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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionWork Type watercolor
Remove constraint Work Type: watercolorSubject Terms water
Remove constraint Subject Terms: waterSearch Results
1
- Study of Waves
- undated
2
- Evening, Cattle Watering
- undated
3
- A View of the Harbour at Cannes
- 1869
4
- Tollygunge, Calcutta
- undated
5
- New Harbour, Malta
- 1866
6
- Amada, 9:30 am, 12 February 1867
- 1867
7
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
8
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
9
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
10
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
11
- The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
12
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
13
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
14
- The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
15
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
16
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
17
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
18
- America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
- 1793
19
- Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
- 1804 to 1820
20
- Jerusalem, Plate 24, "What have I said?...."
- 1804 to 1820
21
- Jerusalem, Plate 53, "Jerusalem / Chap. 3"
- 1804 to 1820
22
- Jerusalem, Plate 78, "The Spectres of..."
- 1804 to 1820
23
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
24
- The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
- between 1797 and 1798
25
- Jerusalem, Plate 44, "With one accord...."
- 1804 to 1820
26
- Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
- 1797
27
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
28
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
29
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
30
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
31
- The First Book of Urizen, Plate 22 (Bentley 24)
- 1794
32
- Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
- ca. 1797
33
- The First Book of Urizen, Plate 5 (Bentley 12)
- 1794
34
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
35
- Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
- 1789
36
- Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
- 1794
37
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
38
- Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
- 1797
39
- The First Book of Urizen, Plate 7 (Bentley 12)
- 1794
40
- From the Beach near Fort Blanc, Oct. 4, 1819
- 1819
41
- The Zattere, Sunset
- undated
42
- Naples from the Strada Nouva, Nov.26, 1830
- 1830
43
- The Grand Canal, Venice
- 1835
44
- Cliffs and a Cove
- 1813
45
- Sir William Norris Bungalow, Penang
- 1844
46
- Hulks in the Medway
- undated
47
- Preparing to lay eel traps
- undated
48
- Old Harry, Swanage Bay
- undated
49
- The Artist Sketching Mlle. de St. Legier as a Shepherdess
- 1787
50
- Pale Melancholy
- ca. 1804
51
- Family Group
- undated
52
- Country Scene: Figures by a Cottage Door and Cattle in a Stream
- 1795
53
- View of Gibraltar
- undated
54
- The Harbour of Sebastopol
- 1854
55
- Coastal Landscape
- undated
56
- The South Barracks, Gibraltar
- 1844
57
- Barges on a Canal in Rotterdam
- 1845
58
- Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
- undated
59
- Landscape with a Boatshed
- undated
60
- Design for Grosvenor Bridge, Chester
- ca. 1825
61
- Venice: The Grand Canal and Rialto
- 1838
62
- A Squall off a Mountainous Coast
- undated
63
- Rou Water Holder
- undated
64
- A Moated House
- undated
65
- Plymouth Dockyard after the Fire
- 1840
66
- Traveling Potter Outside a Cottage
- 1798
67
- The Ranger, Private Ship of War, with her Prizes
- 1780
68
- Mill at Load Water
- undated
69
- The City and St. Paul's from the South Bank
- undated
70
- Rock Bridge at the Scuola di Virgilio
- undated
71
- Composition: Recollection of J.R. Cozen's of Nemi
- between 1790 and 1820
72
- Fanali di Villa Franca
- ca. 1795
73
- Belfast from Bunker's Hill / On the Road to Hollywood
- undated
74
- Shanklin Church/ Isle of Wight
- undated
75
- Fishing Boats
- undated
76
- Aberdulais Mill, Glamorganshire
- undated
77
- Cape Aia and Balaklava Bay, 1854
- 1854
78
- Lismore Castle, Ireland
- 1783
79
- The Village Well
- 1864
80
- Los Gallos, Icacos Bay
- 1857
81
- View from Laventille Hill
- 1857
82
- Men of War off Sheerness
- undated
83
- Cattle Watering at Sunset
- undated
84
- A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
- undated
85
- The Grotto, Virginia Water
- ca. 1754
86
- View of the Pont Royal
- ca. 1833
87
- Classical Study
- undated
88
- Composition: Marshland Landscape
- undated
89
- View at Caernarvon, Wales
- 1826
90
- Figures by a Ruined Arch
- undated
91
- River Landscape
- undated
92
- Strand Gateway, Winchelsea
- undated
93
- Windmill on the Sea Coast Near Hastings
- undated
94
- Chatham
- 1923
95
- Man Drinking from a Spout
- undated
96
- Battersea Fields, Painted for Charles Matthews, Esq
- undated
97
- Price's Mill
- undated
98
- Boulogne, France - a Mill in a Wooded Valley
- undated
99
- A Waterman with his Ox or Bullock
- undated
100
- View of Rochester
- 1791