Print made by Augustus Charles Pugin, 1762–1832, French
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
304
Thomas Rowlandson, 1756–1827, British
Comforts of Bath: The Concert
1798
305
Thomas Rowlandson, 1756–1827, British
Comforts of Bath: Coaches Arriving
1798
306
Thomas Rowlandson, 1756–1827, British
Comforts of Bath: The Pump Room
1798
307
attributed to Peter DeWint, 1784–1849, British
View of the Thames at Kingston
1809
308
Thomas Rowlandson, 1756–1827, British
Comforts of Bath: Private Practice Previous to the Ball
1798
309
Thomas Rowlandson, 1756–1827, British
Comforts of Bath: Gouty Persons Fall on Steep HIll
1798
310
Lionel Grimston Fawkes, 1849–1931, British
Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881
1881
311
Henry Thomas Alken, 1785–1851, British
Horse and Dog
undated
312
Henry Thomas Alken, 1785–1851, British
Knight Falling From His Horse at a Squire's Tilt
undated
313
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
314
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
315
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
316
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
317
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
318
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
319
Henry Thomas Alken, 1785–1851, British
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
320
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
321
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
322
John Hoppner, 1758–1810, British
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
323
Possibly Samuel Howitt, 1756–1822, British
The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
undated
324
Samuel Howitt, 1756–1822, British
Nine Foxes Gathered Around a Tree: an Illustration of Aesop's Fable, "The Fox who Lost His Tail"
undated
325
Thomas Rowlandson, 1756–1827, British
An English Postilion
ca. 1785
326
John Frederick Tayler, 1802–1889, British
Six Foxhounds Resting
undated
327
unknown artist
Design for a Canopy
undated
328
Print made by James T. Willmore, 1800–1863, British
Tancarville
1834
329
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Saddled Gray Horse Walking
undated
330
Robert Hills, 1769–1844, British
Sketch of a Horse
undated
331
Peter DeWint, 1784–1849, British
Building a Hayrick
undated
332
William Sawrey Gilpin, 1762–1843, British
An Arabian Stallion Walking to Right
undated
333
Richard Purcell, active 1746–1766, Irish
[set of 16]: 1-12:Fox-hunting subjects (no titles)
1823
334
Print made by James Baylis Allen, 1803–1876, British
Havre
1834
335
Michael Angelo Hayes, 1811–1880, British
The Band of the 23rd Fusiliers
1838
336
Paul Sandby, 1731–1809, British
Four Mules with Panniers and a Cart
undated
337
Arthur James Stark, 1831–1902, British
Mare and Foal
undated
338
Print made by Edward Goodall, 1795–1870, British
Cortes and Pizarro
1834
339
Print made by Edward Goodall, 1795–1870, British
Carlisle
1834
340
Print made by Robert Wallis, 1794–1878, British
Kelso
1834
341
George Chinnery, 1774–1852, British
Studies of Horses with Chinese Grooms, and a Dog, Nov. 10, 1840
1840
342
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
The Sporting Lady
undated
343
Heywood Hardy, 1843–1933, British
A Gentleman Standing, Seen Back View, Wearing a Driving or Riding Coat ..
