Credit Line: Yale Center for British Art, Paul Mellon Collection / Work Type: watercolor / Subject Terms: sky - YCBA Collections Search Search Results

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Credit Line Yale Center for British Art, Paul Mellon Collection

Work Type watercolor

Subject Terms sky

John Constable Sky Study with Rainbow

John Constable, 1776–1837, British

Sky Study with Rainbow

1827

John Constable Stoke Poges Church

John Constable, 1776–1837, British

Stoke Poges Church

1834

Samuel Palmer Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales

1835 or 1836

Samuel Palmer The Bright Cloud

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bright Cloud

undated

Samuel Palmer At Hailsham, Sussex: a Storm Approaching

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

At Hailsham, Sussex: a Storm Approaching

1821

Samuel Palmer Kensington Gardens

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Kensington Gardens

ca. 1848

Joseph Mallord William Turner The Moselle Bridge, Coblenz

Joseph Mallord William Turner, 1775–1851, British

The Moselle Bridge, Coblenz

ca. 1842

Joseph Mallord William Turner A Sea Piece - A Rough Sea with a Fishing Boat

Joseph Mallord William Turner, 1775–1851, British

A Sea Piece - A Rough Sea with a Fishing Boat

1820 to 1830

Edward Lear A View of the Harbour at Cannes

Edward Lear, 1812–1888, British

A View of the Harbour at Cannes

1869

Edward Lear The Dead Sea, 16 and 17 April 1858

Edward Lear, 1812–1888, British

The Dead Sea, 16 and 17 April 1858

April 16 and 17, 1858

Edward Lear Tollygunge, Calcutta

Edward Lear, 1812–1888, British

Tollygunge, Calcutta

undated

Edward Lear A View of the Pine Woods Above Cannes

Edward Lear, 1812–1888, British

A View of the Pine Woods Above Cannes

1869

Edward Lear Amada, 9:30 am, 12 February 1867

Edward Lear, 1812–1888, British

Amada, 9:30 am, 12 February 1867

1867

Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

Edward Lear, 1812–1888, British

Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

undated

Edward Lear View near Palermo

Edward Lear, 1812–1888, British

View near Palermo

1847

Edward Lear Wied Zurrik (Malta)

Edward Lear, 1812–1888, British

Wied Zurrik (Malta)

1848

Edward Lear Abu Simbel, 11-11:30 am, 8 February 1867 (374)

Edward Lear, 1812–1888, British

Abu Simbel, 11-11:30 am, 8 February 1867 (374)

1867

George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"

George Romney, 1734–1802, British

A Procession of the Damned: Study for the Damned in Dante's "Inferno"

undated

William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 65, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 65, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 81, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 99, "Ode for Music."

between 1797 and 1798

William Blake Jerusalem, Plate 100

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 100

1804 to 1820

William Blake Jerusalem, Plate 28 Proof Impression

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 28 Proof Impression

ca. 1820

William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 14, "One hair nor particle of dust...."

1804 to 1820

William Blake Jerusalem, Plate 15, "And Hand & Hyle...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 15, "And Hand & Hyle...."

1804 to 1820

William Blake Jerusalem, Plate 20, "But when they saw Albion...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 20, "But when they saw Albion...."

1804 to 1820

William Blake Jerusalem, Plate 3, "To the Public...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 3, "To the Public...."

1804 to 1820

William Blake Jerusalem, Plate 39, "By Satans Watch-fiends...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 39, "By Satans Watch-fiends...."

1804 to 1820

William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

1804 to 1820

William Blake Jerusalem, Plate 43, "They saw their Wheels...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 43, "They saw their Wheels...."

1804 to 1820

William Blake Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

1804 to 1820

William Blake Jerusalem, Plate 85, "Became a Space & an Allegory...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 85, "Became a Space & an Allegory...."

1804 to 1820

William Blake Jerusalem, Plate 89, "Tho divided by the Cross...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 89, "Tho divided by the Cross...."

1804 to 1820

William Blake Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

1804 to 1820

William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

1804 to 1820

William Blake Jerusalem, Plate 24, "What have I said?...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 24, "What have I said?...."

1804 to 1820

William Blake Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

1804 to 1820

William Blake Jerusalem, Plate 53, "Jerusalem / Chap. 3"

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 53, "Jerusalem / Chap. 3"

1804 to 1820

William Blake Jerusalem, Plate 57, "And the voices of Bath...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 57, "And the voices of Bath...."

1804 to 1820

William Blake Jerusalem, Plate 69, "Then all the Males...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 69, "Then all the Males...."

1804 to 1820

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 101, "Ode for Music."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 93, "Ode for Music."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 95, "Ode for Music."

between 1797 and 1798

William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 12, "Why wilt thou give to her...."

1804 to 1820

William Blake Jerusalem, Plate 18, "From every-one of the Four Regions...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 18, "From every-one of the Four Regions...."

1804 to 1820

William Blake Jerusalem, Plate 37, "And One stood forth...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 37, "And One stood forth...."

1804 to 1820

William Blake Jerusalem, Plate 5, "The banks of the Thames...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 5, "The banks of the Thames...."

1804 to 1820

William Blake Jerusalem, Plate 65, "To decide Two Worlds...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 65, "To decide Two Worlds...."

1804 to 1820

William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 70, "And this the form of mighty Hand...."

1804 to 1820

William Blake Jerusalem, Plate 8, "Rose up against me...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 8, "Rose up against me...."

