Credit Line: Yale Center for British Art, Paul Mellon Collection / Work Type: intaglio print / Subject Terms: book

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

Print made by William Blake, 1757–1827, British

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

Print made by Paulus Pontius, 1603–1658, Flemish

Aubertus Miræus

ca. 1635

Print made by James Bretherton, ca. 1730–1806, British

The Damnation of Obadiah

1773

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

A Lecture on Gadding

1789

Print made by Richard Dagley, ca. 1765–1841, British

Paul Sandby

1831

Charles Grignion, 1717–1810, British

Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

undated

Print made by Thomas Chambars, ca. 1724–1789, British

Enoch Seeman

undated

Print made by Thomas Chambars, ca. 1724–1789, British

Enoch Seeman

undated

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by Thomas Frye, 1710–1762, Irish

Portrait of a Man Wearing a Turban, Leaning on Book

1760

Samuel William Reynolds, 1773–1835, British

Thomas Girtin

1817

Print made by Anthony Cardon, 1772–1813, Flemish

E. Edwards, Associate and Teacher of Perspective in the Royal Academy

1808

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

Print made by Pierre Audouin, 1768–1822, French

Angelica Kauffman

undated

Print made by George Cooke, 1781–1834, British

Humphry Repton, Esq

1820

Print made by Samuel Bellin, 1799–1894, British

David Cox

undated

Print made by Thomas Chambars, ca. 1724–1789, British

Sir Nathaniel Bacon

ca. 1793

Print made by Thomas Chambars, ca. 1724–1789, British

Sir Nathaniel Bacon

1793

Print made by George Cruikshank, 1792–1878, British

Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4

1820

William Dickinson, 1746–1823, British

Rev. Dr. Thomas Percy, Dean of Carlisle

1775

Print made by John Blackmore, active 1740–1780

Henry Bunbury Esqr

ca. 1769

Print made by John Dixon, ca. 1740–1811, Irish

Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

1771

Print made by Charles Heath, 1785–1848, British

Benjamin West, Esq., President of the Royal Academy of London

1818

Print made by James Watson, 1740–1790, British

Earl and Countess of Pembroke and Son

1773

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808, published 1813

George Vertue, 1684–1756, British

Johannes Potter, Archiepiscopus Cantuariensis

1741

James McArdell, ca. 1729–1765, Irish

Dr. Thomas Sherlock, Lord Bishop of London

1757

Print made by James Barry, 1741–1806, Irish

Repose in Egypt

ca. 1776

Print made by James Barry, 1741–1806, Irish

Repose in Egypt

ca. 1776

Print made by Henry William Bunbury, 1750–1811, British

The Damnation of Obadiah

between 1773 and 1817

William Nutter, 1754–1802, British

Sunday Morning, A Cottage Family Going to Church

1795

James McArdell, ca. 1729–1765, Irish

Thomas Ashton D.D

1756

James Watson, 1740–1790, British

Reverend Zachariah Mudge, Prebend of Exeter

1769

Print made by Thomas Gaugain, 1748–1812, French

James Beattie, LL.D

1805

George Siegmund Facius, 1750–1804

Richard Beadon, Bishop of Bath & Wells

undated

Print made by E. J. Dumée, active 1790, British

The Discovery

1788

Print made by James Gillray, 1756–1815, British

Shakespeare Sacrificed; or, The Offering to Avarice

1789

Print made by John Condé, 1765–1794, French, active in Britain

Mrs. Fitzherbert

1792

John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

George Graham, Clockmaker

undated

Print made by Peeter Clouwet, 1629–1670, Flemish

Carolus Scribanius

ca. 1635

Print made by George Baxter, 1804–1867, British

Pomare, Queen of Tahiti

1845

Print made by George Baxter, 1804–1867, British

George Pritchard, Her Britannic Majesty's Consul

1845

Print made by David Allan, 1744–1796, British, born in Scotland

Pilgrims Paying Their Devotion in St. Peters at Rome

between 1773 and 1775

John Raphael Smith, 1752–1812, British

Madona Col Bambino

1791

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Mrs. Lenox

1792

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

And Ah! Let Pity Turn Her Dewy Eyes..

1801

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II

1786

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: Walker's Lectures

1794

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Thomas Maggi

1788

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Maria Cosway

1785

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Miss Anna Crouch

1788

Print made by Philip Dawe, ca.1745–ca.1809, British

Reading by a Paper-Bell Shade

1768

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

James Ward, 1769–1859, British

Mrs. Elizabeth Billington as St. Cecilia

1803

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Credit Line Yale Center for British Art, Paul Mellon Collection

Work Type intaglio print

Subject Terms book

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Credit Line Yale Center for British Art, Paul Mellon Collection

Work Type intaglio print

Subject Terms book

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