Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)
undated
202
Francis Jukes, 1747–1812, British
Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
1800
203
Sarah Stone, active 1786, British
A Scarlet Ibis
ca. 1786
204
James Ward, 1769–1859, British
Study of a Plunging Eagle
undated
205
Print made by James Basire, 1730–1802, British
Plate IX: St Stephen's Chapel
1795
206
John Carter, 1748–1817, British
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
207
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
208
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
209
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
210
Georg Paul Nusbiegel, 1713–1776
Jacob Bates / The Famous English Horse Rider
1766
211
John Harris, 1811–1865, British
Coaching: The First Change Up
1863
212
Thomas Rowlandson, 1756–1827, British
Set of eight (1): Cries of London
1799
213
Cecil Charles Windsor Aldin, 1870–1935, British
`Hold Back, Sir!'
1904
214
George Denholm Armour, 1864–1949, British
Taking a Fence Side-Saddle
undated
215
Print made by Matthew Dubourg, active 1786–1838, British
Grouse Shooting
1822
216
Print made by Matthew Dubourg, active 1786–1838, British
Partridge Shooting
1822
217
Print made by Alfred Henry Forrester, 1804–1872, British
Why... Because..
undated
218
John Melchior Barralet, active 1750–1787
The Old Stables, Petworth
1778
219
Peter Simon, 1750–1810
Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
1789
220
Print made by Edward Goodall, 1795–1870, British
Greenwich Hospital
1834
221
Print made by Edward Goodall, 1795–1870, British
The Alps at Daybreak
1834
222
Print made by Edward Goodall, 1795–1870, British
Smailholm Tower (Vignette)
1834
223
Henry Thomas Alken, 1785–1851, British
"The National Sports of Great Britain" 1821: Badger Catching
1821
224
Sawrey Gilpin, 1733–1807, British
Four Horses Standing in a Group in the Shade of Large Trees by Water
undated
225
Henry Thomas Alken, 1785–1851, British
[Fox Hunting] A Pair: The Cock-Tails Done / Fifty Minutes in the Vale of Blackmore and Twenty on the Hills / Without a Check ..
1834
226
Henry Thomas Alken, 1785–1851, British
[Fox Hunting] A Pair: Yellowham Wood, / County of Dorset. .
1834
227
Pierre Charles Canot, ca. 1710–1777, French, active in Britain
"A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
1758-1760
228
unknown artist, eighteenth century
Scenographia Americana: Untitled view (perhaps of Boston?)
1758-1760
229
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
230
Attributed to John Carter, 1748–1817, British
View in Basement Story under House of Lords
between 1800 and 1807
231
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
232
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
233
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
234
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
235
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
236
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
237
Attributed to John Carter, 1748–1817, British
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
238
Print made by William Thomas Fry, 1789–1843, British
Martin Archer Shee, Esq., R. A
1817
239
unknown artist
Giles Hussey
240
Cecil Charles Windsor Aldin, 1870–1935, British
Cracker and Friend lying in an Armchair (Turps finds a new use for bull terriers)
undated
241
Justinian Gantz, 1802–1862
The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845
1845
242
Arthur Pond, ca. 1705–1758, British
Caricature of William Conolly
1740
243
Engraved by unknown artist
The Ladies' Shooting Poney
1780
244
Heywood Hardy, 1843–1933, British
A Gentleman Standing, Seen Full Face, Wearing a Driving or Riding Coat
undated
245
John Buckler FSA, 1770–1851, British
Staircase Leading from the hall at Burton Agnes Yorkshire
1818
246
Print made by Thomas Burke, 1749–1815, British
Cupid and Cephisa: "One Day as I was Walking in the Woods..."
