Search Constraints
You searched for:
Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionImage Available Unavailable
Remove constraint Image Available: UnavailableWidth [cm] 24
Remove constraint Width [cm]: 24Search Results
1
- Simon, Lord Lovat
- 1746
2
- The Book of Thel
- 1789
3
- Pl. 12: `Psyche Disobeys.'
- 1796
4
- Pl. 19: `Aristophanes Clouds. Scene I'
- 1796
5
- Pl. 13: `Psyche Repents.'
- 1796
6
- Pl. 14: `Venus Counsels Cupid'
- 1796
7
- Pl. 15: `The Conjugal Union of Cupid'
- 1796
8
- Pl. 16: `Cupid & Psyche'
- 1796
9
- Pl. 23: `Anacreon Ode LII'
- 1796
10
- Ischaemum afrum (J.F. Gmel.) Dandy: finished drawing of inflorescence and leaves, with fifteen separate details below
- undated
11
- Dombeya torrida (J.F. Gmel): finished drawing of leafy flowering shoot with floral details
- undated
12
- Herstmonceux Castle Sussex Pl. III with text
- undated
13
- Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
- undated
14
- Study of classical figure of man
- between 1730 and 1768
15
- Study of classical sculpture or reclining figure
- between 1730 and 1768
16
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
17
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
18
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
19
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
20
- Studies of classical sculptures of Cesi Juno and Zingara
- between 1730 and 1768
21
- Views of the Back Front of Henry Phillip Hope's house towards Hyde Park in Seymour Place
- 1818
22
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
23
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
24
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
25
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
26
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
27
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
28
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
29
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
30
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
31
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
32
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
33
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
34
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
35
- (One of) Twenty-one pen drawings of Decorative Details in Antique Style
- undated
36
- Design for Herms
- undated
37
- Photos of the Garden of Crosby Hill
- undated
38
- Two Studies of classical sculpture of Farnese Hercules
- between 1730 and 1768
39
- Upper or Western Entrance to Eastbourne
- undated
40
- The Old Bayswater Turnpike
- undated
41
- Portrait of a Lady
- undated
42
- At Haddon Hall (window)
- 1861
43
- View of a House
- undated
44
- A Half-Timbered House
- ca. 1800
45
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
46
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
47
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
48
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
49
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
50
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
51
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
52
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
53
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
54
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
55
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
56
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
57
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
58
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
59
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
60
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
61
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
62
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
63
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
64
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
65
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
66
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
67
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
68
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
69
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
70
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
71
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
72
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
73
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
74
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
75
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
76
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
77
- Proof for an illustration: Walton, Izaak. The Complete Angler. London, 1836
- 1836
78
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
79
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
80
- Thoughts on Outline, Sculpture, and the System that Guided Ancient Artists
- 1796
81
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
82
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
83
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
84
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
85
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
86
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
87
- Thoughts on Outline, Sculpture, and the System that Guided the Ancient Artists
- 1796
88
- Birijick, from the North, May 1835
- 1835
89
- Port William, Aug. 1835
- 1835
90
- Antioch - Above The Bridge
- 1835 to 1836
91
- Aleppo - January 1836
- 1836
92
- [Landscape]
- 1835-1836
93
- [Landscape]
- 1835-1836
94
- Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume
95
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
96
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
97
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
98
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
99
- London Cries: A Volume of Seventy-Seven Drawings
- 1742
100
- London Cries: A Volume of Seventy-Seven Drawings
- 1742