Etched by Joseph Mallord William Turner, 1775–1851, British
Frontispiece
1812
2
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Frontispiece
1821
3
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
4
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
5
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
6
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 1, Frontispiece
1793
7
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 1, Frontispiece
1804 to 1820
8
Print made by William Blake, 1757–1827, British
What is Man!, Frontispiece; Plate 1
1793
9
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
1789
10
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
11
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
12
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
1826
13
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 1, Frontispiece
1794
14
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
15
Robert White, 1645–1703, British
Frontispiece to John Nalson's "Impartial Collection of the Great Affairs of State"
1682
16
Print made by Frederick Christian Lewis the Elder, 1779–1856, British
Frontispiece to Mr. Fawkes Catalogue
1820
17
Print made by George Cooke, 1781–1834, British
Antiquities at Pola, Frontispiece
1818
18
Print made by George Cooke, 1781–1834, British
Antiquities at Pola, Frontispiece
1818
19
Print made by Edward Goodall, 1795–1870, British
Frontispiece for 'Pilgrim's Progress'
1836
20
Print made by Francesco Curti, 1610–1690, Italian
Frontispiece: Hercules Fighting the Hydra
ca. 1633
21
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
22
Print made by George Cruikshank, 1792–1878, British
Frontispiece: The Progress of a Midshipman
1820
23
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"
1782
24
Print made by Luigi Schiavonetti, 1765–1810, Italian
William Blake, Frontispiece
1808, published 1813
25
Samuel Rawle, 1771–1860, British
The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)
1820
26
Print made by Edward Goodall, 1795–1870, British
Frontispiece (Fisher's `Pilgrim's Progress)
1838
27
John Hamilton Mortimer, 1740–1779, British
Frontispiece dedicated to Sir Joshua Reynolds (no. 1 from Fifteen Etchings dedicated to Sir Joshua Reynolds)
1778
28
Print made by Edward Goodall, 1795–1870, British
The Lake of Geneva; Frontispiece, Title Page, and Index
1830
29
Print made by Philippe Soye, active 1565–1568, French
Frontispiece, Fratris Eremitae Augustiniani XXVII Pontificvm Maximorvm, Elogia et Imagines Accuratissime ad Uiuum Aeneis Typeis Delineatae
1568
30
Edward Fisher, 1722–1785, British
Paul Sandby
1742
31
Print made by Luigi Schiavonetti, 1765–1810, Italian
William Blake, Frontispiece
1808
32
Print made by Luigi Schiavonetti, 1765–1810, Italian
William Blake, Frontispiece
1808
33
Print made by Luigi Schiavonetti, 1765–1810, Italian