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Credit Line Yale Center for British Art, Paul Mellon Collection

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Creator Cumberland, George, 1754–1848

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William Blake Pl. 15: `The Conjugal Union of Cupid'
William Blake, 1757–1827, British
Pl. 15: `The Conjugal Union of Cupid'
1796
William Blake Pl. 16: `Cupid & Psyche'
William Blake, 1757–1827, British
Pl. 16: `Cupid & Psyche'
1796
William Blake Pl. 18: `Iron Age'
William Blake, 1757–1827, British
Pl. 18: `Iron Age'
1796
William Blake Pl. 12: `Psyche Disobeys.'
William Blake, 1757–1827, British
Pl. 12: `Psyche Disobeys.'
1796
William Blake Pl. 19: `Aristophanes Clouds. Scene I'
William Blake, 1757–1827, British
Pl. 19: `Aristophanes Clouds. Scene I'
1796
William Blake Pl. 19: `Aristophanes Clouds. Scene I'
William Blake, 1757–1827, British
Pl. 19: `Aristophanes Clouds. Scene I'
1796
William Blake Pl. 23: `Anacreon Ode LII'
William Blake, 1757–1827, British
Pl. 23: `Anacreon Ode LII'
1796
William Blake Pl. 13: `Psyche Repents.'
William Blake, 1757–1827, British
Pl. 13: `Psyche Repents.'
1796
William Blake Pl. 14: `Venus Counsels Cupid'
William Blake, 1757–1827, British
Pl. 14: `Venus Counsels Cupid'
1796
William Blake Pl. 15: `The Conjugal Union of Cupid'
William Blake, 1757–1827, British
Pl. 15: `The Conjugal Union of Cupid'
1796
William Blake Pl. 16: `Cupid & Psyche'
William Blake, 1757–1827, British
Pl. 16: `Cupid & Psyche'
1796
William Blake Pl. 23: `Anacreon Ode LII'
William Blake, 1757–1827, British
Pl. 23: `Anacreon Ode LII'
1796
William Blake Pl. 12: 'Psyche Disobeys'
William Blake, 1757–1827, British
Pl. 12: 'Psyche Disobeys'
1796
William Blake Pl. 13: `Psyche Repents'
William Blake, 1757–1827, British
Pl. 13: `Psyche Repents'
1796
William Blake Pl. 14: `Venus Councels Cupid'
William Blake, 1757–1827, British
Pl. 14: `Venus Councels Cupid'
1796
George Cumberland The Race Course at Bristol
George Cumberland, 1754–1848, British
The Race Course at Bristol
undated
George Cumberland Brockley Coombe, near Bristol
George Cumberland, 1754–1848, British
Brockley Coombe, near Bristol
undated
George Cumberland Entrance to Peak Cavern, or Devil's Hole, Castleton...
George Cumberland, 1754–1848, British
Entrance to Peak Cavern, or Devil's Hole, Castleton..
undated
George Cumberland Mr. W. Praed's tin washing mill in Cornwall, Trevethow
George Cumberland, 1754–1848, British
Mr. W. Praed's tin washing mill in Cornwall, Trevethow
undated
George Cumberland Church Hope, the Island of Portland, Dorset
George Cumberland, 1754–1848, British
Church Hope, the Island of Portland, Dorset
undated
George Cumberland Near Weston-Super-Mare with Steep Holme Island
George Cumberland, 1754–1848, British
Near Weston-Super-Mare with Steep Holme Island
1816
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
Attributed to George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...
George Cumberland, 1754–1848, British
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
George Cumberland Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes...
George Cumberland, 1754–1848, British
Thoughts on outline, sculpture, and the system that guided the ancient artists in composing their figures and groupes..
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796
George Cumberland Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
George Cumberland, 1754–1848, British
Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
1796