Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course
ca. 1765
Not on view
4
Joseph Mallord William Turner, 1775–1851, British
Off the Nore
between 1840 and 1845
Not on view
5
John Martin, 1789–1854, British
Kensington Gardens
1815
Not on view
6
William Daniell, 1769–1837, British
Westminster Bridge and Abbey
1813
Not on view
7
John Martin, 1789–1854, British
Kensington Gardens
1815
Not on view
8
Thomas Woodward, 1801–1852, British
Horses in a Thunderstorm
1823
Not on view
9
Attributed to William Mulready, 1786–1863, Irish
Lock gate
undated
Not on view
10
Balthazar Nebot, active 1730–1762, Spanish, active in Britain (from 1729)
Fishmonger's stall
1737
Not on view
11
Sebastian Pether, 1790–1844, British
River Scene
1840
Not on view
12
Alexander Marshal, active 1651–died 1682, British
Flowers in a Delft Jar
1663
Not on view
13
Thomas Webster, 1800–1886, British
Ring O' Roses
ca. 1850
Not on view
14
James Pollard, 1792–1867, British
Outside the Pike and Anchor Inn at Ponders End, Middlesex
1834
Not on view
15
Edward Duncan, 1803–1882, British
Pheasant Shooting
1830
Not on view
16
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
Free West Indian Creoles in Elegant Dress
ca. 1780
Not on view
17
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
18
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
Planter and his Wife, with a Servant
ca. 1780
Not on view
19
John Berney Ladbrooke, 1803–1879, British
Crown Point, Whitlingham, near Norwich
1855
Not on view
20
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
A Leeward Islands Carib family outside a Hut
ca. 1780
Not on view
21
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
A West Indian Creole Woman Attended by her Black Servant
ca. 1780
Not on view
22
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
West Indian Women of Color, with a Child and Black Servant
ca. 1780
Not on view
23
Edward William Cooke, 1811–1880, British
Toulon (?)
1845 or after 1863
Not on view
24
unknown artist, nineteenth century
Canal under construction, possibly the Bude Canal
ca. 1840
Not on view
25
George Chinnery, 1774–1852, British
Josiah Andrew Hudleston (1799-1865)
1832
Not on view
26
unknown artist, eighteenth century
A View of Lambeth
ca. 1770
Not on view
27
Joseph Francis Nollekens, 1702–1748, Flemish, active in Britain (1708; from 1733)
Portrait of Two Boys, probably Joseph and John Joseph Nollekens
ca. 1745
Not on view
28
William Jones, active 1832–1836, British
Fishing: Playing a Fish
ca. 1830
Not on view
29
George Morland, 1763–1804, British
Foxhunting in Hilly Country
1792
Not on view
30
James Seymour, 1702–1752, British
A Bay Racehorse with Jockey Up
ca. 1730
Not on view
31
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket
ca. 1730
Not on view
32
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
ca. 1730
Not on view
33
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body
ca. 1730
Not on view
34
James Pollard, 1792–1867, British
Epsom Races: The Race Over
1834 to 1835
Not on view
35
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
ca. 1730
Not on view
36
James Ward, 1769–1859, British
A Border Leicester Ewe
between 1795 and 1800
Not on view
37
William Jones, active 1832–1836, British
Fishing: Bottom Fishing
ca. 1830
Not on view
38
James Pollard, 1792–1867, British
Epsom Races: Settling Day at Tattersalls
1834 to 1835
Not on view
39
James Pollard, 1792–1867, British
Epsom Races: Preparing to Start
1834 to 1835
Not on view
40
James Pollard, 1792–1867, British
Epsom Races: The Betting Post
1834 to 1835
Not on view
41
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Gentlemen Fishing
1794
Not on view
42
Edmund Bristow, 1787–1876, British
The Rat Trap
early to mid-nineteenth century
Not on view
43
Peter DeWint, 1784–1849, British
Landscape with Chestnut Tree
ca. 1835
Not on view
44
Edward Duncan, 1803–1882, British
Partridge Shooting
1830
Not on view
45
Peter Gaspar Scheemakers, 1691–1781, Flemish, active in Britain (from ca. 1720)
Cleopatra
ca. 1723
Not on view
46
Francis Danby, 1793–1861, Irish
A Lake in Norway
ca. 1825
47
