Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 31 / Subject Terms: landscape (representation)

Print made by William Miller, 1796–1882, British

Clovelly Bay and Lundy Island

1824

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1825

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1814 to 1826

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1826

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1825

Print made by Edward Goodall, 1795–1870, British

St. Pierre's Cottage

1834

Print made by John Scott, 1774–1828, British

Aysgarth Force

1818-1823

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1834

Print made by Robert Wallis, 1794–1878, British

A Farewell - Lake of Como, II

1830

Print made by Robert Wallis, 1794–1878, British

William Tell's Chapel

1829

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Dock, from Mount Edgecumbe

1816

Print made by George Cooke, 1781–1834, British

Pendennis Castle and Entrance of Falmouth Harbour

1814 to 1826

Print made by George Cooke, 1781–1834, British

Pendennis Castle, and Entrance of Falmouth Harbour

1814-1826

Print made by George Cooke, 1781–1834, British

Pendennis Castle and Entrance of Falmouth Harbour

1814-1826

Print made by George Cooke, 1781–1834, British

Watchet, Somersetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855, British

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1814 to 1826

Print made by William Bernard Cooke, 1778–1855, British

Minehead, Somersetshire

1820

Print made by William Bernard Cooke, 1778–1855, British

Minehead, Somersetshire

1820

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1821

Print made by William Miller, 1796–1882, British

Clovelly Bay and Lundy Island

1814 to 1826

Print made by James C. Allen, active 1821–1831, British

St. Mawes, Cornwall

1814 to 1826

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Print made by John Horsburgh, 1791–1869, British

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by John Horsburgh, 1791–1869, British

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by William Bernard Cooke, 1778–1855, British

Fowey, Cornwall

1820

Print made by Robert Wallis, 1794–1878, British

A Farewell - Lake of Como, II

1830

Print made by William Bernard Cooke, 1778–1855, British

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814-1826

Print made by Samuel Middiman, ca. 1750–1831, British

Bridge at Narni

1819

Print made by Edward Goodall, 1795–1870, British

The Boy of Egremond

1834

Print made by William Miller, 1796–1882, British

Berwick-on-Tweed

1834

Print made by James T. Willmore, 1800–1863, British

Penmaen Mawr, Caernarvonshire

1832

Print made by Edward Goodall, 1795–1870, British

St. Pierre's Cottage

1834

Print made by James T. Willmore, 1800–1863, British

Ullswater, Cumberland

1835

Print made by Robert Wallis, 1794–1878, British

William Tell's Chapel

1830

Print made by Robert Brandard, 1805–1862, British

Château de Tancarville with Town of Quilleboeuf

1834

Print made by Robert Brandard, 1805–1862, British

La Chaise de Gargantua near Duclair

1834

Print made by Samuel Middiman, ca. 1750–1831, British

Bridge at Narni

1819

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey, Yorkshire

1827

Print made by Edward Goodall, 1795–1870, British

Fall of the Tees, Yorkshire

1827

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1836

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1836

Print made by Thomas Jeavons, ca. 1800–1867, British

Arundel Castle and Town, Sussex

1834

Print made by James C. Allen, active 1821–1831, British

Dunwich, Suffolk

1819-1826

Print made by William Radclyffe, 1780–1855, British

Blenheim, Oxfordshire

1833

Print made by James C. Allen, active 1821–1831, British

Dunwich

1819-1826

Print made by William Miller, 1796–1882, British

Carew Castle, Pembroke

1834

Print made by William Radclyffe, 1780–1855, British

Caernarvon Castle, Wales

1835

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1811-1812

Print made by James C. Allen, active 1821–1831, British

Dunwich, Suffolk

ca. 1830

Print made by James C. Allen, active 1821–1831, British

Dunwich, Suffolk

ca. 1830

Print made by John Pye, 1782–1874, British

Ehrenbreitstein

1828

Print made by James T. Willmore, 1800–1863, British

Alnwick Castle

1830

Print made by William Radclyffe, 1780–1855, British

Eton College

1831

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Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 31

Subject Terms landscape (representation)

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Credit Line Yale Center for British Art, Paul Mellon Collection

Width [cm] 31

Subject Terms landscape (representation)

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