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Credit Line Yale Center for British Art, Paul Mellon Collection
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1
- Calais Jetty, France
- ca. 1824
2
- William Augustus, Duke of Cumberland
- 1732
- Not on view
3
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
4
- 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
- 1786
- Not on view
5
- The Barber
- between 1760 and 1769
- Not on view
6
- Rue Terre Neuve, Meudon
- between 1915 and 1925
- Not on view
7
- Ruined House
- between 1807 and 1810
- Not on view
8
- An Unknown Woman in a Drawing Room
- between 1740 and 1741
- Not on view
9
- An Unknown Man in a Library
- between 1740 and 1741
- Not on view
10
- Pheasant Shooting
- mid-19th century
- Not on view
11
- Barges on a River
- 1826
- Not on view
12
- Grand Canal, Venice
- 1826
- Not on view
13
- In the Forest at Fontainebleau
- ca. 1825
- Not on view
14
- Southampton Water, near Hamble
- after 1837
- Not on view
15
- Mountainous Landscape with Figures and Cattle
- 1806 to 1807
- Not on view
16
- The Royal Mail Coach on the Road
- 1841
- Not on view
17
- The Chaser: Sergeant Murphy
- cast 1963 (original model 1926)
- Not on view
18
- Harboro’ Nulli Secundus, Shire Stallion
- 1968
- Not on view
19
- Crocks
- undated
20
- The Rising Moon
- 1857
21
- Moeris and Galatea
- plate etched between 1880 and 1883; impression printed in 1924
22
- Human Skeleton, Anterior View (Final study)
- 1795 to 1806
23
- Human Figure, Posterior View (Outline drawing for a key figure showing the final stage of dissection)
- 1795 to 1806
24
- A Sleeping Leopard
- 1791
25
- Tiger Body, Lateral View
- 1795 to 1806
26
- Tiger Body, Lateral View
- 1795 to 1806
27
- Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
- 1795 to 1806
28
- Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V)
- 1795 to 1806
29
- Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)
- 1795 to 1806
30
- Horse in Breton Yard
- undated
31
- Hogarth Painting the Comic Muse
- 1764
32
- Dent de Lion, Margate
- ca. 1791
33
- Jason
- 1807
34
- Chain of Alps from Grenoble to Chamberi
- 1812
35
- Amada, 9:30 am, 12 February 1867
- 1867
36
- Wied Zurrik (Malta)
- 1848
37
- The Parable of the Wise and Foolish Virgins
- ca. 1825
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
38
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
39
- Illustrations to Dante's Divine Comedy
- 1827
40
- Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
- 1802-1804
41
- Study of the Capital of a PIllar
- 1802-1804
42
- Study of the Capital of a Pillar
- 1802-1804
43
- Ruins at Capua
- 1802-1804
44
- View From Cori Towards Villetri
- 1802-1804
45
- Skiddaw & Derwent water
46
- Lodore Rocks -- fall & cottage - distance
47
- View across Windermere looking to the Great Island
48
- No. View on the Road from Ambleside to Keswick from 6 mile Stone
49
- Huntsmen in a Wood
- 1891
50
- Miss Francis Lascelles
- undated
51
- A Pastoral Scene with Cow
- 1777
52
- Coastal Landscape Scene
- undated
53
- Mountainous Landscape, with a Small Village in its Valley
- undated
54
- Montpellier, France
- 1775
55
- The Siege of Namur
- between 1773 and 1817
56
- The Battle of the Cataplasm
- between 1773 and 1817
57
- Overthrow of Dr. Slop
- between 1773 and 1817
58
- Fitting out. - Plate 1
- 1820
59
- Crowhurst, Sussex
- 1902
60
- Wooded Landscape with Herdsman and Cows
- 1797
61
- Portrait of a Man Wearing Turban
- 1760
62
- Self-portrait
- ca. 1760
63
- Portrait of a Young Man Leaning on His Right Elbow
- 1760
64
- Ruins of the Savoy Palace, London
- undated
65
- Ruins of Richbro' Castle, Isle of Thanet
- undated
66
- Study of a Cottage by a lane
- undated
67
- Cyperus papyrus L. (Papyrus Sedge): finished drawing of steam and flowering head, with details of inflorescence left and right
- undated
68
- Landscape with Ledbury Church Spire
- undated
69
- Lake Morat from Avenches
- ca. 1780
70
- Naples from the Strada Nouva, Nov.26, 1830
- 1830
71
- Interior of an Eastern House
- between 1840 and 1851
72
- The Valley of Lutscheuen
- 1827
73
- Cleeve, Somerset, with Bridgewater Bay in the Distance
- 1841
74
- Rusthill Common near Tunbridge Wells, Kent
- ca. 1840
75
- Mountainous Landscape with Lake
- 1840
76
- Graves of the Officers in the Fort on Cathcart's Hill
- 1854
77
- Convent of Vallombrosa
- undated
78
- Plymouth Citadel
- 1821
79
- Rome, Tomb of Cecilia Metella
- 1818-1820
80
- A River by a Rocky Bank with Figures, Possibly in India
- between 1783 and 1789
81
- Stone Byres, Lanarkshire
- undated
82
- A Country Stile
- ca. 1710
83
- Grange of Borrodale
84
- The Satirist
- 1807
85
- Music by Moonlight
- 1782 or 1788
86
- Children with Pet Owls
- undated
87
- Interior of the Church of San Giovanni e Paolo, Venice
- 1835ated
88
- A Dramatic Scene with Three Women in an Interior
- 1794
89
- A Design of Masks
- 1710
90
- Part of the Bay of the Town of San Miguel, La Palma
- undated
91
- Red-Plumed Bird-of-Paradise (Paradisea Apoda Raggiana), Southeastern New Guinea
- undated
92
- Cobham Hall, Kent: Cornice and Battlement for the Dairy
- 1795
93
- Scarborough Harbour, Yorkshire - Moonlight
- 1850
94
- Design for a Ceiling
- undated
95
- An Allegory on the Plight of the Artist
- between 1772 and 1790
96
- Culraven and Broadfield
- undated
97
- Townhead and Drummore
- undated
98
- Culdoch
- undated
99
- Senwick
- undated
100
- Mayfield
- undated