1789
247
Isaac Johnson, 1754–1835, British
The North or Great Barn Farm at Earlham
1753
248
unknown artist, eighteenth century
Design after a Greek Vase
undated
249
Identifying sitters in a painting by Richard Ansdell, 1815–1885, British
Engraved Key Plate: The Caledonian Coursing Meeting near the Castle of Ardrossan, the Isle of Arran in the distance
1846
250
Isaac Johnson, 1754–1835, British
The South Farm at Earlham
1754
251
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
252
David Roberts, 1796–1864, British
Trees in Northwick Park
1830
253
Studio of Sir Jeffry Wyatville, 1766–1840, British
The Miller's Cottage at Chatsworth, Derbyshire: Front Elevation with Alternative Roof Design
after 1818
254
Studio of Sir Jeffry Wyatville, 1766–1840, British
The Miller's Cottage at Chatsworth, Derbyshire: North Front Elevation
after 1818
255
Studio of Sir Jeffry Wyatville, 1766–1840, British
The Miller's Cottage at Chatsworth, Derbyshire: West Front Elevation
after 1818
256
Studio of Sir Jeffry Wyatville, 1766–1840, British
Lilleshall Hall, Shropshire: Three Elevations
ca. 1826
257
John Warwick Smith, 1749–1831, British
An Interior View of the Colosseum, Rome
undated
258
Richard Cooper the Elder, 1701–1764, British
Simon Fraser, Twelfth Lord Lovat (1667-1747)
undated
259
Samuel Davis, 1760–1819, British
A Fence by a Gorge
between 1777 and 1808
260
John Robert Cozens, 1752–1797, British
The Lake of Nemi
between 1783 and 1785
261
George Dance, 1741–1825, British
The Collector
undated
262
Samuel Davis, 1760–1819, British
View near Tassisudon [Tashicho Dzong] in Bhutan
1783
263
Robert Adam, 1728–1792, British
Headfort House: Great Room Door and Panel
between 1771 and 1775
264
Rev. William Gilpin, 1724–1804, British
Bridge on the Malton Road from York
undated
265
Anthony Devis, 1729–1817, British
Waterfall and Tree Trunk
undated
266
Thomas Colman Dibdin, 1810–1893, British
Mountainous Scene with a lake
1867
267
William Burgess, 1749–1812, British
Pont Aber Glaslyn
1785
268
Joshua Cristall, 1768–1847, British
Family Posed in Front of a Doorway
undated
269
Dr. William Crotch, 1775–1847
Tom Tower, Christ Church, Oxford
undated
270
John Sell Cotman, 1782–1842, British
West Doorway and Window in the Church of Ham near Valognes, Normandy
1818
271
John Sell Cotman, 1782–1842, British
Douvres Church, Normandy
1820
272
Richard Dadd, 1817–1886, British
Sketch for the Passions: Pride
ca. 1854
273
John Robert Cozens, 1752–1797, British
Tivoli
1778
274
Samuel Davis, 1760–1819, British
Mr. Croft's bungalow, Near Madras
undated
275
George Chinnery, 1774–1852, British
A Pool with Figures
1839
276
Richard Dadd, 1817–1886, British
Sketch to Illustrate the Passions: Treachery
1853
277
John Sell Cotman, 1782–1842, British
Castle Acre Priory, Norfolk
ca. 1804
278
Samuel Davis, 1760–1819, British
Madeira
1779
279
John Robert Cozens, 1752–1797, British
The Lake and Town of Nemi
ca. 1779
280
Rev. William Gilpin, 1724–1804, British
Knaresborough Castle, Yorkshire
undated
281
John Robert Cozens, 1752–1797, British
Galleria di Sopra, Albano
ca. 1778
282
Samuel Daniell, 1775–1811, British
Near Eucheconing Point, Java
undated
283
Samuel Davis, 1760–1819, British
Shipping Scene with Table Mountain in Background
undated
284
Marcellus Laroon the Younger, 1679–1772, British
Louers in a Glade
1759
285
Print made by Peter P. Benazech, 1767–1794
The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...
ca. 1760
286
Print made by James Charles Armytage, 1802–1897, British
Sir David Wilkie
after 1829
287
Print made by William Daniell, 1769–1837, British
John Zoffany, R.A
1814
288
Robert Adam, 1728–1792, British
Headfort House, Ireland: Elevation of the Eating Parlor
1771
289
Print made by Peter P. Benazech, 1767–1794
The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758
ca. 1760
290
Valentine Green, 1739–1813, British
Kitty Hunter
1771
291
Alfred Diston, active 1818–1829
View of Port Orotava, Tenerife, from El Limpio de Las Calaveras
undated
292
Robert Dunkarton, 1744–1811, British
Miss Catley in the Character of Euphrosyne
1777
293
unknown artist, eighteenth century
Miss White, Clear Starcher to the Queen
undated
294
Print made by Luigi Schiavonetti, 1765–1810, Italian
Robert Blair, The Grave, Title Page
1808, published 1813
295
Print made by unknown artist, sixteenth century
Panthei Fidelissime Dimensi Exterior et Interior
1553
296
Print made by John Augustus Atkinson, (etching), 1775–1831, British