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Credit Line Yale Center for British Art, Paul Mellon Collection

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George Stubbs Lion and Lioness
George Stubbs, 1724–1806, British
Lion and Lioness
1770
Not on view
Joseph Mallord William Turner Stormy Sea Breaking on a Shore
Joseph Mallord William Turner, 1775–1851, British
Stormy Sea Breaking on a Shore
between 1840 and 1845
Not on view
Joseph Mallord William Turner Off the Nore
Joseph Mallord William Turner, 1775–1851, British
Off the Nore
between 1840 and 1845
Not on view
Joseph Highmore A Family Conversation Piece
Joseph Highmore, 1692–1780, British
A Family Conversation Piece
1730 to 1735
Not on view
Philip Reinagle The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
Philip Reinagle, 1749–1833, British
The Blue Passion Flower, for Robert John Thornton’s Temple of Flora (London, 1799–1812)
1800
Not on view
Joseph Wright of Derby Philosopher Giving a Lecture on the Orrery
Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
Philosopher Giving a Lecture on the Orrery
ca. 1768
Not on view
Arthur William Devis Grinding Corn
Arthur William Devis, 1762–1822, British
Grinding Corn
between 1792 and 1795
Not on view
Marcellus Laroon the Younger The Barber
Marcellus Laroon the Younger, 1679–1772, British
The Barber
between 1760 and 1769
Not on view
Gwen John Girl Holding a Rose
Gwen John, 1876–1939, British
Girl Holding a Rose
1915 to 1925
Not on view
Paul Sandby An Unfinished View of the West Gate, Canterbury
Paul Sandby, 1731–1809, British
An Unfinished View of the West Gate, Canterbury
between 1780 and 1785
Not on view
James Ward Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether
James Ward, 1769–1859, British
Ryelands Sheep, the King's Ram, the King's Ewe and Lord Somerville's Wether
between 1801 and 1807
Not on view
Richard Wilson Lago d'Agnano with Vesuvius in the distance
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Lago d'Agnano with Vesuvius in the distance
between 1770 and 1775
Not on view
Richard Wilson Lago d'Agnano with the Grotta del Cane
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Lago d'Agnano with the Grotta del Cane
between 1770 and 1775
Not on view
Philippe-Jacques de Loutherbourg The Angel Binding Satan
Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
The Angel Binding Satan
ca. 1797
Not on view
George Clint Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald
George Clint, 1770–1854, British
Harriet Smithson as Miss Dorillon, in "Wives as They Were, and Maids as They Are" by Elizabeth Inchbald
ca. 1822
Not on view
William Bell Scott Ailsa Craig
William Bell Scott, 1811–1890, British
Ailsa Craig
1860
Not on view
Francis Wheatley Evening
Francis Wheatley, 1747–1801, British
Evening
1799
Not on view
Francis Wheatley Noon
Francis Wheatley, 1747–1801, British
Noon
1799
Not on view
Francis Wheatley Night
Francis Wheatley, 1747–1801, British
Night
1799
Not on view
Francis Wheatley Morning
Francis Wheatley, 1747–1801, British
Morning
1799
Not on view
Robert Smirke The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis
Robert Smirke, 1752–1845, British
The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis
ca. 1792
Not on view
Jan Griffier the Elder A view of Greenwich from the River with many Boats
Jan Griffier the Elder, ca. 1645–1718, Dutch, active in Britain (from ca. 1672)
A view of Greenwich from the River with many Boats
Between 1700-1710
Not on view
Sir Alfred J. Munnings Southern Hero and Black Speck, the property of J. V. Rank
Sir Alfred J. Munnings, 1878–1959, British
Southern Hero and Black Speck, the property of J. V. Rank
1940
Not on view
Sir Alfred J. Munnings Newmarket Again
Sir Alfred J. Munnings, 1878–1959, British
Newmarket Again
ca. 1952
Not on view
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
George Stubbs, 1724–1806, British
Human Skeleton, Posterior View (Right Arm Outstretched; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View (in Crouching Posture; finished study for an unpublished table)
