pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
2
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
3
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
4
Print made by William Bernard Cooke, 1778–1855, British
The Observatory at Rosehill, Sussex
1816
5
Print made by William Bernard Cooke, 1778–1855, British
The Vale of Ashburnham
1816
6
Print made by William Bernard Cooke, 1778–1855, British
Dartmoor; Source of the Tamar and the Torridge
1816
7
Print made by Charles Heath, 1785–1848, British
Kirkby Lonsdale Churchyard
1818-1823
8
Francis David Soiron, Born 1764
St. James's Park
1790
9
Francis David Soiron, Born 1764
A Tea Garden
1793
10
Print made by John Le Keux, 1783–1846, British
St. Agatha's Abbey, Easby
1818-1823
11
Print made by John Pye, 1782–1874, British
Wycliffe, near Rokeby
1818-1823
12
Print made by John Horsburgh, 1791–1869, British
Folkestone: Harbour, and Coast to Dover, Kent
1831
13
Print made by Samuel Rawle, 1771–1860, British
Hylton Castle, County of Durham
1816 to 1823
14
Print made by George Cooke, 1781–1834, British
Antiquities at Pola, Frontispiece
1818
15
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
16
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
17
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
18
Engraved by John Raphael Smith, 1752–1812, British
A Lady and Her Children Relieving a Cottager
1784
19
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c., taken from Pont Marie
1802
20
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
21
Print made by James Basire, 1730–1802, British
Plate IX: St Stephen's Chapel
1795
22
Print made by James Basire, 1730–1802, British
Plate VIII: St Stephen's Chapel
1795
23
Print made by James Basire, 1730–1802, British
Plate X: St Stephen's Chapel
1795
24
Print made by James Basire, 1730–1802, British
Plate XIII: St Stephen's Chapel
1795
25
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
26
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c. taken from Pont Marie
1802
27
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
28
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
29
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
30
Print made by James Basire, 1730–1802, British
Plate XII: St Stephen's Chapel
1795
31
Print made by Thomas Vivares, c.1735–c.1790, British
A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr
1778
32
George Vertue, 1684–1756, British
Familia Regia: Henry VIII, Henry VII, Elizabeth of York, Jane Seymour
1742
33
Francois Vivares, 1709–1780, French
A View of Hopping Mill, Ware
1745
34
Print made by Etienne Dupérac, ca. 1535–1604, French
Insula Tiberina
1582
35
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565, French
Circi Maximi Descriptionem
1553
36
Print made by Thomas Girtin, 1775–1802, British
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
37
Print made by Frederick Christian Lewis the Elder, 1779–1856, British
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
38
Print made by James Barry, 1741–1806, Irish
King Lear and Cordelia
1776
39
George Vertue, 1684–1756, British
Three Children of Henry VII and Elizabeth His Queen, Prince Arthur, Prince Henry and Princess Margaret
1748
40
George Vertue, 1684–1756, British
Frances Grey (née Brandon), Duchess of Suffolk and her Husband Adrian Strokes
1748
41
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Night and a Ship on Fire
1745
42
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Sun Under a Cloud
1745
43
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
A Ship in Distress
1745
44
Charles Rosenberg, active 1828–1848
Harwich
1841
45
John Rubens Smith, 1775–1849, British
Breaking the Ice
1798
46
William Ward, 1766–1826, British
Sailors Conversation
1802
47
William Ward, 1766–1826, British
A Visit to the Child at Nurse
1788
48
Print made by Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
49
James Mason, 1710–1783, British
Landscape with Cows Standing in a Ford, Cottage Beyond
1757
50
William Ward, 1766–1826, British
Sailors Conversation
1802
51
Thomas Malton the Younger, 1748–1804, British
Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge
1798
52
Thomas Malton the Younger, 1748–1804, British
Kings College, the Chapel and Clare Hall in the University of Cambridge
1799
53
Thomas Malton the Younger, 1748–1804, British
Jesus College in the University of Cambridge
1799
54
Thomas Malton the Younger, 1748–1804, British
South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
1799
55
James Ward, 1769–1859, British
Rustic Felicity
undated
56
after unknown artist, ( F. J. Sargent )
Glen Crowe, Western Highlands, Scotland
1811
57
Print made by John Porter, active 1838
The Chillington Oxen
1838
58
Henry Papprill, 1816–d.after 1883, American
This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
1842
59
J. Wellis, active 1799
To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed
1799
60
John Raphael Smith, 1752–1812, British
"William and Margaret"
1802
61
William Byrne, 1743–1805, British
Chinese Pavilion in European Landscape
1792
62
William Woollett, 1735–1785, British
Meleager and Atalanta
1779
63
William Woollett, 1735–1785, British
A View of Part of the Garden at Hall Barn
1760
64
William Woollett, 1735–1785, British
MacBeth meeting the Witches
1770
65
Print made by Henry Walter, 1786–1849, British
Londres. Vue Prise de la Tour de l'Eglise de St. Paul
1860
66
unknown artist, ( F. J. Sargent )
Carlinan Mill, Iverary, Scotland
1811
67
Print made by Charles Howard Hodges, 1764–1837, British
The Amorous Sportsman
1786
68
Valentine Green, 1739–1813, British
Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
1776
69
Edward Rooker, 1724–1774, British
The Summit of Cader Idris Mountain
1775
70
Simon François Ravenet, 1706–1774, French, active in Britain
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
71
Print made by William Woollett, 1735–1785, British
Celadon and Amelia
1766
72
James Mason, 1710–1783, British
Pembroke Town and Castle
1775
73
Print made by Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud
1802
74
Print made by William Miller, 1796–1882, British
St. Michael's Mount, Cornwall
1866
75
Print made by David Lucas, 1802–1881, British
Dedham Vale
1838
76
Antonio Lafreri, 1512–1577, French, active in Italy