Francis Danby, 1793–1861, Irish
Sunset over a River Landscape
early 1840s
48
Robert Polhill Bevan, 1865–1925, British
Sale at Ward's Repository, No. 2
ca. 1918
49
Print made by John Constable, 1776–1837, British
The Ruins of Netley Abbey
1826
50
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Cypresses at the Villa d'Este, Tivoli
1838
51
George Stubbs, 1724–1806, British
Study for the Self-portrait in Enamel
ca. 1781
52
George Stubbs, 1724–1806, British
Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
1795 to 1806
53
Robert Polhill Bevan, 1865–1925, British
Hounds in Covert
ca. 1896
54
William Hogarth, 1697–1764, British
A Rake's Progress, Plate II: His Levee
1735
55
William Hogarth, 1697–1764, British
A Rake's Progress, Plate III: He Revels
1735
56
William Hogarth, 1697–1764, British
A Rake's Progress, Plate IV: Goes to Court
1735
57
Print made by William Hogarth, 1697–1764, British
A Rake's Progress, Plate VII: In Fleet Street Prison
1735
58
William Hogarth, 1697–1764, British
A Rake's Progress, Plate VI: He Gambles
1735
59
William Hogarth, 1697–1764, British
The Distrest(ed) Poet
1740
60
William Hogarth, 1697–1764, British
A Rake's Progress, Plate VIII: In Bedlam
1735
61
William Hogarth, 1697–1764, British
The Bench
1758
62
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Entrance of Calais Harbour
1816
63
Etched by Joseph Mallord William Turner, 1775–1851, British
The Stork and Aqueduct
between 1813 and 1823
64
Joseph Mallord William Turner, 1775–1851, British
Barnard Castle
ca. 1825
65
Joseph Mallord William Turner, 1775–1851, British
Newark - upon - Trent
ca. 1796
66
Etched by Joseph Mallord William Turner, 1775–1851, British
Lake of Thun, Switzerland
1808
67
Etched by Joseph Mallord William Turner, 1775–1851, British
The Drawing of the Clyde
1809
68
Etched by Joseph Mallord William Turner, 1775–1851, British
Sheep-Washing, Windsor
1813 to 1823
69
Etched by Joseph Mallord William Turner, 1775–1851, British
Scene in the Campagna
1812
70
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
71
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 2, Title Page
1789
72
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
73
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
74
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
75
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
76
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
77
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
78
William Blake, 1757–1827, British
The Book of Thel
1789
79
William Blake, 1757–1827, British
Pl. 12: `Psyche Disobeys.'
1796
80
William Blake, 1757–1827, British
Pl. 19: `Aristophanes Clouds. Scene I'
1796
81
William Blake, 1757–1827, British
Pl. 13: `Psyche Repents.'
1796
82
William Blake, 1757–1827, British
Pl. 14: `Venus Counsels Cupid'
1796
83
William Blake, 1757–1827, British
Pl. 15: `The Conjugal Union of Cupid'
1796
84
William Blake, 1757–1827, British
Pl. 16: `Cupid & Psyche'
1796
85
William Blake, 1757–1827, British
Pl. 23: `Anacreon Ode LII'
1796
86
Sir Robert Smirke the younger, 1781–1867, British
Ruins of Messenia
1802-1804
87
Sir Robert Smirke the younger, 1781–1867, British
Ruins of Messenia
1802-1804
88
Sir Robert Smirke the younger, 1781–1867, British
Ruins of Sparta
1802-1804
89
Sir Robert Smirke the younger, 1781–1867, British
Landscape With Mountains in the Horizon
1802-1804
90
Giovanni Battista Borra, 1713–1770, Italian
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
91
Giovanni Battista Borra, 1713–1770, Italian
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
92
Giovanni Battista Borra, 1713–1770, Italian
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
93
Giovanni Battista Borra, 1713–1770, Italian
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
94
Giovanni Battista Borra, 1713–1770, Italian
Posizione delle Piramidi di Sachara
ca. 1750
95
Giovanni Battista Borra, 1713–1770, Italian
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
96
James Hakewill, 1778–1843, British
Holland Estate, St. Thomas in the East, View from the Change of Air House