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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionHeight [cm] 17
Remove constraint Height [cm]: 17Search Results
1
- Undergrowth
- ca. 1815
- Not on view
2
- Summer - Evening Landscape
- ca. 1825
- Not on view
3
- Cloud Study with Trees
- 1821
- Not on view
4
- Stormy Sea, Brighton
- ca. 1828
- Not on view
5
- Flatford Mill
- between 1810 and 1811
- Not on view
6
- A View of Eton and the Fellows Eyot
- ca. 1840
- Not on view
7
- A View of the Valley of Rocks near Mittlach (Alsace)
- ca. 1830
- Not on view
8
- October Morning, Buckingham Palace - Rehearsal for the Opening of Parliament
- undated
- Not on view
9
- Landscape with Trees and a Figure
- ca. 1840
- Not on view
10
- A River Landscape, Sunset
- ca. 1860
- Not on view
11
- Sheep Grazing
- 1835
- Not on view
12
- The Old Fishmarket, Norwich
- 1825
- Not on view
13
- The Haymarket, Norwich
- 1825
- Not on view
14
- At South Mickleham
- 1829
- Not on view
15
- George Stubbs
- 1775
- Not on view
16
- Mountainous Landscape with Figures by a Lake
- 1825 to 1830
- Not on view
17
- ?Petit Andeleys on the Seine
- 1822 to 1825
- Not on view
18
- Steeplechasing: The Brook
- 1869
- Not on view
19
- A Married Sailor's Adieu
- ca. 1800
- Not on view
20
- Sir Isaac Newton
- ca. 1735
- Not on view
21
- William Congreve
- ca. 1715
- Not on view
22
- Mare and Foal
- 1984
- Not on view
23
- Lincoln Ram: Challenger
- 1966
- Not on view
24
- A Country Girl in the Lake District
- 1806
25
- Two Studies of Dedham Church from the East
- between 1806 and 1808
26
- Foxgloves
- undated
27
- The Bellman
- 1879
28
- The Bellman
- 1879
29
- The Homeward Star
- begun ca. 1880
30
- The Lonely Tower
- 1879
31
- Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
- undated
![George Stubbs A Lion [A recumbent Lion]](https://media.collections.yale.edu/thumbnail/ycba/a3e0a688-dd65-4193-b627-21b22d75629a)
32
- A Lion [A recumbent Lion]
- 1788
33
- High Street, Edinburgh
- ca. 1818
34
- Sir William Hamilton's Villa
- ca. 1795
35
- A View of the Harbour at Cannes
- 1869
36
- A View of the Pine Woods Above Cannes
- 1869
37
- Profile of a Grotesque Head Facing Right
- undated
38
- Epicurus
- 1821
39
- Caius Julius Cæsar
- 1821
40
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
41
- The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
- 1794
42
- The First Book of Urizen, Plate 18 (Bentley 21)
- 1794
43
- The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
- 1794
44
- The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
- 1794
45
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
46
- Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
- 1793
47
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
48
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
49
- Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
- 1793
50
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
51
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
- 1794
52
- The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)
- 1794
53
- The First Book of Urizen, Plate 25 (Bentley 26)
- 1794
54
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
- 1794
55
- The Peasants' Nest: Cowper's tame Hares
- 1802
56
- Gateway in the Ruins of the Ancient Walls of Arpino
- 1802-1804
57
- Sketch of a Mausoleum
- 1802-1804
58
- West Cowes, From East
- 1826
59
- At Sandrock, Isle of Wight, 13 August 1829
- 1829
60
- On the Beach near Sandrock, 13 August 1829
- 1829
61
- Landslip, Isle of Wight, 13 August 1829
- 1829
62
- Near Bonchurch, Isle of Wight, 28 May 1829
- 1829
63
- Part of St. Augustine's, Canterbury
- 1807
64
- Ticket of Admission for a Performance of Horace's 'Carmen Seculare'
- 1779
65
- Stoke by Neyland, Suffolk
- 1829
66
- The Black Tower Norwich
- between 1810 and 1811
67
- Bagneres-de-Bigoree, France
- undated
68
- St. Bertrand, France
- undated
69
- View from Klein Zicker, Thiessow, Germany
- undated
70
- Fitting out. - Plate 1
- 1820
71
- Notre Dame, Paris
- 1835
72
- Woman with a Blue Smock
- undated
73
- A Fisherwoman, Hands under Apron
- undated
74
- A Tree Struck by Lightning
- undated
75
- Lady Maynard
- ca. 1757
76
- A Little Boy with Red Shoes (Child with Red Shoes and a Top Hat)
- undated
77
- Two Kneeling Figures
- undated
78
- Temple at Baalbec: Architectural Detail of Entablature of Amphitheatre of Vespesian
- undated
79
- Calais Harbour
- undated
80
- Heveningham Hall, Suffolk
- between 1782 and 1790
81
- Leiston Abbey, Suffolk
- undated
82
- Study of J.M.W. Turner Sketching
- undated
83
- St. Goarhausen on the Rhine between Koblenz and Mainz
- 1827
84
- Preparing to lay eel traps
- undated
85
- The Fortune Teller
- 1827
86
- Mount Edgecomb, Devonshire
- 1814 to 1826
87
- Whitstable, Kent
- 1814 to 1826
88
- The Spot where Harold Fell
- 1816 to 1820
89
- Linlithgow Palace
- 1822
90
- Design for a decoration incorporating motifs allusive to the Arts, Arms, and Religion
- undated
91
- The Nile, Looking towards Nabia
- ca. 1869
92
- Rembrandt in a fur hat
- undated
93
- Herstmonceux Castle, Sussex
- undated
94
- Herstmonceux Castle and Moat
- undated
95
- The Pont des Arts, Paris
- between 1831 and 1837
96
- Feeding Ducks
- undated
97
- Loading Sacks into a Cart
- undated
98
- Murder in the Carriage (Probably a Design for The Tyburn Chronicle)
- undated
99
- Two Horses
- undated
100
- Andromache Mourning the Death of Hector
- between 1760 and 1763