1795 to 1806
George Stubbs Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III)
1795 to 1806
William Blake Study for a Destroying Deity
William Blake, 1757–1827, British
Study for a Destroying Deity
1820 to 1825
William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
Robert Smirke The Gem for 1830
Robert Smirke, 1752–1845, British
The Gem for 1830
Luigi Balugani Seyali Hindu (Acacia)
Luigi Balugani, 1737–1770, Italian
Seyali Hindu (Acacia)
undated
William Ward The Romps
William Ward, 1766–1826, British
The Romps
1796
Luigi Balugani A Fish from the Red Sea
Luigi Balugani, 1737–1770, Italian
A Fish from the Red Sea
undated
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811, Irish
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
John Bluck The New Buildings on the West Front of Lancaster Castle
John Bluck, active 1791–1831, British
The New Buildings on the West Front of Lancaster Castle
John Raphael Smith Bellsane and Parcival under the Enchantment of Urma
John Raphael Smith, 1752–1812, British
Bellsane and Parcival under the Enchantment of Urma
1782
J. P. Quilley The Deluge
Print made by J. P. Quilley, active 1828
The Deluge
1828
Samuel Davis The Palace of the Deib Rajan at Tassisudon
Samuel Davis, 1760–1819, British
The Palace of the Deib Rajan at Tassisudon
undated
Samuel Davis View in St. Helena
Samuel Davis, 1760–1819, British
View in St. Helena
1806
Paul Sandby Bothwell Castle, from the South
Paul Sandby, 1731–1809, British
Bothwell Castle, from the South
ca. 1777
Raphael Lamar West Distant View of Windsor Castle in a Storm (The Great Oak, Windsor Castle in the Distance)
Raphael Lamar West, 1769–1850, British
Distant View of Windsor Castle in a Storm (The Great Oak, Windsor Castle in the Distance)
undated
John Glover St. Donat's Castle, Glamorganshire
John Glover, 1767–1849, British
St. Donat's Castle, Glamorganshire
undated
Robert Wallis Tornaro
Print made by Robert Wallis, 1794–1878, British
Tornaro
1834
Edward Goodall St. Pierre's Cottage
Print made by Edward Goodall, 1795–1870, British
St. Pierre's Cottage
1834
Edward Goodall St. Julienne's Chapel
Print made by Edward Goodall, 1795–1870, British
St. Julienne's Chapel
1834
Edward Goodall A Tempest – Voyage of Columbus
Print made by Edward Goodall, 1795–1870, British
A Tempest – Voyage of Columbus
1834
William James Muller At Venice
William James Muller, 1812–1845, British
At Venice
ca. 1834
John Farey Jr. Machinery for the Manufacture of Paper
John Farey Jr., 1791–1851, British
Machinery for the Manufacture of Paper
ca. 1810
John Samuel Hayward Netley Abbey, the East Window
John Samuel Hayward, 1778–1822
Netley Abbey, the East Window
1804
Thomas Leeson Rowbotham A View of Rouen from the River
Thomas Leeson Rowbotham, 1783–1853, British
A View of Rouen from the River
undated
James Henry Watt St. Cecilia
James Henry Watt, 1799–1867, British
St. Cecilia
1834
Edward Francis Finden Scio (Fontana de Melek Mehmet Pasha)
Print made by Edward Francis Finden, 1791–1857, British
Scio (Fontana de Melek Mehmet Pasha)
1832-1834
Edward Francis Finden Cologne
Print made by Edward Francis Finden, 1791–1857, British
Cologne
1832-1834
William Finden The Sailor
William Finden, 1787–1852, British
The Sailor
1834
W. R. Smith Hospice of the Great St. Bernard
Print made by W. R. Smith, active 1819–1851
Hospice of the Great St. Bernard
1829
unknown artist Sketch for the Oil Painting "The Conversion of St. Paul"
unknown artist, eighteenth century
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
Samuel Davis Rocky River Scene with Sepoys
Samuel Davis, 1760–1819, British
Rocky River Scene with Sepoys
undated
Samuel Davis The Former Winter Capital of Bhutan at Punakha Dzong
Samuel Davis, 1760–1819, British
The Former Winter Capital of Bhutan at Punakha Dzong
1783
William Townesend Queen's College, Oxford: Plan and Elevation of Hall and Chapel
William Townesend, 1676–1739, British
Queen's College, Oxford: Plan and Elevation of Hall and Chapel
undated