1804 to 1820

William Blake Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 82, "I have heard Jerusalems groans...."

1804 to 1820

William Blake Jerusalem, Plate 92, "What do I see!...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 92, "What do I see!...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

between 1797 and 1798

William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

William Blake Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

William Blake, 1757–1827, British

Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

1793

William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

1794

William Callow The Seine at St. Cloud

William Callow, 1812–1908, British, active in France

The Seine at St. Cloud

undated

William Callow Notre Dame, Paris

William Callow, 1812–1908, British, active in France

Notre Dame, Paris

1835

Thomas Shotter Boys Street Scene at Stratford by Bow

Thomas Shotter Boys, 1803–1874, British

Street Scene at Stratford by Bow

undated

Thomas Shotter Boys Fountain in the Gardens, Paris: Evening

Thomas Shotter Boys, 1803–1874, British

Fountain in the Gardens, Paris: Evening

undated

Samuel Davis View in St. Helena

Samuel Davis, 1760–1819, British

View in St. Helena

1806

James Holland Evening Sky on the Coast

James Holland, 1799–1870, British

Evening Sky on the Coast

between 1859 and 1861

James Duffield Harding Naples from the Strada Nouva, Nov.26, 1830

James Duffield Harding, 1798–1863, British

Naples from the Strada Nouva, Nov.26, 1830

1830

James Duffield Harding French Coast Scene with Fisherboy

James Duffield Harding, 1798–1863, British

French Coast Scene with Fisherboy

1829

James Duffield Harding The Grand Canal, Venice

James Duffield Harding, 1798–1863, British

The Grand Canal, Venice

1835

James Duffield Harding Lyons from Quayside on the Rhone

James Duffield Harding, 1798–1863, British

Lyons from Quayside on the Rhone

ca. 1824

Claude Hayes Moorland with Sheep and Shepherd

Claude Hayes, 1852–1922, British

Moorland with Sheep and Shepherd

undated

Thomas Lindsay Sky Study, No. 4

Attributed to Thomas Lindsay, 1793–1861, British

Sky Study, No. 4

undated

Lt. Humphrey John Julian Hong Kong Harbor

Lt. Humphrey John Julian, active 1842–1849

Hong Kong Harbor

1843

Thomas Lindsay Sky Study, No. 3

Attributed to Thomas Lindsay, 1793–1861, British

Sky Study, No. 3

undated

Elijah Walton Mountain View: Portion of the Chain of the Terglon Alps as seen from near Rudmannsdorf, Italy

Elijah Walton, 1832–1880, British

Mountain View: Portion of the Chain of the Terglon Alps as seen from near Rudmannsdorf, Italy

undated

Paul Sandby Roslin Castle, Midlothian

Paul Sandby, 1731–1809, British

Roslin Castle, Midlothian

ca. 1780

William Callow Versailles

William Callow, 1812–1908, British, active in France

Versailles

1833

William Callow Rheinfels and St. Goar

William Callow, 1812–1908, British, active in France

Rheinfels and St. Goar

1838

James Holland Greenwich

James Holland, 1799–1870, British

Greenwich

undated

Sir George Hayter A Capriccio of Windsor Castle

Sir George Hayter, 1792–1871, British

A Capriccio of Windsor Castle

1827

Samuel Howitt A Seascape

Samuel Howitt, 1756–1822, British

A Seascape

undated

Paul Sandby North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

Paul Sandby, 1731–1809, British

North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire

1767

James Ward An Approaching Storm

James Ward, 1769–1859, British

An Approaching Storm

undated

James Ward Sky Study

James Ward, 1769–1859, British

Sky Study

undated

Benjamin West A Squall off a Mountainous Coast

Benjamin West, 1738–1820, American, active in Britain (from 1763)

A Squall off a Mountainous Coast

undated

unknown artist Landscape with trees, hill and dramatic sky

unknown artist, eighteenth century

Landscape with trees, hill and dramatic sky

undated

James Ward Sky Study

James Ward, 1769–1859, British

Sky Study

undated

William Callow Plymouth Dockyard after the Fire

William Callow, 1812–1908, British, active in France

Plymouth Dockyard after the Fire

1840

Nicholas Pocock The River Avon: with Passing Vessels

Nicholas Pocock, 1740–1821, British

The River Avon: with Passing Vessels

1785

Nicholas Pocock The Ranger, Private Ship of War, with her Prizes

Nicholas Pocock, 1740–1821, British

The Ranger, Private Ship of War, with her Prizes

1780

David Muirhead Morning

David Muirhead, 1867–1930, British

Morning

1925

James Ward Study of a Hill Top and Sky

James Ward, 1769–1859, British

Study of a Hill Top and Sky

undated

John Martin Moonlit Landscape with a Ruined Castle

John Martin, 1789–1854, British

Moonlit Landscape with a Ruined Castle

between 1820 and 1830

William Marlow Nîmes from the Tour Magne

William Marlow, 1740–1813, British

Nîmes from the Tour Magne

ca. 1765

Sir Walter Thomas Monnington Low Flying Spitfires over Trees

Sir Walter Thomas Monnington, 1902–1976, British

Low Flying Spitfires over Trees

undated

unknown artist Landscape with Figures

unknown artist, nineteenth century

Landscape with Figures

undated

unknown artist Mountainous Landscape

unknown artist, nineteenth century

Mountainous Landscape

undated