Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
2
Benjamin van der Gucht, 1753–1794, British
Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
between 1773 and 1774
Not on view
3
Johan Joseph Zoffany, 1733–1810, German, active in Britain (from 1760)
David Garrick and his wife Eva Maria Garrick (née Veigel) by his Temple to Shakespeare at Hampton
ca. 1762
Not on view
4
Pieter van Bleeck, 1700–1764, Dutch, active in Britain (from 1723)
Mrs. Cibber as Cordelia
1755
Not on view
5
Francis Wheatley, 1747–1801, British
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
Not on view
6
Richard Dadd, 1817–1886, British
Hamlet and his Mother; The Closet Scene
1846
Not on view
7
William Hamilton, 1751–1801, British
The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
ca. 1790
Not on view
8
Marcellus Laroon the Younger, 1679–1772, British
Scene from Shakespeare's "Henry IV, Part I"
1746
Not on view
9
Adrien Carpentiers, active 1739–1778, Flemish, active in Britain (from 1739)
Louis-Francois Roubiliac Modelling His Monument to Shakespeare
between 1760 and 1761
Not on view
10
Pieter van Bleeck, 1700–1764, Dutch, active in Britain (from 1723)
Mrs. Cibber as Cordelia
ca. 1755
Not on view
11
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Vine
1852
12
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Vine
1852
13
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Vine
1852
14
William Blake, 1757–1827, British
Octavius Augustus Cæsar
1821
15
Robert Smirke, 1752–1845, British
Untitled: Two Classical Domestic Scenes
16
Robert Smirke, 1752–1845, British
The Gem for 1830
17
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Prospero Disarming Ferdinand, Act I, Scene II
1793
18
John Jones, ca. 1745–1797, British
Beatrice, Hero and Ursula
ca. 1771
19
Richard Parkes Bonington, 1802–1828, British
Studies for Shylock
1825
20
Samuel De Wilde, 1748–1832, British
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
21
Henry William Bunbury, 1750–1811, British
A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
undated
22
Print made by George Cooke, 1781–1834, British
Dover from Shakespeare's Cliff
1826
23
Print made by George Cooke, 1781–1834, British
Dover from Shakespeare's Cliff
1826
24
Print made by George Cooke, 1781–1834, British
Dover from Shakespeare's Cliff
1826
25
Print made by George Cooke, 1781–1834, British
Dover from Shakespeare's Cliff
1826
26
Hugh William "Grecian" Williams, 1773–1829, British
Birnam Wood
before 1801
27
John Boyne, ca. 1750–1810, British
Malvolio: Possibly a Self-Portrait in the Role
undated
28
Theodor von Holst, 1810–1844, British
Ferdinand Riding the Waves
ca. 1830
29
Francis Hayman, 1707/8–1776, British
Falstaff Inspecting the Recruits
between 1761 and 1765
30
J. Jacobs, active 1816–1864
Shakespeare House, Aldersgate Street
undated
31
unknown artist
Shakespeare's Cliff, Dover
between 1826 and 1866
32
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Study for 'Finding of the Body of Bassanio'
1804
33
Robert Smirke, 1752–1845, British
Anne Page and Slender
1821
34
Robert Smirke, 1752–1845, British
Prospero and Ariel
1821
35
Robert Smirke, 1752–1845, British
Falstaff Instructing Bardolph
1825
36
Robert Smirke, 1752–1845, British
Falstaff Dragging the Body of Hotspur
1825
37
James Barry, 1741–1806, Irish
King Lear
1776
38
William Young Ottley, 1771–1836, British
Prospero Summoning Ariel
ca. 1800
39
Thomas Grieve, 1799–1882, British
Design for Midsummer Night's Dream
undated
40
Thomas Grieve, 1799–1882, British
Design for A Winter's Tale
undated
41
John Flaxman, 1755–1826, British
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
42
Robert Smirke, 1752–1845, British
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
43
Robert Smirke, 1752–1845, British
Lysander Awakening to See Helena
1825
44
Robert Smirke, 1752–1845, British
Falstaff in the Boar's Head
1807
45
Samuel De Wilde, 1748–1832, British
Head of a Man with a Beard and Long Hair in the Wind
1786
46
Robert Smirke, 1752–1845, British
Falstaff at Herne's Oak
1807
47
John Hamilton Mortimer, 1740–1779, British
Literary Characters Assembled Around the Medallion of Shakespeare
1776
48
unknown artist
Portrait of Moses Kean
undated
49
George Fennell Robson, 1788–1833, British
The Murder of Banquo
ca. 1830
50
John Thomas Serres, 1759–1825, British
The South Foreland and Shakespeare's Cliff (one of five drawings on one mount)
undated
51
Print made by George Cooke, 1781–1834, British
Dover from Shakespeare's Cliff
1826
52
Print made by John Horsburgh, 1791–1869, British
