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Credit Line Yale Center for British Art, Paul Mellon Collection

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Robert Polhill Bevan The Flying Pack
Robert Polhill Bevan, 1865–1925, British
The Flying Pack
undated
Robert Polhill Bevan Horse Dealers
Robert Polhill Bevan, 1865–1925, British
Horse Dealers
ca. 1918
Robert Polhill Bevan The Meet, with further sketches in margin
Robert Polhill Bevan, 1865–1925, British
The Meet, with further sketches in margin
Charles Blair Leighton Grouse Shooting
Print made by Charles Blair Leighton, 1823–1855, British
Grouse Shooting
1852
Charles Blair Leighton Woodcock Shooting
Print made by Charles Blair Leighton, 1823–1855, British
Woodcock Shooting
1855
James Wyatt Cobham Hall, Kent: Section of a Courtyard
James Wyatt, 1746–1813, British
Cobham Hall, Kent: Section of a Courtyard
ca. 1790
Luigi Balugani Hagenia abyssinica (Bruce) J.F. Gmel. : finished drawing
Luigi Balugani, 1737–1770, Italian
Hagenia abyssinica (Bruce) J.F. Gmel. : finished drawing
undated
Nathaniel Dance Lamenting Woman Inside an Archway, Watching a Man Ride off on Horseback
Nathaniel Dance, 1735–1811, British
Lamenting Woman Inside an Archway, Watching a Man Ride off on Horseback
Nathaniel Dance Corpulent Bride and Groom, with Arms Linked
Nathaniel Dance, 1735–1811, British
Corpulent Bride and Groom, with Arms Linked
Nathaniel Dance Man and Woman Seated in Armchairs, Facing Away From Each Other and Pouting
Nathaniel Dance, 1735–1811, British
Man and Woman Seated in Armchairs, Facing Away From Each Other and Pouting
Nathaniel Dance Man Hanging from an Apple Tree Branch, over a River
Nathaniel Dance, 1735–1811, British
Man Hanging from an Apple Tree Branch, over a River
Nathaniel Dance Man Peering Over the Edge of a Cliff
Nathaniel Dance, 1735–1811, British
Man Peering Over the Edge of a Cliff
Nathaniel Dance Two Men at a Table Eating Pudding: One Rises Holding His Stomach
Nathaniel Dance, 1735–1811, British
Two Men at a Table Eating Pudding: One Rises Holding His Stomach
Nathaniel Dance Man with bulging eyes and pursed lips leaning his fists on a table
Nathaniel Dance, 1735–1811, British
Man with bulging eyes and pursed lips leaning his fists on a table
unknown artist View of the North West Front of the Deepdene
unknown artist
View of the North West Front of the Deepdene
undated
Richard Banks Harraden Downing College, Cambridge
Richard Banks Harraden, 1778–1862, British
Downing College, Cambridge
1830
Richard Banks Harraden Warwick Vase, Public Library, Cambridge
Richard Banks Harraden, 1778–1862, British
Warwick Vase, Public Library, Cambridge
1842
unknown artist View of Bedgebury Park - Entrance Front
unknown artist, (Viscount Beresford?)
View of Bedgebury Park - Entrance Front
undated
unknown artist Principal Front of Bedgebury House - Elevation
unknown artist, (Viscount Beresford?)
Principal Front of Bedgebury House - Elevation
undated
Nathaniel Dance Drunken Man Carrying Large Goblet of Wine, on the Bank of a River
Nathaniel Dance, 1735–1811, British
Drunken Man Carrying Large Goblet of Wine, on the Bank of a River
Nathaniel Dance Man with Hammer and Chisel Working on a Globe; and a View of St. Peter's in a Frame
Nathaniel Dance, 1735–1811, British
Man with Hammer and Chisel Working on a Globe; and a View of St. Peter's in a Frame
Nathaniel Dance Man with Closed Mouth Seated in an Armchair, Pursued by Flies
Nathaniel Dance, 1735–1811, British
Man with Closed Mouth Seated in an Armchair, Pursued by Flies
Nathaniel Dance Woman in Flowing Gown and Veil, with Upstretched Arms, Exclaiming in a Street: A Distant Man ..
Nathaniel Dance, 1735–1811, British
Woman in Flowing Gown and Veil, with Upstretched Arms, Exclaiming in a Street: A Distant Man .
