Etched by Joseph Mallord William Turner, 1775–1851, British
Little Devil's Bridge over the Russ above Altdorft, Switzerland
1809
5
Print made by J. P. Quilley, active 1828
The Deluge
1828
6
James Ward, 1769–1859, British
Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
1820 to 1830
7
Andrew Fyfe, 1752–1824, British
Eragrostis Tef
1775
8
Print made by William Bernard Cooke, 1778–1855, British
Martigny (vignette)
1830
9
Print made by Henry Le Keux, 1787–1868, British
Villa Madama (vignette)
1830
10
William Finden, 1787–1852, British
The Tear
1834
11
Print made by Edward Goodall, 1795–1870, British
The Lake of Geneva
1829
12
Richard Cosway, 1742–1821, British
Portrait of a Gentleman
undated
13
Peter Oliver, 1589–1647, British
Charles I, when Prince of Wales
between 1618 and 1621
14
Allan Ramsay, 1713–1784, British
Head of a Young Woman or Man
undated
15
Print made by William Angus, 1752–1821, British
Fonthill House, Wiltshire
1800
16
Print made by Edward Goodall, 1795–1870, British
Florence
1830
17
Print made by Edward Goodall, 1795–1870, British
A Village Fair
1834
18
James Ward, 1769–1859, British
Landscape
undated
19
Print made by Henry Le Keux, 1787–1868, British
Abbotsford, Vignette Title
1834
20
Print made by Edward Goodall, 1795–1870, British
Carlisle
1834
21
Print made by Edward Goodall, 1795–1870, British
Florence (vignette)
1830
22
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
23
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
24
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
25
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
26
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
27
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
28
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
29
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
30
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
31
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
32
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
33
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
34
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
35
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
36
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
37
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
38
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
39
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
40
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
41
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
42
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
43
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
44
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
45
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
46
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
47
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
48
Print made by Francesco Curti, 1610–1690, Italian
Frontispiece: Hercules Fighting the Hydra
ca. 1633
49
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
50
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
51
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
52
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
53
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
54
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
55
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
56
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
57
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
58
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome
ca. 1633
59
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
60
Print made by Francesco Curti, 1610–1690, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
ca. 1633
61
Print made by Gerard de Jode, born 1509 or 1517, died 1591, Flemish
De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico
between 1546 and 1590
62
Print made by Edward Goodall, 1795–1870, British
Smailholm Tower
1834
63
Print made by Edward Goodall, 1795–1870, British
The Gipsy
1834
64
Print made by James Basire, 1730–1802, British
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
65
Print made by John Cousen, 1804–1880, British
Light Towers of the Heve, vignette for title page
1834
66
Print made by Edward Goodall, 1795–1870, British
Greenwich Hospital
1834
67
Print made by William Miller, 1796–1882, British
Between Clairmont and Mauves
1833
68
Paul Sandby, 1731–1809, British
Scenographia Americana: A View of Bethlem, the Great Moravian Settlement in the Province of Pennsylvania
1758-1760
69
Print made by G.F. Storm, active mid–19th century, British
Vol. 6, Plate XXVIII
1842
70
Print made by Frederick Rosenberg, active 1816–1832
The Mail Coach in a Flood
1827
71
Print made by Oliverio Gatti, 1568–1651, Italian
Studies for the Instruction of Painters, two suites. Rome, c. 1630
undated
72
Print made by Arthur Pond, ca. 1705–1758, British
Seated Female Figure with a Large Book
1732 to 1736
73
Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Scenographia Americana: A Southwest View of the City of New York, in North America
1758-1760
74
Dr. William Crotch, 1775–1847
St. George's Chapel, Windsor, West End, July 19, 1832, 10 am