<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Creator Blake, William, 1757–1827

Remove constraint Creator: Blake, William, 1757–1827

Search Results

William Blake The Horse
William Blake, 1757–1827, British
The Horse
ca. 1805
Not on view
William Blake Virgin and Child
William Blake, 1757–1827, British
Virgin and Child
1825
Not on view
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827, British
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake The Book of Thel
William Blake, 1757–1827, British
The Book of Thel
1789
William Blake Illustrations of Imitation of Eclogue I, Page 17
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 17
1821
William Blake Illustrations of Imitation of Eclogue I, Page 18
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 18
1821
William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme
William Blake, 1757–1827, British
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
William Blake Epicurus
William Blake, 1757–1827, British
Epicurus
1821
William Blake Theocritus
William Blake, 1757–1827, British
Theocritus
1821
William Blake Octavius Augustus Cæsar
William Blake, 1757–1827, British
Octavius Augustus Cæsar
1821
William Blake From Antique Coins
William Blake, 1757–1827, British
From Antique Coins
1821
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827, British
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Illustrations of Imitation of Eclogue I, Page 15
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 15
1821
William Blake Illustrations of Imitation of Eclogue I, Page 14
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 14
1821
William Blake Caius Julius Cæsar
William Blake, 1757–1827, British
Caius Julius Cæsar
1821
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman
William Blake, 1757–1827, British
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
William Blake Illustrations of Imitation of Eclogue I, Frontispiece
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Frontispiece
1821
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
William Blake, 1757–1827, British
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.
Print made by William Blake, 1757–1827, British
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
William Blake A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Print made by William Blake, 1757–1827, British
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827, British
"The Book of Thel William Blake Original Wrappers 1789"
1789
William Blake Europe. A Prophecy, 1793 (printed 1795)
William Blake, 1757–1827, British
Europe. A Prophecy, 1793 (printed 1795)
1793, printed 1795
William Blake Chaucer's Canterbury Pilgrims
William Blake, 1757–1827, British
Chaucer's Canterbury Pilgrims
1810 to 1820
William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
William Blake Abraham and Isaac
William Blake, 1757–1827, British
Abraham and Isaac
1799 to 1800
William Blake Christ Giving Sight to Bartimaeus
William Blake, 1757–1827, British
Christ Giving Sight to Bartimaeus
1799 to 1800
William Blake Landscape with Spire
William Blake, 1757–1827, British
Landscape with Spire
ca. 1801
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827, British
The Entrance Front of Hayley's House at Eartham
1801
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827, British
Joseph and Potiphar's Wife
1803 to 1805
William Blake An Angel with a Trumpet
William Blake, 1757–1827, British
An Angel with a Trumpet
between 1805 and 1808
William Blake A Visionary Head
William Blake, 1757–1827, British
A Visionary Head
1819 to 1820
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827, British
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake The Man Sweeping the Interpreter's Parlour
William Blake, 1757–1827, British
The Man Sweeping the Interpreter's Parlour
ca. 1822
William Blake Pity
Print made by William Blake, 1757–1827, British
Pity
ca. 1795
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827, British
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827, British
Mary Magdalen at the Sepulchre
ca. 1805
William Blake Satan Approaching the Court of Chaos
William Blake, 1757–1827, British
Satan Approaching the Court of Chaos
1784 to 1785
William Blake Moses Receiving the Law
William Blake, 1757–1827, British
Moses Receiving the Law
ca. 1780
William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons
William Blake, 1757–1827, British
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
William Blake A Woody Landscape
William Blake, 1757–1827, British
A Woody Landscape
ca. 1801
William Blake Five Visionary Heads of Women
William Blake, 1757–1827, British
Five Visionary Heads of Women
1819 to 1820
William Blake Socrates, a Visionary Head
William Blake, 1757–1827, British
Socrates, a Visionary Head
ca. 1820
William Blake Study for a Destroying Deity
William Blake, 1757–1827, British
Study for a Destroying Deity
1820 to 1825
William Blake Thomas Hayley (1780-1800)
Print made by William Blake, 1757–1827, British
Thomas Hayley (1780-1800)
1800
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman
William Blake, 1757–1827, British
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman
William Blake, 1757–1827, British
An Essay on Sculpture on a Series of Epistles to John Flaxman
1800
William Blake Publius Virgilius Maro
William Blake, 1757–1827, British
Publius Virgilius Maro
1821
William Blake Beggar's Opera, Act III
William Blake, 1757–1827, British
Beggar's Opera, Act III
c.1790
William Blake The Life, and Posthumous Writings, of William Cowper (volume 3)
Prints made by William Blake, 1757–1827, British
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
William Blake For the Sexes: The Gates of Paradise, London, 1826
William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, London, 1826
1826
William Blake The [First] Book of Urizen
William Blake, 1757–1827, British
The [First] Book of Urizen
1794
William Blake For Children. The Gates of Paradise, London, by William Blake
William Blake, 1757–1827, British
For Children. The Gates of Paradise, London, by William Blake
1793
William Blake Book of Job, Plate 10, Job Rebuked by His Friends
William Blake, 1757–1827, British
Book of Job, Plate 10, Job Rebuked by His Friends
1825
William Blake "Visions of the Daughters of Albion", London, by William Blake
William Blake, 1757–1827, British
"Visions of the Daughters of Albion", London, by William Blake
1793
William Blake Illustrations of the Book of Job
William Blake, 1757–1827, British
Illustrations of the Book of Job
1825
William Blake "There is No Natural Religion", London, by William Blake
William Blake, 1757–1827, British
"There is No Natural Religion", London, by William Blake
ca. 1788
William Blake The Complaint and The Consolation: or Night Thoughts
William Blake, 1757–1827, British
The Complaint and The Consolation: or Night Thoughts
ca. 1797
William Blake The Complaint and the Consolation; or Night Thoughts
William Blake, 1757–1827, British
The Complaint and the Consolation; or Night Thoughts
1797
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827, British
Songs of Innocence and of Experience
1789-1794
William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 39, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788