Nathaniel Dance Bald Man Held in Stocks, Before a Crowd
Nathaniel Dance, 1735–1811, British
Bald Man Held in Stocks, Before a Crowd
Nathaniel Dance A Personified Cloud Blowing a Man with his Head Restng on his Legs; Scene is set Beside the Sea
Nathaniel Dance, 1735–1811, British
A Personified Cloud Blowing a Man with his Head Restng on his Legs; Scene is set Beside the Sea
Nathaniel Dance Shy, Awakened Couple Standing Together
Nathaniel Dance, 1735–1811, British
Shy, Awakened Couple Standing Together
Nathaniel Dance Man Leaping Over a Hedge with Stile Nearby
Nathaniel Dance, 1735–1811, British
Man Leaping Over a Hedge with Stile Nearby
Nathaniel Dance Two Men Seated at a Table, Eating Salt from a Bowl, with Large Spoons
Nathaniel Dance, 1735–1811, British
Two Men Seated at a Table, Eating Salt from a Bowl, with Large Spoons
Nathaniel Dance Large Man Strangling a Short Man
Nathaniel Dance, 1735–1811, British
Large Man Strangling a Short Man
Nathaniel Dance Hanged Man Suspended from a Tree, Over a Lake
Nathaniel Dance, 1735–1811, British
Hanged Man Suspended from a Tree, Over a Lake
Nathaniel Dance Three Men Lounging on Chairs and Settee
Nathaniel Dance, 1735–1811, British
Three Men Lounging on Chairs and Settee
Nathaniel Dance Man on settee Holding his Breath, as Woman Brings Him a Bowl of Porridge
Nathaniel Dance, 1735–1811, British
Man on settee Holding his Breath, as Woman Brings Him a Bowl of Porridge
Nathaniel Dance Man Holding Whip, Following Dog into A Stone Building
Nathaniel Dance, 1735–1811, British
Man Holding Whip, Following Dog into A Stone Building
Nathaniel Dance A Man and a Goose Standing Erect, Looking at One Another
Nathaniel Dance, 1735–1811, British
A Man and a Goose Standing Erect, Looking at One Another
Nathaniel Dance Embracing Couple Jumping Out a Window as an Old Man Enters Their Home
Nathaniel Dance, 1735–1811, British
Embracing Couple Jumping Out a Window as an Old Man Enters Their Home
Nathaniel Dance Man with Protruding Jaws and Tiny Nose, Facing Left
Nathaniel Dance, 1735–1811, British
Man with Protruding Jaws and Tiny Nose, Facing Left
Nathaniel Dance Scene Between Two Men, One Pulling the Other's Ear
Nathaniel Dance, 1735–1811, British
Scene Between Two Men, One Pulling the Other's Ear
Gideon Yates The Building of London Bridge
Attributed to Gideon Yates, active 1825–1837, British
The Building of London Bridge
undated
David Simson At Haddon Hall (window)
David Simson, 1803–1874, British
At Haddon Hall (window)
1861
unknown artist Design for a Classical House
unknown artist
Design for a Classical House
undated
unknown artist Panicum deustum Thunb. (Wild Millet): finished drawing of inflorscence
unknown artist, eighteenth century
Panicum deustum Thunb. (Wild Millet): finished drawing of inflorscence
undated
Stephen Riou Title page of Piante e Alzate di Diverse Fabbriche
Stephen Riou, 1720–1780
Title page of Piante e Alzate di Diverse Fabbriche
1752
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
unknown artist London Cries: A Volume of Seventy-Seven Drawings
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
Sir Jeffry Wyatville Dinton House, Wiltshire: Elevation
Sir Jeffry Wyatville, 1766–1840, British
Dinton House, Wiltshire: Elevation
ca. 1812
Stephen Riou La facciata d'una Casa per fare alla Campagna
Stephen Riou, 1720–1780
La facciata d'una Casa per fare alla Campagna
1752
Paul Sandby Cemetery Gate of St. Augustine's Monastery at Canterbury
Paul Sandby, 1731–1809, British
Cemetery Gate of St. Augustine's Monastery at Canterbury
1782
Henry Pyall Set of four: 3. Woodcock Shooting
Henry Pyall, 1795–1833, British
Set of four: 3. Woodcock Shooting
undated
Henry Pyall Set of four: 2. Pheasant Shooting
Henry Pyall, 1795–1833, British
Set of four: 2. Pheasant Shooting
undated
Henry Pyall Set of four: 4. Duck Shooting
Henry Pyall, 1795–1833, British
Set of four: 4. Duck Shooting
undated
John Fulleylove Thatched Cottages and Cottage Gardens
John Fulleylove, 1845–1908, British
Thatched Cottages and Cottage Gardens
1881
Paul Sandby One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View in Hudson's River of Pakepsey and the Catts-Kill Mountains, From Sopos Island in Hudson's River.
