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Credit Line Yale Center for British Art, Paul Mellon Collection

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John Constable Cloud Study
John Constable, 1776–1837, British
Cloud Study
1822
Not on view
John Constable Cloud Study
John Constable, 1776–1837, British
Cloud Study
1822
Not on view
John Constable Ploughing Scene in Suffolk
John Constable, 1776–1837, British
Ploughing Scene in Suffolk
1824 to 1825
Not on view
Richard Parkes Bonington Near Quillebeuf
Richard Parkes Bonington, 1802–1828, British
Near Quillebeuf
between 1824 and 1825
William Blake Virgin and Child
William Blake, 1757–1827, British
Virgin and Child
1825
Not on view
James Arthur O'Connor A Wooded River Landscape with Mother and Child
James Arthur O'Connor, 1792–1841, Irish
A Wooded River Landscape with Mother and Child
1830
Not on view
George Smith An Autumn Landscape with Apple Pickers
George Smith, 1714–1776, British
An Autumn Landscape with Apple Pickers
mid-18th century
Not on view
George Smith Winter Landscape
George Smith, 1714–1776, British
Winter Landscape
ca. 1750
Not on view
George Smith Hop Pickers Outside a Cottage
George Smith, 1714–1776, British
Hop Pickers Outside a Cottage
mid-18th century
Not on view
Richard Wilson Hadrian's Villa
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Hadrian's Villa
between 1775 and 1782
Not on view
Henry Singleton The Surrender of the Two Sons of Tipu Sahib, Sultan of Mysore, to Sir David Baird
Henry Singleton, 1766–1839, British
The Surrender of the Two Sons of Tipu Sahib, Sultan of Mysore, to Sir David Baird
ca. 1800
Not on view
James Stark Sheep Washing at Postwick Grove, Norwich
James Stark, 1794–1859, British
Sheep Washing at Postwick Grove, Norwich
ca. 1822
Not on view
Richard Wilson Cicero's Villa and the Gulf of Pozzuoli
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Cicero's Villa and the Gulf of Pozzuoli
1773 to 1780
Not on view
John Singleton Copley Study for 'The Red Cross Knight'
John Singleton Copley, 1738–1815, American, active in Britain (from 1776)
Study for 'The Red Cross Knight'
ca. 1793
Not on view
unknown artist Poppies and Tradascanthus
unknown artist, eighteenth century
Poppies and Tradascanthus
ca. 1800
Not on view
Henry Walton A Country Gentleman
Henry Walton, 1746–1813, British
A Country Gentleman
ca. 1776
Not on view
James Pollard Outside the Pike and Anchor Inn at Ponders End, Middlesex
James Pollard, 1792–1867, British
Outside the Pike and Anchor Inn at Ponders End, Middlesex
1834
Not on view
Sir Peter Francis Bourgeois Coastal Landscape with a Ferry Boat
Sir Peter Francis Bourgeois, 1756–1811, British
Coastal Landscape with a Ferry Boat
1796
Not on view
Jacques-Laurent Agasse Clouded Leopards
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Clouded Leopards
ca. 1825
Not on view
Claude de Jongh The Thames at Westminster
Claude de Jongh, ca. 1600–1663, Dutch, active in Britain (1615, 1625, 1627, 1628)
The Thames at Westminster
ca. 1630
Not on view
Philippe-Jacques de Loutherbourg Coach in a Thunderstorm
Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
Coach in a Thunderstorm
ca. 1795
Not on view
George Jones Study for 'Battle of Waterloo'
George Jones, 1786–1869, British
Study for 'Battle of Waterloo'
1815
Not on view
Richard Wilson Dover
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Dover
between 1746 and 1747
Not on view
Richard Wilson View of the Wilderness in St. James's Park
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
View of the Wilderness in St. James's Park
between 1770 and 1775
Not on view
Thomas Gainsborough Wooded Landscape with a Cottage and Shepherd
Thomas Gainsborough, 1727–1788, British
Wooded Landscape with a Cottage and Shepherd
1748 to 1750
Not on view
James Arthur O'Connor A Wooded River Landscape with Fishermen
James Arthur O'Connor, 1792–1841, Irish
A Wooded River Landscape with Fishermen
ca. 1830
Not on view
Gwen John The Brown Tea Pot
Gwen John, 1876–1939, British
The Brown Tea Pot
between 1915 and 1916
Not on view
George Jones Studies of Military Accoutrements: a study for `The Battle of Waterloo'
George Jones, 1786–1869, British
Studies of Military Accoutrements: a study for `The Battle of Waterloo'
1815
Not on view
Sawrey Gilpin Mares and Foals, facing right
Sawrey Gilpin, 1733–1807, British
Mares and Foals, facing right
between 1790 and 1800
Not on view
Sawrey Gilpin Mares and Foals, facing left
Sawrey Gilpin, 1733–1807, British
Mares and Foals, facing left
between 1790 and 1800
Not on view
Thomas Woodward Grey Shooting Pony, Probably the Property of Johnston King, with a Groom
Thomas Woodward, 1801–1852, British
Grey Shooting Pony, Probably the Property of Johnston King, with a Groom
1835
Not on view
James Pollard Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell
James Pollard, 1792–1867, British
Schooling a Pair in a Brake at Lucas's Yard, Clerkenwell
1818
Not on view
Tessa Pullan Glint of Gold
Tessa Pullan, born 1953, British
Glint of Gold
1983
Not on view
Herbert Haseltine Splendour, Queen Alexandra's Carriage Horse
Herbert Haseltine, 1877–1962, American
Splendour, Queen Alexandra's Carriage Horse
1910
Not on view
Robert Polhill Bevan Timber Hauling
Robert Polhill Bevan, 1865–1925, British
Timber Hauling
ca. 1917
John R. Skeaping Coming Home Alone
John R. Skeaping, 1901–1980, British
Coming Home Alone
1963
John R. Skeaping Taking Down Steady
John R. Skeaping, 1901–1980, British
Taking Down Steady
1963
Joseph Mallord William Turner Villa d'Este
Joseph Mallord William Turner, 1775–1851, British
Villa d'Este
ca. 1796
George Romney Achilles Wounded
George Romney, 1734–1802, British
Achilles Wounded
undated
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake The Complaint and The Consolation: or Night Thoughts
William Blake, 1757–1827, British
The Complaint and The Consolation: or Night Thoughts
ca. 1797
William Blake The Complaint and the Consolation; or Night Thoughts
William Blake, 1757–1827, British
The Complaint and the Consolation; or Night Thoughts
1797
William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake The Complaint and the Consolation; or Night Thoughts (and title page)
William Blake, 1757–1827, British
The Complaint and the Consolation; or Night Thoughts (and title page)
1797
William Blake Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
ca. 1797
William Blake Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
ca. 1797
William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
ca. 1797
William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
William Blake Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
William Blake Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
ca. 1797
William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797