undated
344
Thomas Rowlandson, 1756–1827, British
How to Vault in the Saddle
1813
345
James Seymour, 1702–1752, British
Sketches of a Hare, Horse, Stag, Man and Woman
undated
346
Possibly James Seymour, 1702–1752, British
Huntsman Galloping: Left Arm Upraised, His Horn Slung Over His Left Shoulder
undated
347
unknown artist
Head of an Eagle, Facing Left
undated
348
Print made by Henry Melville, active 1826–1841, British
House of Commons, the Speaker Reprimanding a Person at the Bar
after 1850
349
George Birch, 1842–1904, British
Plan and View of Room under the Painted Chamber
1827
350
Charles James Richardson, 1806–1871, British
Sections of Room under Painted Chamber
1827
351
Thomas Rowlandson, 1756–1827, British
Interior of a Dressing Room with Jack Bannister
between 1790 and 1795
352
Print made by Angela Conner, born 1935, British
A Morgan Horse, Rearing
1980
353
John Buckler FSA, 1770–1851, British
Plan of Wollaton Hall, Notthinghamshire
1811
354
Henry Thomas Alken, 1785–1851, British
Studies of Anglers
undated
355
Samuel Howitt, 1756–1822, British
A Zebra
ca. 1807
356
John Leech, 1817–1864, British
A Jockey-Cart
undated
357
Thomas Rowlandson, 1756–1827, British
'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
between 1809 and 1811
358
Thomas Rowlandson, 1756–1827, British
Soldiers in St. James Park
undated
359
Thomas Rowlandson, 1756–1827, British
Labourers at Rest
between 1790 and 1795
360
James Moore, 1762–1799, British
Chapel of the Holy Ghost, Basingstoke, England
1791
361
James Moore, 1762–1799, British
Stonehenge
1791
362
James Moore, 1762–1799, British
Cerne Abbey
1791
363
James Moore, 1762–1799, British
Okehampton Bridge
1791
364
James Moore, 1762–1799, British
Eagle Tower of Caernarfon Castle, Wales
1791
365
James Moore, 1762–1799, British
Ludlow Castle, Shropshire
1791
366
James Moore, 1762–1799, British
Ludlow Castle, Shropshire
1791
367
James Moore, 1762–1799, British
Montgomery Castle, Powys, Mid-Wales
1791
368
after Thomas Rowlandson, 1756–1827, British
Rogero
undated
369
Lionel Grimston Fawkes, 1849–1931, British
Jamaica: the barbecue on the Rosebery Plantation, with the Manchester Mountains in the distance
undated
370
Lionel Grimston Fawkes, 1849–1931, British
Dominica: View from Mrs. Ogilvy's lodging-house window at Roseau
undated
371
Henry Thomas Alken, 1785–1851, British
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
372
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
373
Paul Sandby, 1731–1809, British
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
undated
374
James Seymour, 1702–1752, British
A Greyhound, Facing Left
undated
375
James Seymour, 1702–1752, British
A Racehorse, Bridled and Saddled
undated
376
James Seymour, 1702–1752, British
Kindly, with Jockey Up
undated
377
James Seymour, 1702–1752, British
Foxhunter, with Jockey Up
undated
378
James Seymour, 1702–1752, British
Sloven, with Jockey Up, Galloping to Right
undated
379
James Seymour, 1702–1752, British
Saddled Horse, with a Crest Branded on His Flank, Walking to Right
undated
380
James Seymour, 1702–1752, British
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
381
John Frederick Tayler, 1802–1889, British
Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
undated
382
Heywood Hardy, 1843–1933, British
A Gentleman Standing, Seen Full Face, Wearing a Driving or Riding Coat
undated
383
James Seymour, 1702–1752, British
Le Piaffe (I): Training at the Pillar, Horse Wearing Bridle and Surcingle..
undated
384
Alexander Bannerman, ca. 1730–1780
Robert Streater
undated
385
Print made by John Corner, 1788–1825
Sir Godfrey Kneller
1821
386
pupil of Francis Towne, 1740–1816, British
The Road to the Lake
undated
387
Print formerly attributed to Thomas Girtin, 1775–1802, British
Cottage and Two Cows Being Milked
1805
388
Print made by Robert Wallis, 1794–1878, British
Coteaux de Mauves
1831
389
Print made by John Cousen, 1804–1880, British
Harfleur
1834
390
Print made by William Miller, 1796–1882, British
Loch Katrine
1834
391
Print made by William Miller, 1796–1882, British
Berwick-on-Tweed
1834
392
Print made by William Miller, 1796–1882, British
Skiddaw
1834
393
Print made by William Miller, 1796–1882, British
Dryburgh Abbey
1834
394
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
395
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
John Henderson as Iago
1786
396
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Mrs. Abington as Thalia
1783
397
Richard Purcell, active 1746–1766, Irish
[set of 16]: 1-12:Fox-hunting subjects (no titles)
1823
398
Richard Purcell, active 1746–1766, Irish
[set of 16]: 1-12:Fox-hunting subjects (no titles)
1823
399
Richard Purcell, active 1746–1766, Irish
[set of 16]: 1-12:Fox-hunting subjects (no titles)
1823
400
Richard Purcell, active 1746–1766, Irish
[set of 16]: 1-12:Fox-hunting subjects (no titles)