Credit Line: Yale Center for British Art, Paul Mellon Collection / Work Type: intaglio print / Width [cm]: 35

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by George Stubbs, 1724–1806, British

A Sleeping Leopard

1791

Print made by William Hogarth, 1697–1764, British

Hogarth Painting the Comic Muse

1764

Etched by Joseph Mallord William Turner, 1775–1851, British

Jason

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Chain of Alps from Grenoble to Chamberi

1812

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827, British

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

William Blake, 1757–1827, British

Illustrations to Dante's Divine Comedy

1827

Print made by Sir Frank Short, 1857–1945, British

Huntsmen in a Wood

1891

James Watson, 1740–1790, British

Miss Francis Lascelles

undated

Victor Marie Picot, 1744–1805, French

A Pastoral Scene with Cow

1777

Print made by Henry William Bunbury, 1750–1811, British

The Siege of Namur

between 1773 and 1817

Print made by Henry William Bunbury, 1750–1811, British

The Battle of the Cataplasm

between 1773 and 1817

Print made by Henry William Bunbury, 1750–1811, British

Overthrow of Dr. Slop

between 1773 and 1817

Print made by George Cruikshank, 1792–1878, British

Fitting out. - Plate 1

1820

Print made by Sir Frank Short, 1857–1945, British

Crowhurst, Sussex

1902

Print made by Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Herdsman and Cows

1797

Print made by Thomas Frye, 1710–1762, Irish

Portrait of a Man Wearing Turban

1760

Print made by Thomas Frye, 1710–1762, Irish

Portrait of a Young Man Leaning on His Right Elbow

1760

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Citadel

1821

Print made by John Byrne, 1786–1847, British

Rome, Tomb of Cecilia Metella

1818-1820

Print made by William Bernard Cooke, 1778–1855, British

Martello Towers at Bexhill

1817

Print made by James C. Allen, active 1821–1831, British

St. Mawes, Cornwall

1814 to 1826

Print made by George Cooke, 1781–1834, British

Land's End, Cornwall

1814-1826

Heneage Finch fourth Earl of Aylesford, 1751–1812, British

Maxstoke Priory

undated

Print made by James C. Allen, active 1821–1831, British

Ehrenbreitstein

1824

Print made by James C. Allen, active 1821–1831, British

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz

1824

Giovanni Vendramini, 1769–1839, Italian

Old Chair to Mend

1795

Anthony Cardon, 1772–1813, Flemish

A New Love Song only Ha' Penny a Piece

1796

Luigi Schiavonetti, 1765–1810, Italian

Two bunches a penny Primroses, two bunches a penny

1793

Giovanni Vendramini, 1769–1839, Italian

Strawberries's Scarlet Strawberries

1795

Victor Marie Picot, 1744–1805, French

A Pastoral Scene with Donkey

1777

Print made by Thomas Frye, 1710–1762, Irish

Portrait of a Man Wearing a Turban, Leaning on Book

1760

Print made by Samuel William Reynolds, 1773–1835, British

Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth

1797

Print made by Paul Fourdrinier, 1698–1758, French

A Sea Engagement between the English and Algerines

ca. 1743

Print made by Matthew Dubourg, active 1786–1838, British

Grouse Shooting

1822

Print made by Matthew Dubourg, active 1786–1838, British

Partridge Shooting

1822

Remi Parr The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Print made by Remi Parr, active 1723–1750, British

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds

undated

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."

1806

James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

1806

Print made by Thomas Gaugain, 1748–1812, French

Turnips & Carrots ho

1797

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Sound

1823

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

1806

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

1806

James Gillray, 1756–1815, British

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

1806

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

King Henry VIII with Will Somer, Edward VI, Mary I, and Elizabeth I

1800

Thomas Malton the Younger, 1748–1804, British

St. Martin-in-the-Fields, Interior

undated

Thomas Malton the Younger, 1748–1804, British

Horse Guards, Whitehall

undated

Print made by Paul Fourdrinier, 1698–1758, French

Sweet William's Farewell to Black Eyed Susan

undated

Print made by Thomas Frye, 1710–1762, Irish

Portrait of a Young Woman with a Feather in Her Hair

1760

Print made by George Cruikshank, 1792–1878, British

Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3

1820

Print made by unknown artist

Key to Life School at the Royal Academy

1794