Lamenting Woman Inside an Archway, Watching a Man Ride off on Horseback
9
Nathaniel Dance, 1735–1811, British
Corpulent Bride and Groom, with Arms Linked
10
Nathaniel Dance, 1735–1811, British
Man and Woman Seated in Armchairs, Facing Away From Each Other and Pouting
11
Nathaniel Dance, 1735–1811, British
Man Hanging from an Apple Tree Branch, over a River
12
Nathaniel Dance, 1735–1811, British
Man Peering Over the Edge of a Cliff
13
Nathaniel Dance, 1735–1811, British
Two Men at a Table Eating Pudding: One Rises Holding His Stomach
14
Nathaniel Dance, 1735–1811, British
Man with bulging eyes and pursed lips leaning his fists on a table
15
unknown artist
View of the North West Front of the Deepdene
undated
16
Richard Banks Harraden, 1778–1862, British
Downing College, Cambridge
1830
17
Richard Banks Harraden, 1778–1862, British
Warwick Vase, Public Library, Cambridge
1842
18
unknown artist, (Viscount Beresford?)
View of Bedgebury Park - Entrance Front
undated
19
unknown artist, (Viscount Beresford?)
Principal Front of Bedgebury House - Elevation
undated
20
Nathaniel Dance, 1735–1811, British
Drunken Man Carrying Large Goblet of Wine, on the Bank of a River
21
Nathaniel Dance, 1735–1811, British
Man with Hammer and Chisel Working on a Globe; and a View of St. Peter's in a Frame
22
Nathaniel Dance, 1735–1811, British
Man with Closed Mouth Seated in an Armchair, Pursued by Flies
23
Nathaniel Dance, 1735–1811, British
Woman in Flowing Gown and Veil, with Upstretched Arms, Exclaiming in a Street: A Distant Man .
24
Nathaniel Dance, 1735–1811, British
Bald Man Held in Stocks, Before a Crowd
25
Nathaniel Dance, 1735–1811, British
A Personified Cloud Blowing a Man with his Head Restng on his Legs; Scene is set Beside the Sea
26
Nathaniel Dance, 1735–1811, British
Shy, Awakened Couple Standing Together
27
Nathaniel Dance, 1735–1811, British
Man Leaping Over a Hedge with Stile Nearby
28
Nathaniel Dance, 1735–1811, British
Two Men Seated at a Table, Eating Salt from a Bowl, with Large Spoons
29
Nathaniel Dance, 1735–1811, British
Large Man Strangling a Short Man
30
Nathaniel Dance, 1735–1811, British
Hanged Man Suspended from a Tree, Over a Lake
31
Nathaniel Dance, 1735–1811, British
Three Men Lounging on Chairs and Settee
32
Nathaniel Dance, 1735–1811, British
Man on settee Holding his Breath, as Woman Brings Him a Bowl of Porridge
33
Nathaniel Dance, 1735–1811, British
Man Holding Whip, Following Dog into A Stone Building
34
Nathaniel Dance, 1735–1811, British
A Man and a Goose Standing Erect, Looking at One Another
35
Nathaniel Dance, 1735–1811, British
Embracing Couple Jumping Out a Window as an Old Man Enters Their Home
36
Nathaniel Dance, 1735–1811, British
Man with Protruding Jaws and Tiny Nose, Facing Left
37
Nathaniel Dance, 1735–1811, British
Scene Between Two Men, One Pulling the Other's Ear
38
Attributed to Gideon Yates, active 1825–1837, British
The Building of London Bridge
undated
39
David Simson, 1803–1874, British
At Haddon Hall (window)
1861
40
unknown artist
Design for a Classical House
undated
41
unknown artist, eighteenth century
Panicum deustum Thunb. (Wild Millet): finished drawing of inflorscence
undated
42
Stephen Riou, 1720–1780
Title page of Piante e Alzate di Diverse Fabbriche
1752
43
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
44
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
45
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
46
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
47
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
48
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
49
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
50
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
51
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
52
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
53
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
54
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
55
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
56
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
57
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
58
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
59
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
60
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
61
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
62
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
63
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
64
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
65
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
66
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
67
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
68
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
69
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
70
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
71
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
72
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
73
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
74
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
75
Sir Jeffry Wyatville, 1766–1840, British
Dinton House, Wiltshire: Elevation
ca. 1812
76
Stephen Riou, 1720–1780
La facciata d'una Casa per fare alla Campagna
1752
77
Paul Sandby, 1731–1809, British
Cemetery Gate of St. Augustine's Monastery at Canterbury
1782
78
Henry Pyall, 1795–1833, British
Set of four: 3. Woodcock Shooting
undated
79
Henry Pyall, 1795–1833, British
Set of four: 2. Pheasant Shooting
undated
80
Henry Pyall, 1795–1833, British
Set of four: 4. Duck Shooting
undated
81
John Fulleylove, 1845–1908, British
Thatched Cottages and Cottage Gardens
1881
82
Paul Sandby, 1731–1809, British
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View in Hudson's River of Pakepsey and the Catts-Kill Mountains, From Sopos Island in Hudson's River
1761
83
unknown artist, nineteenth century
Various Engravings of York Cathedral
1813
84
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'
undated
85
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'
undated
86
Charles Johnson Payne "Snaffles", 1884–1967, British
Gunners Book, Winchfield, Nov. 1909-1910
ca. 1910
87
James Gillray, 1756–1815, British
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
88
unknown artist
[Edinburgh, Glasgow, Mancester and London Coach]
89
John Whessell, 1760–ca. 1823, British
Racing: "Hambletonian" / Sir Harry Tempest Vanes [sic] Horse, Hambletonian, Preparing to start against Mr. Cookson's Diamond, over the / Beacon Course at Newmarket, ..
1800
90
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: '...A Mare Enclosed - a Horse Looking Over'
undated
91
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Hunter at Grass-Property of His Grace the Duke of Beaufort'
undated
92
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Artillery Horses Taking Fright at Lightning'
undated
93
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Various Actions of Flemish Horses'
undated
94
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Explanation to the first Anatomical Table of Outline of the Skeleton of the Horse'
undated
95
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Explanation to the Second Anatomical Table of Outline of the Horse - Muscles in Action'
undated
96
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'The First Action of Leapin at the Bar-Shewing the Horse With His Muscles'
undated
97
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Second Action in Leaping - Clearing the Bar Cleverley & Shewing His Muscles'
undated
98
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Third Action - Leaping Down From Over the Bar - Shewing the Horse With His Muscles'
undated
99
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Leaping ...Starting off Again From the Bar and Shewing the Horse With His Muscles'
undated
100
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: `Outline of Wounded Horses With Their Muscles in Action in the Field of Battle' (Study of Six Horses on a Page)