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Credit Line Yale Center for British Art, Paul Mellon Collection
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1
- Palace of Whitehall - The Water Side
- 1748
2
- Near Plymouth with the Ordinance Wharfe..
- 1756
3
- A View from One Tree Hill in Greenwich Park
- 1746
4
- A View from one Tree-Hill in Greenwich Park
5
- A Strong Gale or Squall
6
- Fresh Gale
7
- A Ship in Distress. Design'd to represent the loss of the Victory by a violent Storm near the Race of Alderney in the Year 1744. Sr. John Balchen the Admiral, & upwards of 1000 Men were on board & unhappily perish'd in the Waves
8
- Storm, Representing that Violent one, which drove his Majesty King George I into Rye
9
- Shipwrack
10
- Views of Montreal and Louisburg: A View of Louisburg in North America taken near the Light House when that city was beseiged in 1758
- 1762
11
- "A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
- 1758-1760
12
- At Portsmouth with part of the Common
- 1754
13
- At Deptford with part of the town
- 1753
14
- At Chatham with Village of Brompton adjacent
- 1755
15
- At Chatham with Village of Brompton adjacent
- 1755
16
- At Woolwich with part of the Town
- 1753
17
- At Sheerness
- 1755
18
- Moonlight
- 1745
19
- Views of Montreal and Louisburg: An East View of Montreal in Canada
- 1762
20
- Scenographia Americana: A Southwest View of the City of New York, in North America
- 1758-1760
21
- View of the City of New York: A South East View of the City of New York in North America
- 1763
22
- Night & a Ship on fire
23
- Morning, or Sun rising
24
- Lambeth. The Archbishop of Canterbury's Palace
25
- Evening, or Sun setting
26
- The New Building on Shrubs Hill
- 1772
27
- A Perspective View of the Foundling Hospital with Emblematic Figures
- 1749
28
- View of the Canal in St. James's Park
- 1746
29
- Marine Study No. 3
- 1773
30
- Marine Study No. 1
- 1773
31
- Marine Study No. 4
- 1773
32
- Burton Constable; page 53 (Volume One)
33
- 1. Going Out / Depart de Chasse
- 1770
34
- 6. The Death of the Fox / Mort du Renard
- 1770
35
- 4. The Earthing of the Fox / Renard dans son Terrier
- 1770
36
- The Stag at Bay
- undated
37
- 3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste
- 1770
38
- 2. Two Hunters / Deux Chevaux de Chasse
- 1770
39
- 5. Coming at the Death / Halte de Chasse
- 1770
40
- 7. Returning from the Chase / Retour de Chasse
- 1770
![L. Truchy Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]](https://media.collections.yale.edu/thumbnail/ycba/86a6ce39-1ee5-49ed-bda7-04b0d0ab6d52)
41
- Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]
- 1735
![L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]](https://media.collections.yale.edu/thumbnail/ycba/672661f0-cfff-4a83-9918-936ab0137f4a)
42
- A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]
- 1735
![L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]](https://media.collections.yale.edu/thumbnail/ycba/1aa105c3-2a8d-49dd-ba66-47866ceb1d4e)
43
- A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]
- 1735
![L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]](https://media.collections.yale.edu/thumbnail/ycba/36546f8e-6f0e-4f3f-a40c-7cb4e7bdd88b)
44
- A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [The kill: two riders dismounted, one holding fox above clamouring hounds; the huntsman blowing his horn ...]
- 1735
![L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]](https://media.collections.yale.edu/thumbnail/ycba/db52ef2a-401c-4899-b57c-7f6e03dabf0b)
45
- A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Riders and hounds resting in a rocky landscape.]
- 1735
![L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]](https://media.collections.yale.edu/thumbnail/ycba/1ffe22d6-5f21-4dde-bd63-af1ca3554133)
46
- A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]
- 1735
![L. Truchy A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]](https://media.collections.yale.edu/thumbnail/ycba/4eaf5928-0af6-4863-9da0-f657c633c639)
47
- A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
- 1735
48
- Marine Study No. 2
- 1773
49
- Morning
- 1745
50
- Night and a Ship on Fire
- 1745
51
- Noon
- 1745
52
- Moonlight
- 1745
53
- Sun Under a Cloud
- 1745
54
- A Strong Gale or Squall
- 1745
55
- Shipwreck
- 1745
56
- A Ship in Distress
- 1745
57
- Evening
- 1745
58
- Representation of the Glarious Defeat of the French Fleet off Belleisle on the 20 November 1759
- 1759
59
- Geometrical Plan of his Majesty's dockyard, at Sheerness
- 1755
60
- Geometrical plan of his Majesty's Dockyard near Portsmouth
- 1754
61
- Geometrical Plan of his Majesty's Dockyard, at Woolwich
- 1753
62
- Geometrical Plan of his Majesty's Dockyard, Deptford
- 1755
63
- Geometrical Plan of his Majesty's Dockyard, near Plymouth
- 1756
64
- Geometrical Plan of his Majesty's Dockyard, at Chatham
- 1755
65
- The Great Bridge over the Taafe
- 1775
66
- A View of the Palace from the South side of the Lake with the Temples of Bellona and AEolus and the House of Confucius in the Royal Gardens at Kew
- ca. 1764
67
- A Brisk Gale
- ca. 1765
68
- Classical landscape with cow herd and cows fording a stream
- 1744
69
- Scenographia Americana: A View of Louisburg in North America, taken near the Light House when that City was besieged in 1758
- 1758-1760
70
- Scenographia Americana: A View at the Entrance of the Harbour of the Havana, taken from within the Wrecks
- 1758-1760
71
- View of the City of New York: A South West View of the City of New York in North America
- 1763
72
- Views in the River and Gulph of St. Lawrence: A View of Pierced Island, a Rock in the Gulf of St. Lawrence
- 1760
73
- Scenographia Americana: A South East View of the City of New York in North America
- 1758-1760
74
- Scenographia Americana: A View of the Market - Place in the City of the Havana
- 1758-1760
75
- Taymouth; page 68 (Volume Three)
76
- Vent Frais
- published 1754