Credit Line: Yale Center for British Art, Paul Mellon Collection / Width [cm]: 20

John Constable, 1776–1837, British

Fen Lane, East Bergholt

ca. 1811

Not on view

Augustus Edwin John, 1878–1961, British

Self-Portrait

ca. 1935

Not on view

John Martin, 1789–1854, British

Kensington Gardens

between 1815 and 1816

Not on view

George Chinnery, 1774–1852, British

Chinese Gamblers

ca. 1840

Not on view

Edward Pritchett, active ca. 1828–1864, British

The Piazzetta, Venice

mid-19th century

Not on view

Sir John Lavery, 1856–1941, Irish

On the Clyde - Study of Lady Glen Coats

1890

Not on view

John Frederick Herring, 1795–1865, British

Fighting Cocks: a Dark-Breasted Fighting Cock, Facing Left

1829

Not on view

John Frederick Herring, 1795–1865, British

Fighting Cocks: a Pale-Breasted Fighting Cock, Facing Right

1829

Not on view

Thomas Sidney Cooper, 1803–1902, British

Study of a Working Horse

undated

Not on view

Unknown artist, twentieth century

Coast with Cliffs and Boats

early 19th century

Not on view

unknown artist, nineteenth century

Avenue with Figures

ca. 1807

Not on view

Julius Caesar Ibbetson, 1759–1817, British

The Shooting Party

ca. 1800

Not on view

Sir James Thornhill, 1675–1734, British

A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty

between 1712 and 1713

Not on view

John Frederick Lewis, 1804–1876, British

A Sketch for `Foresters Stalking Deer'

between 1824 and 1827

Not on view

James Ward, 1769–1859, British

A Harvest Scene with Workers Loading Hay on to a Farm Wagon

ca. 1800

Not on view

George Paul Eckstein, 1739–1828, German, active in Britain (from 1760)

Figure of the Artist's Father

between 1775 and 1800

Not on view

Herbert Haseltine, 1877–1962, American

Berkshire Boar: Highfield Royal Pygmalion

1968

Not on view

John Constable, 1776–1837, British

Two Studies of Dedham Church from the East

between 1806 and 1808

John Constable, 1776–1837, British

Trees and Deer

1825

attributed to John Constable, 1776–1837, British

Landscape with Windmill

between 1825 and 1830

attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Study of a Pilgrim

undated

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

George Stubbs, 1724–1806, British

A Tyger (Sleeping Leopard)

1788

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Joseph Mallord William Turner, 1775–1851, British

Fishing Boats Becalmed off le Havre

undated

Joseph Mallord William Turner, 1775–1851, British

Fisherman's Cottage, Dover

ca. 1790s

Edward Lear, 1812–1888, British

Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

undated

Edward Lear, 1812–1888, British

Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

undated

William Blake, 1757–1827, British

An Essay on Sculpture on a Series of Epistles to John Flaxman

1800

William Blake, 1757–1827, British

An Essay on Sculpture on a Series of Epistles to John Flaxman

1800

William Blake, 1757–1827, British

An Essay on Sculpture on a Series of Epistles to John Flaxman

1800

William Blake, 1757–1827, British

Pl. 15: `The Conjugal Union of Cupid'

1796

William Blake, 1757–1827, British

Pl. 16: `Cupid & Psyche'

1796

William Blake, 1757–1827, British

Pl. 18: `Iron Age'

1796

William Blake, 1757–1827, British

Pl. 19: `Aristophanes Clouds. Scene I'

1796

William Blake, 1757–1827, British

Pl. 23: `Anacreon Ode LII'

1796

William Blake, 1757–1827, British

Pl. 12: 'Psyche Disobeys'

1796

William Blake, 1757–1827, British

Pl. 13: `Psyche Repents'

1796

William Blake, 1757–1827, British

Pl. 14: `Venus Councels Cupid'

1796

Sir Robert Smirke the younger, 1781–1867, British

The Fort of Zakynthos, Greece

1802-1804

Sir Robert Smirke the younger, 1781–1867, British

Malta

1802-1804

Sir Robert Smirke the younger, 1781–1867, British

Sketch of Part of a Column

1802-1804

Sir Robert Smirke the younger, 1781–1867, British

Study of a Chandelier

1802-1804

Sir Robert Smirke the younger, 1781–1867, British

Sketches of St. George's Chapel and Square

1802-1804

Print made by Pieter de Jode II, ca. 1606–1674, Flemish

Erycius Puteanus

ca. 1635

Giovanni Battista Borra, 1713–1770, Italian

Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus

ca. 1750

Giovanni Battista Borra, 1713–1770, Italian

Details of a Composite Order from the Temple of Augustus at Mylasa

ca. 1750

Giovanni Battista Borra, 1713–1770, Italian

Remains of an Ionic Order and Circus at Aphrodisias

ca. 1750

Giovanni Battista Borra, 1713–1770, Italian

Details of a Corinthian Order, Possibly from Mylasa

ca. 1750

Giovanni Battista Borra, 1713–1770, Italian

An Altar at Delos

1751

Giovanni Battista Borra, 1713–1770, Italian

Posizione delle Piramidi di Sachara

ca. 1750

Giovanni Battista Borra, 1713–1770, Italian

Plans and Views of Two Pyramids, One Cephron's at Giza

ca. 1750

Giovanni Battista Borra, 1713–1770, Italian

View, Cross Section, and Other Details of Cheop's Pyramid at Giza

ca. 1750

Print made by Paulus Pontius, 1603–1658, Flemish

Palamedes Palamedessen

ca. 1635

Capt. Thomas Hastings, 1778–1854, British

Near West Cowes

between 1826 and 1830

Capt. Thomas Hastings, 1778–1854, British

Between West Cowes and Newport, 20 February 1826

1826

Capt. Thomas Hastings, 1778–1854, British

Sketch of a Group of People

between 1826 and 1830

Print made by Paulus Pontius, 1603–1658, Flemish

Henricus Steenwyck

ca. 1635

Capt. Thomas Hastings, 1778–1854, British

Statue of Cain and Abel in the Forest near Leytonstone

undated

Capt. Thomas Hastings, 1778–1854, British

Flamstead End, Old Ruskin's Cottage near Cheshunt, May 1814

1814

Capt. Thomas Hastings, 1778–1854, British

Cheshunt Church, 23 May 1814

1814

Henry Swinburne, 1743–1803, British

View of a City Harbor

undated