View on the Road from Ambleside to Keswick from 6 mile Stone
45
- Huntsmen in a Wood
- 1891
46
- Miss Francis Lascelles
- undated
47
- A Pastoral Scene with Cow
- 1777
48
- Coastal Landscape Scene
- undated
49
- Mountainous Landscape, with a Small Village in its Valley
- undated
50
- Montpellier, France
- 1775
51
- The Siege of Namur
- between 1773 and 1817
52
- The Battle of the Cataplasm
- between 1773 and 1817
53
- Overthrow of Dr. Slop
- between 1773 and 1817
54
- Fitting out. - Plate 1
- 1820
55
- Wooded Landscape with Herdsman and Cows
- 1797
56
- Portrait of a Man Wearing Turban
- 1760
57
- Self-portrait
- ca. 1760
58
- Portrait of a Young Man Leaning on His Right Elbow
- 1760
59
- Ruins of the Savoy Palace, London
- undated
60
- Ruins of Richbro' Castle, Isle of Thanet
- undated
61
- Study of a Cottage by a lane
- undated
62
- Cyperus papyrus L. (Papyrus Sedge): finished drawing of steam and flowering head, with details of inflorescence left and right
- undated
63
- Landscape with Ledbury Church Spire
- undated
64
- Lake Morat from Avenches
- ca. 1780
65
- Naples from the Strada Nouva, Nov.26, 1830
- 1830
66
- Interior of an Eastern House
- between 1840 and 1851
67
- The Valley of Lutscheuen
- 1827
68
- Cleeve, Somerset, with Bridgewater Bay in the Distance
- 1841
69
- Rusthill Common near Tunbridge Wells, Kent
- ca. 1840
70
- Mountainous Landscape with Lake
- 1840
71
- Graves of the Officers in the Fort on Cathcart's Hill
- 1854
72
- Convent of Vallombrosa
- undated
73
- Plymouth Citadel
- 1821
74
- Rome, Tomb of Cecilia Metella
- 1818-1820
75
- A River by a Rocky Bank with Figures, Possibly in India
- between 1783 and 1789
76
- Stone Byres, Lanarkshire
- undated
77
- A Country Stile
- ca. 1710
78
- Grange of Borrodale
79
- The Satirist
- 1807
80
- Music by Moonlight
- 1782 or 1788
81
- Children with Pet Owls
- undated
82
- Interior of the Church of San Giovanni e Paolo, Venice
- 1835ated
83
- A Dramatic Scene with Three Women in an Interior
- 1794
84
- A Design of Masks
- 1710
85
- Part of the Bay of the Town of San Miguel, La Palma
- undated
86
- Red-Plumed Bird-of-Paradise (Paradisea Apoda Raggiana), Southeastern New Guinea
- undated
87
- Cobham Hall, Kent: Cornice and Battlement for the Dairy
- 1795
88
- Scarborough Harbour, Yorkshire - Moonlight
- 1850
89
- Design for a Ceiling
- undated
90
- An Allegory on the Plight of the Artist
- between 1772 and 1790
91
- Culraven and Broadfield
- undated
92
- Townhead and Drummore
- undated
93
- Culdoch
- undated
94
- Senwick
- undated
95
- Mayfield
- undated
96
- Nuntons
- undated
97
- Little Kirkland
- undated
98
- Balgreddan and Whinny Liggate
- undated
99
- Netherthird
- undated
100
- Woodland Scene with a Path Across a Stream
- undated