Drunken Man Carrying Large Goblet of Wine, on the Bank of a River
704
Nathaniel Dance, 1735–1811, British
Man with Hammer and Chisel Working on a Globe; and a View of St. Peter's in a Frame
705
Nathaniel Dance, 1735–1811, British
Man with Closed Mouth Seated in an Armchair, Pursued by Flies
706
Nathaniel Dance, 1735–1811, British
Woman in Flowing Gown and Veil, with Upstretched Arms, Exclaiming in a Street: A Distant Man .
707
Nathaniel Dance, 1735–1811, British
Bald Man Held in Stocks, Before a Crowd
708
Nathaniel Dance, 1735–1811, British
A Personified Cloud Blowing a Man with his Head Restng on his Legs; Scene is set Beside the Sea
709
Nathaniel Dance, 1735–1811, British
Shy, Awakened Couple Standing Together
710
Nathaniel Dance, 1735–1811, British
Man Leaping Over a Hedge with Stile Nearby
711
Nathaniel Dance, 1735–1811, British
Two Men Seated at a Table, Eating Salt from a Bowl, with Large Spoons
712
Nathaniel Dance, 1735–1811, British
Large Man Strangling a Short Man
713
Nathaniel Dance, 1735–1811, British
Hanged Man Suspended from a Tree, Over a Lake
714
Nathaniel Dance, 1735–1811, British
Three Men Lounging on Chairs and Settee
715
Nathaniel Dance, 1735–1811, British
Man on settee Holding his Breath, as Woman Brings Him a Bowl of Porridge
716
Nathaniel Dance, 1735–1811, British
Man Holding Whip, Following Dog into A Stone Building
717
Nathaniel Dance, 1735–1811, British
A Man and a Goose Standing Erect, Looking at One Another
718
Nathaniel Dance, 1735–1811, British
Embracing Couple Jumping Out a Window as an Old Man Enters Their Home
719
Nathaniel Dance, 1735–1811, British
Man with Protruding Jaws and Tiny Nose, Facing Left
720
Nathaniel Dance, 1735–1811, British
Scene Between Two Men, One Pulling the Other's Ear
721
Attributed to Gideon Yates, active 1825–1837, British
The Building of London Bridge
undated
722
David Simson, 1803–1874, British
At Haddon Hall (window)
1861
723
unknown artist
Design for a Classical House
undated
724
unknown artist, eighteenth century
Panicum deustum Thunb. (Wild Millet): finished drawing of inflorscence
undated
725
Stephen Riou, 1720–1780
Title page of Piante e Alzate di Diverse Fabbriche
1752
726
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
727
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
728
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
729
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
730
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
731
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
732
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
733
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
734
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
735
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
736
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
737
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
738
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
739
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
740
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
741
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
742
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
743
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
744
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
745
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
746
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
747
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
748
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
749
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
750
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
751
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
752
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
753
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
754
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
755
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
756
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
757
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
758
Sir Jeffry Wyatville, 1766–1840, British
Dinton House, Wiltshire: Elevation
ca. 1812
759
Stephen Riou, 1720–1780
La facciata d'una Casa per fare alla Campagna
1752
760
Paul Sandby, 1731–1809, British
Cemetery Gate of St. Augustine's Monastery at Canterbury
1782
761
Henry Pyall, 1795–1833, British
Set of four: 3. Woodcock Shooting
undated
762
Henry Pyall, 1795–1833, British
Set of four: 2. Pheasant Shooting
undated
763
Henry Pyall, 1795–1833, British
Set of four: 4. Duck Shooting
undated
764
John Fulleylove, 1845–1908, British
Thatched Cottages and Cottage Gardens
1881
765
Paul Sandby, 1731–1809, British
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View in Hudson's River of Pakepsey and the Catts-Kill Mountains, From Sopos Island in Hudson's River
1761
766
unknown artist, nineteenth century
Various Engravings of York Cathedral
1813
767
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'
undated
768
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'
undated
769
Charles Johnson Payne "Snaffles", 1884–1967, British
Gunners Book, Winchfield, Nov. 1909-1910
ca. 1910
770
James Gillray, 1756–1815, British
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
771
unknown artist
[Edinburgh, Glasgow, Mancester and London Coach]
772
John Whessell, 1760–ca. 1823, British
Racing: "Hambletonian" / Sir Harry Tempest Vanes [sic] Horse, Hambletonian, Preparing to start against Mr. Cookson's Diamond, over the / Beacon Course at Newmarket, ..
1800
773
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: '...A Mare Enclosed - a Horse Looking Over'
undated
774
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Hunter at Grass-Property of His Grace the Duke of Beaufort'
undated
775
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Artillery Horses Taking Fright at Lightning'
undated
776
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Various Actions of Flemish Horses'
undated
777
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Explanation to the first Anatomical Table of Outline of the Skeleton of the Horse'
undated
778
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Explanation to the Second Anatomical Table of Outline of the Horse - Muscles in Action'
undated
779
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'The First Action of Leapin at the Bar-Shewing the Horse With His Muscles'
undated
780
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Second Action in Leaping - Clearing the Bar Cleverley & Shewing His Muscles'
undated
781
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Third Action - Leaping Down From Over the Bar - Shewing the Horse With His Muscles'
undated
782
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Leaping ...Starting off Again From the Bar and Shewing the Horse With His Muscles'
undated
783
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: `Outline of Wounded Horses With Their Muscles in Action in the Field of Battle' (Study of Six Horses on a Page)
undated
784
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Officers Chargers With Their Muscles in Action'
undated
785
Paul Sandby, 1731–1809, British
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Falls on the Passaick, or Second River, in the Province of New Jersey. The height of the Fall between Eighty and Ninety feet..
1761
786
Pierre Charles Canot, ca. 1710–1777, French, active in Britain
View of the City of New York: A South West View of the City of New York in North America