Credit Line: Yale Center for British Art, Paul Mellon Collection / Height [cm]: 33 / Width [cm]: 25

Francis Danby, 1793–1861, Irish

The Avon Gorge

between 1816 and 1818

Not on view

unknown artist

The Manchester Hero, or Arts Yield to Arms

John Thomas Smith, 1766–1833, British

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House

1817

John Thomas Smith Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

John Thomas Smith, 1766–1833, British

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

1817

John Thomas Smith, 1766–1833, British

Hogarth Declaring His Love to Miss Thornhill

1817

John Thomas Smith Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

John Thomas Smith, 1766–1833, British

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

1817

John Thomas Smith, 1766–1833, British

The Smock Exposed

1817

John Thomas Smith, 1766–1833, British

The Reconcilation

1817

John Thomas Smith, 1766–1833, British

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

1817

John Thomas Smith, 1766–1833, British

Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

1817

John Thomas Smith, 1766–1833, British

Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'

1817

John Thomas Smith Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

John Thomas Smith, 1766–1833, British

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

1817

John Thomas Smith, 1766–1833, British

Hogarth at Old Slaughter's Hobbing with Highmore the Painter

1817

John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

John Thomas Smith, 1766–1833, British

Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

1817

Thomas Patch, 1725–1782, British

Thomaso Patch, Autore

1768

Edward Luttrell, active 1680–1724, British

Samuel Butler, the Author of Hudibras

between 1682 and 1690

unknown artist, eighteenth century

Bow Steeple, Cheapside

undated

Attributed to William Dickinson, 1746–1823, British

Mrs. Callander of Craigforth

undated

unknown artist, ( Dale )

Inside of One of the Rooms Under the Hall, Bermondsey, Abbey

1820

unknown artist, ( Cook )

Inside of a Room and Saxon Ornaments of Bermondsey Abbey

1820

unknown artist, nineteenth century

Brooke and Crofford Memorial in Clapham Church

undated

unknown artist

Pemberton Memorial in Hornsey Church

unknown artist, ( Dale )

Inside of the Hall, Bermondsey Abbey

1820

Henry Richard Greville third Earl of Warwick, 1779–1853, British

Landscape with Gorge and Cattle

undated

Print made by Henry Le Keux, 1787–1868, British

Borthwick Castle

1819

John Thomas Smith, 1766–1833, British

Hogarth Engraving His Master's Shop-bill the Sign of the Angel

1817

John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

John Thomas Smith, 1766–1833, British

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

1817

John Thomas Smith, 1766–1833, British

Hogarth Drawing Sarah Malcolm

1817

John Thomas Smith, 1766–1833, British

Hogarth Sitting to Roubiliac for His Bust

1817

John Michael Rysbrack, 1694–1770, Flemish, active in Britain (from 1720)

Design for a Monument to Sir James Reade, Hatfield

undated

Attributed to Daniel Lysons, 1762–1834, British

Memorial to George and Elizabeth MacKenzie from Kensngton Church

between 1796 and 1811

Maddocks, active 1825

Hungerford Market

1825

John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

Sir James Thornhill

1732

Augustus Edwin John, 1878–1961, British

Gwen John, Ida Nettleship and Ursula Tyrwhitt

ca. 1899

Thomas Harland, active early 19th century

Charles Barry

undated

John Skinner Prout, 1806–1876, British

Isola Bella, Lago Maggiore

undated

John Sell Cotman, 1782–1842, British

Upwell Rectory, Norfolk

1816

pupil of Peter DeWint, 1784–1849, British

Greenwich

undated

unknown artist, eighteenth century

Lady (child with lamb)

undated

John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

Caroline (Queen of George II)

John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

Beauties of Hampton Court: The Right Honorable Mary, Countess of Dorset

Michael Jackson, active ca. 1753, Irish

Miss Nancy Dawson

Richard Houston, ca. 1721–1775, British

Her Grace Elizabeth Duchess of Hamilton

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808, published 1813

Print made by Paul van Somer, ca. 1649–ca. 1694, Dutch

Louise, Duchess of Portsmouth

ca. 1680

John Simon, 1675–1755, French

Charles Sackville, 6th Earl of Dorset, 1st Earl of Middlesex

undated

John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

Martin Folkes Esq

1737

Print made by James Watson, 1740–1790, British

Mrs. Cholmondley

undated

Robert Dighton, 1752–1814, British

A Lesson Westward, or, A Morning Visit to Betsy Cole

1782

Print made by Samuel Freeman, 1773–1857, British

Mamma at Romps

1810

Robert Smirke, 1752–1845, British

Untitled: Prince Amgrad & Prince Affad

1802

Robert Smirke, 1752–1845, British

Untitled: Cesar Passing the Rubicon

William Humphrey, 1745–1810, British

The Pantheon

1772

John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

Miss Meux

1755

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Mr. Philip Yorke

1788

unknown artist

Lord Henry Brougham, 1st Baron Brougham and Vaux

ca. 1830

unknown artist, ( Dale )

