Credit Line: Yale Center for British Art, Paul Mellon Collection / Work Type: intaglio print / Height [cm]: 28

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Mer de Glace, Valley of Chamouni, Savoy

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Dumblain Abbey, Scotland

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

East Gate, Winchelsea, Sussex

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Isis

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

The Alcove, Isleworth

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Ben Arthur, Scotland

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Sheep-Washing, Windsor

between 1813 and 1823

Attributed to Joseph Mallord William Turner, 1775–1851, British

Via Mala

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Pembury Mill, Kent

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Pembury Mill, Kent

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Original Sketch of a Picture for W. Leader, Esq

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

Hind Head Hill

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

The Hindoo Worshipper

1811

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Junction of Severn and Wye

1811

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Calm

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Rispah: 2nd Book of Samuel, Chap. 21

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Bridge and Cows

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Lake of Thun, Switzerland

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Windmill and Lock

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Water Mill

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

From Spenser's Fairy Queen

1811

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Crypt of Kirkstall Abbey

1812

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Flounder Fishing, Battersea

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Ben Arthur, Scotland

1819

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Entrance of Calais Harbour

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Solway Moss

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Jason

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Tenth Plague of Egypt

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Peat Bog, Scotland

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Picture in the Possession of Sir John Mildmay, Bart

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Marine Dabblers

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

London from Greenwich

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

The Hindoo Worshipper

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

The Drawing of the Clyde

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

Original Sketch of a Picture for W. Leader, Esq

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

Pembury Mill, Kent

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Castle above the Meadows

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Hedging and Ditching

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Winchelsea, Sussex

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Procris and Cephalus

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Martello Towers near Bexhill, Sussex

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1809

William Blake, 1757–1827, British

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827, British

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827, British

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827, British

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake, 1757–1827, British

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

Print made by William Blake, 1757–1827, British

The Peasants' Nest: Cowper's tame Hares

1802

Print made by Schelte A. Bolswert, 1586–1659, Dutch

Iustus Lipsius

ca. 1635

Print made by Schelte A. Bolswert, 1586–1659, Dutch

Artus Wolfart

ca. 1635

Print made by William Hondius, c.1597–c.1660

Franciscus Franck Iunior

ca. 1635

Print made by Pieter de Jode II, ca. 1606–1674, Flemish

Ioannes T'Serclaes

ca. 1635

Print made by Pieter de Jode II, ca. 1606–1674, Flemish

Iacobus Iordaens

ca. 1635

Print made by Pieter de Jode II, ca. 1606–1674, Flemish

Diodorus Tuldenus

ca. 1635

Print made by Paulus Pontius, 1603–1658, Flemish

Cæsar Alexander Scaglia

ca. 1635

Print made by Thomas Shotter Boys, 1803–1874, British

Château des Comtes de Flandre, Ghent

ca. 1833

Charles Grignion, 1717–1810, British

A Macarony at a Sale of Pictures

1771

Print made by James Caldwall, 1739–1819, British

Now Sir, You're a Complete Macaroni

1772

Print made by William Bromley, 1769–1842, British

Portrait of Fuseli

undated

Print made by James Bretherton, ca. 1730–1806, British

A Maid

1774

Print made by Sir Frank Short, 1857–1945, British

The Stork and Aqueduct

1896

Print made by David Lucas, 1802–1881, British

Hadleigh Castle, Large Plate

1830 to 1832

Print made by Henry William Bunbury, 1750–1811, British

The Battle of the Cataplasm

between 1773 and 1817

Print made by Charles Cameron, 1742–1812, British

Two Studies of a Shell-Shaped Vessel Supported by Three Dolphins and Two Studies of a Hand Holding a Vase

1773

Print made by Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Herdsman and Cows

1797

John Grant, Died 1873

Royal Horse Artillery, 1843

1843

Print made by Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Herdsman and Cows

between 1785 and 1788

Print made by John Goldar, 1729–1795, British

Captain Conquest and His Baggage Wagon

1772

Print made by James Caldwall, 1739–1819, British

A Macarony Alderman and His Rib

1772

Print made by George Cooke, 1781–1834, British

Gledhow

1816

Print made by George Cooke, 1781–1834, British

Brighton

1825

Print made by George Cooke, 1781–1834, British

Dover from Shakespeare's Cliff

1826

Print made by William Bernard Cooke, 1778–1855, British

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by Samuel Rawle, 1771–1860, British

Raby Castle, County of Durham

1820

Print made by Samuel Rawle, 1771–1860, British

Hylton Castle, County of Durham

1820

Print made by John Pye, 1782–1874, British

The Rialto, Venice

1818-1820

Print made by Samuel Rawle, 1771–1860, British

Gibside, County of Durham

1819

Print made by Edward Goodall, 1795–1870, British

Valombre

1834

Print made by John Byrne, 1786–1847, British

Rome from Monte Mario

1818-1820

Print made by John Byrne, 1786–1847, British

Rome, Tomb of Cecilia Metella

1818-1820

Print made by George Cooke, 1781–1834, British

Naples, from the Mole

1819

Print made by John Scott, 1774–1828, British

Aske Hall

1818-1823

Print made by Edward Goodall, 1795–1870, British

A Tempest – Voyage of Columbus

1834

Print made by Samuel Rawle, 1771–1860, British

Brignall Church

1821

Print made by Edward Goodall, 1795–1870, British

Leaving Home

1834

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1818-1823

Print made by Edward Goodall, 1795–1870, British

Datur Hora Quieti

1834

Print made by Edward Goodall, 1795–1870, British

Traitor's Gate - Tower of London

1834

Print made by Edward Goodall, 1795–1870, British

St. Anne's Hill, No. I

1834

Print made by Edward Goodall, 1795–1870, British

An Old Oak

1834

Print made by Edward Goodall, 1795–1870, British

Shipbuilding (An Old Oak Dead)

1834

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Credit Line Yale Center for British Art, Paul Mellon Collection

Work Type intaglio print

Height [cm] 28

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Credit Line Yale Center for British Art, Paul Mellon Collection

Work Type intaglio print

Height [cm] 28

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