Paul Sandby, 1731–1809, British
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View in Hudson's River of Pakepsey and the Catts-Kill Mountains, From Sopos Island in Hudson's River
1761
unknown artist Various Engravings of York Cathedral
unknown artist, nineteenth century
Various Engravings of York Cathedral
1813
Henry Bernard Chalon Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'
undated
Henry Bernard Chalon Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'
undated
Charles Johnson Payne "Snaffles" Gunners Book, Winchfield, Nov. 1909-1910
Charles Johnson Payne "Snaffles", 1884–1967, British
Gunners Book, Winchfield, Nov. 1909-1910
ca. 1910
James Gillray Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
James Gillray, 1756–1815, British
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
unknown artist [Edinburgh, Glasgow, Mancester and London Coach]
unknown artist
[Edinburgh, Glasgow, Mancester and London Coach]
John Whessell Racing: "Hambletonian" / Sir Harry Tempest Vanes [sic] Horse, Hambletonian, Preparing to start against Mr. Cookson's Diamond, over the / Beacon Course at Newmarket, ...
John Whessell, 1760–ca. 1823, British
Racing: "Hambletonian" / Sir Harry Tempest Vanes [sic] Horse, Hambletonian, Preparing to start against Mr. Cookson's Diamond, over the / Beacon Course at Newmarket, ..
1800
Henry Bernard Chalon Studies of Horses: '...A Mare Enclosed - a Horse Looking Over'
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: '...A Mare Enclosed - a Horse Looking Over'
undated
Henry Bernard Chalon Studies of Horses: 'Hunter at Grass-Property of His Grace the Duke of Beaufort'
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Hunter at Grass-Property of His Grace the Duke of Beaufort'
undated
Henry Bernard Chalon Studies of Horses: 'Artillery Horses Taking Fright at Lightning'
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Artillery Horses Taking Fright at Lightning'
undated
Henry Bernard Chalon Studies of Horses: 'Various Actions of Flemish Horses'
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Various Actions of Flemish Horses'
undated
Henry Bernard Chalon Studies of Horses: 'Explanation to the first Anatomical Table of Outline of the Skeleton of the Horse'
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Explanation to the first Anatomical Table of Outline of the Skeleton of the Horse'
undated
Henry Bernard Chalon Studies of Horses: 'Explanation to the Second Anatomical Table of Outline of the Horse - Muscles in Action'
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Explanation to the Second Anatomical Table of Outline of the Horse - Muscles in Action'
undated
Henry Bernard Chalon Studies of Horses: 'The First Action of Leapin at the Bar-Shewing the Horse With His Muscles'
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'The First Action of Leapin at the Bar-Shewing the Horse With His Muscles'
undated
Henry Bernard Chalon Studies of Horses: 'Second Action in Leaping - Clearing the Bar Cleverley & Shewing His Muscles'
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Second Action in Leaping - Clearing the Bar Cleverley & Shewing His Muscles'
undated
Henry Bernard Chalon Studies of Horses: 'Third Action - Leaping Down From Over the Bar - Shewing the Horse With His Muscles'
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Third Action - Leaping Down From Over the Bar - Shewing the Horse With His Muscles'
undated
Henry Bernard Chalon Studies of Horses: 'Leaping ...Starting off Again From the Bar and Shewing the Horse With His Muscles'
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Leaping ...Starting off Again From the Bar and Shewing the Horse With His Muscles'
undated
Henry Bernard Chalon Studies of Horses: `Outline of Wounded Horses With Their Muscles in Action in the Field of Battle' (Study of Six Horses on a Page)
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: `Outline of Wounded Horses With Their Muscles in Action in the Field of Battle' (Study of Six Horses on a Page)
undated