The Hall, Bermondsey Abby

1820

Print made by Philip Dawe, ca.1745–ca.1809, British

The Letter Woman

ca. 1769

Print made by Philip Dawe, ca.1745–ca.1809, British

The Pretty Maid with Her Apron Before the Candle

1770

James McArdell, ca. 1729–1765, Irish

Jacob, Son of the Honorable William Bouverie

undated

John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

Joanni Wootton

1730

James Gillray, 1756–1815, British

Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)

1798

James Gillray, 1756–1815, British

Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined

1797

James Gillray, 1756–1815, British

Fashionable - Jockeyship

1796

unknown artist, eighteenth century

The Feathered Fair in a Fright

undated

unknown artist, eighteenth century

A Morning Frolic or the Transmutation of Sexes

undated

unknown artist

General Peace & General War - or - The Interview at Roehampton

1801

James Gillray, 1756–1815, British

The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master

1791

unknown artist, eighteenth century

The Rival Candidates

1789

unknown artist, eighteenth century

The Manchester Hero, or Arts yieId to Arms

undated

Print made by Richard Parkes Bonington, 1802–1828, British

Rue du Gros Horloge

1824

Print made by Richard Parkes Bonington, 1802–1828, British

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

1824

unknown artist

The Double Attack, or French Politeness not a Match for English Assurance

unknown artist

The Fashionable Dresses for the Year, 1776

1776

Print made by Robert van Voerst, 1597–1636, Dutch, active in Britain (from 1627)

Kenelmus Digbi

ca. 1635

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Dr. John Fothergill

1782

Isaac Cruikshank, 1764–1811, British

The Solicitor General for the French Republic

1793

Charles Exshaw, c. 1730–1771, British

Isabel van Loo

ca. 1757

Print made by Pieter Schenck I, 1660–1719, Dutch

Mr. Adrian Beverland and his Mistress

ca. 1686

Print made by Benedictus Antonio van Assen, active 1788–died 1817, British

John Hamilton Mortimer

1810

Andrew Miller John Warburton Esqr. Somerset Herald of Arms Fellow of the Royal Society and of the Antiquarian Society of London; Author of the Maps, by Actual Survey, of Middlesex, Essex, Hertfordshire, Yorkshire, Northumberland; & c.

Andrew Miller, Died 1763, British

John Warburton Esqr. Somerset Herald of Arms Fellow of the Royal Society and of the Antiquarian Society of London; Author of the Maps, by Actual Survey, of Middlesex, Essex, Hertfordshire, Yorkshire, Northumberland; & c

1740

Charles Exshaw, c. 1730–1771, British

Charles van Loo

ca. 1757

Print made by Amedeo Gabrielli, 1749–1817

Griselda Returning to her Father

after 1785

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Daughters of Guercino

1772

Print made by Philip Dawe, ca.1745–ca.1809, British

Reading by a Paper-Bell Shade

1768

David Simson, 1803–1874, British

At Tunbridge

1863

Thomas Cundy, 1790–1867, British

Design for Grosvenor House, London: Chamber Floor and Principal Floor Plans

1827

Print made by Pieter Schenck I, 1660–1719, Dutch

Maria Princeps Auriaca

undated

Charles Turner, 1774–1857, British

Marie Theresse, Charlotte, de France

1812

William Ward, 1766–1826, British

The late Mrs Pope as Juliet

William Dickinson, 1746–1823, British

Mrs Reid in the Character of a Sultana

Isaac Beckett, 1652/3–1719, British

Mrs. Yarborough

between 1683 and 1688

Print made by Luigi Schiavonetti, 1765–1810, Italian

Robert Blair, The Grave, Title Page

1808

John Smith, 1652–1743, British

The Countess of Ranelagh

James Watson, 1740–1790, British

Miss Anna Swan

James Gillray, 1756–1815, British

Pizarro, Contemplating (over) The Product of His Peruvian Mine

1799

John Harris, 1811–1865, British

Fore's Contrasts: The Driver of 1832 ...The Driver of 1852

1852

James Gillray, 1756–1815, British

Le Diable - Boiteux - or - The Devil Upon Two Sticks, Conveying John Bull, to the Land of Promise

1806

James Gillray, 1756–1815, British

The Dissolution, - or - The Alchymist Producing An Aetherial Representation (Pitt)

1796

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Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 33

Width [cm] 25

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Credit Line Yale Center for British Art, Paul Mellon Collection

Height [cm] 33

Width [cm] 25

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