Shakespeare's Monument at the Church at Stratford upon Avon
1834
53
Thomas Rowlandson, 1756–1827, British
Henderson in the Character of Falstaff
undated
54
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Jane Shore
1790
55
Robert Laurie, 1755?–1836, British
David Garrick, Esq
1779
56
Richard James Lane, 1800–1872, British
Lawrence, The Sleeping and the Dead are but as Pictures; Shakespeare
1830
57
Sir William Chambers, 1723–1796, British
Monument to Shakespeare
ca. 1763
58
Mary Hoare, 1744–1820, British
Lady Percy Watching the Sleeping Hotspur
1781
59
Mary Hoare, 1744–1820, British
Prospero and Miranda
1781
60
Mary Hoare, 1744–1820, British
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
61
Mary Hoare, 1744–1820, British
Antigonus Disposing of Perdita
ca. 1781
62
Mary Hoare, 1744–1820, British
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
63
Joseph Michael Gandy, 1771–1843, British
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
64
Mary Hoare, 1744–1820, British
Ophelia's Death
ca. 1781
65
Mary Hoare, 1744–1820, British
Lady Macbeth, Sleepwalking
1781
66
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804)
Shakespeare Cliff, Dover
ca. 1800
67
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Figure Leaning over Stairs
1789
68
Mary Hoare, 1744–1820, British
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
69
Mary Hoare, 1744–1820, British
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
70
Mary Hoare, 1744–1820, British
The Apparition of the Armed Head: Macbeth
ca. 1781
71
Mary Hoare, 1744–1820, British
Lear and Cordelia
ca. 1781
72
Mary Hoare, 1744–1820, British
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
73
Mary Hoare, 1744–1820, British
Lear and Cordelia
ca. 1781
74
Mary Hoare, 1744–1820, British
Ferdinand and Ariel
ca. 1781
75
George Siegmund Facius, 1750–1804
Romeo and Juliet: Act I, Scene V. "A Hall in Capulet's House."
1789
76
George Siegmund Facius, 1750–1804
Romeo and Juliet: Act IV, Scene V. "Juliet on her bed."
1803
77
Robert Thew, 1758–1802, British
Henry VI, Part I: Act II, Scene iii, The Countess of Auvergne's Castle
1803
78
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
79
Henry Thomas Alken, 1785–1851, British
A Character (? Macbeth) in Renaissance Dress..
undated
80
Benjamin West, 1738–1820, American, active in Britain (from 1763)
King Richard II Act IV, Scene I: "King Richard, Bolingbroke, Yorke, etc."
1803
81
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Twelfth Night, Act V, Scene I: The Street
1803
82
Thomas Ryder, 1746–1810, Irish
Twelfth Night, Act III, Scene IV: Olivia's House
1803
83
Samuel Middiman, ca. 1750–1831, British
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
84
Print made by Robert Thew, 1758–1802, British
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
85
Samuel Middiman, ca. 1750–1831, British
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
86
Robert Thew, 1758–1802, British
Henry IV, Part I, Act II, Scene IV: " The Boar's Head"
1803
87
Peter Simon, 1750–1810
King Henry IV: Part I, Act III, Scene I, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower
1803
88
Samuel Middiman, ca. 1750–1831, British
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
89
Thomas Ryder, 1746–1810, Irish
King Henry IV, Part I: Act V, Scene iv, Plain near Shrewsbury. Prince Henry, Hotspur & Falstaff
1796
90
Samuel Middiman, ca. 1750–1831, British
As You Like It: Act II, Scene I: Forest of Arden
1803
91
Print made by John Horsburgh, 1791–1869, British
Shakespeare's Monument at the Church at Stratford upon Avon
1834
92
Print made by John Horsburgh, 1791–1869, British
Shakespeare's Monument at the Church at Stratford upon Avon
1834
93
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
94
Robert Thew, 1758–1802, British
Henry IV, Part II: Act IV, The Palace at Westminster
1803
95
Robert Thew, 1758–1802, British
Henry V: Act II, Scene ii, Southamptom. The King, Scroop, etc
1803
96
Thomas Ryder, 1746–1810, Irish
Henry IV, Part II: Act III, Justice Shallon's Seat in Gloucestershire
1803
97
Print made by Robert Thew, 1758–1802, British
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
98
John Ogborne the Elder, 1755–1795, British
Henry VI, Part I: Act II, Scene IV, London. The Temple Garden
1803
99
Charles Gauthier Playter, died 1809
Henry VI, Part II: Act I, Scene iv, Mother Jourdaine, Himi---
1803
100
John Ogborne the Elder, 1755–1795, British
Henry VI, Part III: Act II, Scene V, A Field of Battle near Towton . .