Credit Line: Yale Center for British Art, Paul Mellon Collection / Work Type: intaglio print / Subject Terms: bushes

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by William Blake, 1757–1827, British

Alas!; Plate 9

1793

Print made by William Blake, 1757–1827, British

The Traveller Hasteth in the Evening; Plate 16

1793

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by James Bretherton, ca. 1730–1806, British

Inimitable Mr. James Moss

1773

Print made by John Crome, 1768–1821, British

Road Scene, Trowse Hall, near Norwich

1813

Robert Dixon, 1780–1815, British

Remains of the Priory, Beeston Regis

1810

Print made by Charles Bretherton, ca. 1760–1783, British

Postiglione Inglese

1772

Print made by J. Carwitham, active 1720–1740

A New Drawing Book of Variety of Landskips

ca. 1730

Print made by Jean B. C. Chatelain, 1710–1771, French

Wooded Landscape with a River Leading to Distant Buildings

undated

Robert Dixon, 1780–1815, British

Beeston Priory, Beeston Regis

between 1810 and 1811

Heneage Finch fourth Earl of Aylesford, 1751–1812, British

Maxstoke Priory

undated

Print made by William Byrne, 1743–1805, British

View of Leiston Abbey

1781

Print made by John Augustus Atkinson, (etching), 1775–1831, British

Fools; or Jesters

1813

Print made by John Robert Cozens, 1752–1797, British

Bath: The New Bridge

1773

Print made by John Crome, 1768–1821, British

Landscape with Oak Trees

ca. 1812

Print made by John Crome, 1768–1821, British

Wooded Landscape

ca. 1812

Print made by Thomas Creswick, 1811–1869, British

The Terrace

ca. 1844

Print made by Bradshaw & Blacklock, active ca.1850, British

View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Bacharach

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Ben Nevis

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Newstead Abbey

after 1850

Print made by unknown artist, (E. E.)

Young Mother, Baby Girl and Boy Beside a Country Fence

undated

Print made by Bradshaw & Blacklock, active ca.1850, British

Albanian Scenes

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Bacharach and View near Bingen

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Eaton Hall

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Hampton Court

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Osborne House

after 1850

Print made by George Bickham the Elder, 1683/4–1758, British

Title page for a 'New Drawing Book principally consisting of Beasts in various Actions' (1 of 6)

1730

Print made by unknown artist, ( J. Cary )

Royal Humane Society's Receiving House in Hyde Park

undated

Print made by Anthony Cardon, 1772–1813, Flemish

Credulity

1796

John Eginton, active 1763–1800

The Affectionate Daughter

1792

Print made by Jean B. C. Chatelain, 1710–1771, French

Horseman Fording a Stream with Cattle

1737

Walter Greaves, 1846–1930, British

Cremorne Gardens: Chelsea Bandstand

1871

Print made by Jean B. C. Chatelain, 1710–1771, French

Man and Woman Digging

1737

Print made by Jean B. C. Chatelain, 1710–1771, French

Men Fishing

1737

Print made by John Crome, 1768–1821, British

Composition: Sandy Road through Woodland

1813

Print made by John Crome, 1768–1821, British

Three Landscape Studies

undated

Print made by John Crome, 1768–1821, British

The Back of the Mills

ca. 1812

Print made by Bradshaw & Blacklock, active ca.1850, British

Ben Nevis

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Country Scenes

after 1850

Print made by John Crome, 1768–1821, British

Mousehold Heath, Norwich

between 1810 and 1811

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Credit Line Yale Center for British Art, Paul Mellon Collection

Work Type intaglio print

Subject Terms bushes

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Credit Line Yale Center for British Art, Paul Mellon Collection

Work Type intaglio print

Subject Terms bushes

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