Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
4
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
5
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
6
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 1, Frontispiece
1793
7
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
8
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 14, "So Cried He...."
1793
9
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
10
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
11
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 2, Title Page
1793
12
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
13
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
14
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
15
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
16
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
17
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
18
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
19
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
20
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 1, Frontispiece
1794
21
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
22
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
23
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
24
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
25
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
26
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 3, "Preludium"
1794
27
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
28
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
29
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
30
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
31
John Frederick Lewis, 1804–1876, British
The Torre de Comares, Alhambra, 1835
1835
32
Francis Wheatley, 1747–1801, British
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
33
Thomas Hearne, 1744–1817, British
The Chestnut Tree at Little Wymondley, Hertfordshire
undated
34
Thomas Hearne, 1744–1817, British
The Gateway of Lancaster Castle
ca. 1778
35
Samuel Hieronymus Grimm, 1733–1794, Swiss
East Side of Mr. Hare's New House
1783
36
Samuel Hieronymus Grimm, 1733–1794, Swiss
North East View of Mr. Hare's New House
1783
37
Samuel Scott, 1701/2–1772, British
Two Boats with Crews, Study for The Royal William at Sea
undated
38
James Pollard, 1792–1867, British
The Meat Market
undated
39
James Pollard, 1792–1867, British
The Poultry Market
undated
40
Mauritius Lowe, 1746–1793, British
The Artist Assaulted by Time, Ignorance and Envy
between 1772 and 1790
41
James Ward, 1769–1859, British
Study of a Cossack: Gregory Yellowstuff
1814
42
Cornelius Varley, 1781–1873, British
A Horse pulling a Drag
undated
43
George Fennell Robson, 1788–1833, British
The Murder of Banquo
ca. 1830
44
Samuel Prout, 1783–1852, British
The Porch, Reims Cathedral
ca. 1840
45
Michael "Angelo" Rooker, 1746–1801, British
Abbot's Kitchen, Glastonbury
ca. 1795
46
John Varley, 1778–1842, British
View of New Street, near London Bridge
undated
47
attributed to Peter DeWint, 1784–1849, British
The Harvesters
undated
48
Print made by John Bluck, active 1791–1831, British
Clare Hall
1814
49
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Evening
undated
50
James Fittler, 1758–1835, British
Mail Coach
ca. 1787
51
John Flaxman, 1755–1826, British
Illustration to Pilgrim's Progress
1792
52
John White Abbott, 1763–1851, British
The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge
1811
53
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice
1762
54
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
55
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
56
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
57
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
58
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
59
Charles Cooper Henderson, 1803–1877, British
A Hay Wagon Drawn by Four Horses
undated
60
Henry Thomas Alken, 1785–1851, British
Grouse Shooting: The Wrong Sort
undated
61
Henry Thomas Alken, 1785–1851, British
Two Riders Taking a Double Fence
undated
62
Possibly Henry Thomas Alken, 1785–1851, British
Full Cry
undated
63
Possibly Henry Thomas Alken, 1785–1851, British
Gone Away
undated
64
Possibly Henry Thomas Alken, 1785–1851, British
The Death
undated
65
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
66
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
67
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
undated
68
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
69
Thomas Rowlandson, 1756–1827, British
How to Vault in the Saddle
1813
70
Print made by Jacob Bonneau, 1741–1786, British
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
71
Print made by Jacob Bonneau, 1741–1786, British
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
1751
72
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
73
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
74
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
75
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
76
Hablot Knight Browne, 1815–1882, British
"Hark": Startled Horse and Alert Rider
undated
77
Possibly Henry Thomas Alken, 1785–1851, British
Drawing Covert
undated
78
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
79
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'
undated
80
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
undated
81
Robert Pollard, 1755–1838, British
Fly Fishing
undated
82
Samuel Scott, 1701/2–1772, British
Men Loading a Boat with Barrels
undated
83
Sir Edwin Henry Landseer, 1802–1873, British
A Shooting Party: Mr. C. Leslie and Mr. John Leslie
1833
84
Thomas Allom, 1804–1872, British
The House of a Chinese Merchant near Canton
undated
85
Print made by John Bluck, active 1791–1831, British
Clare Hall
1814
86
Thomas Rowlandson, 1756–1827, British
Settling a Love Quarrell
undated
87
Print made by William Byrne, 1743–1805, British
View of Leiston Abbey
1781
88
Anthony Walker, 1726–1765, British
Political Caricature: "The Spiritualists"
undated
89
Charles Grignion, 1717–1810, British
A French Petit Maître and His Valet
1771
90
Robert Smirke, 1752–1845, British
Virgilia and Volumnia Plead with Coriolanus
ca. 1795
91
Benjamin Robert Haydon, 1786–1846, British
Figure Studies of the Virgin Mary
undated
92
Benjamin Robert Haydon, 1786–1846, British
Study For, Christ's Entry into Jerusalem
1814 to 1820
93
J. Hill, active 19th century
A Frigate in a Calm
1811
94
J. Hill, active 19th century
A Seventy-four in a Fresh Gale
1811
95
J. Hill, active 19th century
A Sloop of War in a Light Breeze
1811
96
J. Hill, active 19th century
A First Rate after a Storm
1811
97
Print made by Joseph Samuel Alpenny, 1787–1858, Irish
Two Travellers Watering Three Horses
undated
98
Imitator of George Baxter, 1804–1867, British
The Bride, Paul and Virginia, the Chalees Satoon, East India
after 1850
99
Print made by Richard Parkes Bonington, 1802–1828, British
Croix de Moulin les Planches
1827
100
Print made by Richard Parkes Bonington, 1802–1828, British