<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Image Available Available

Remove constraint Image Available: Available

Subject Terms grass

Remove constraint Subject Terms: grass

Search Results

Thomas Stringer John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds
Thomas Stringer, 1722–1790, British
John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds
1779
Not on view
George Chambers Two Fishing Boats on the Banks of Inland Waters
George Chambers, 1803–1840, British
Two Fishing Boats on the Banks of Inland Waters
1831
Not on view
H. J. Aveling First Grand Match of Cricket Played by Members of the Royal Amateur Society on Hampton Court Green, August 3rd, 1836
Attributed to H. J. Aveling, active 1839–1842, British
First Grand Match of Cricket Played by Members of the Royal Amateur Society on Hampton Court Green, August 3rd, 1836
exhibited 1839
Not on view
Thomas Jones The Vale of Pencerrig
Thomas Jones, 1742–1803, British, active in Italy (1776–83)
The Vale of Pencerrig
1776
Not on view
George Chinnery View in Southern India, with a Warrior Outside His Hut
George Chinnery, 1774–1852, British
View in Southern India, with a Warrior Outside His Hut
ca. 1815
Not on view
Nathaniel Dance Thomas "Sense" Browne
Nathaniel Dance, 1735–1811, British
Thomas "Sense" Browne
1775
Not on view
Richard Barrett Davis George Mountford, Huntsman to the Quorn, and W. Derry, Whipper-In, at John O'Gaunt's Gorse, near Melton Mowbray
Richard Barrett Davis, 1782–1854, British
George Mountford, Huntsman to the Quorn, and W. Derry, Whipper-In, at John O'Gaunt's Gorse, near Melton Mowbray
1836
Not on view
Philippe-Jacques de Loutherbourg Landscape with Cattle and Peasant
Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
Landscape with Cattle and Peasant
ca. 1781
Not on view
unknown artist Kidbrooke Park, Kent
unknown artist, eighteenth century
Kidbrooke Park, Kent
ca. 1745
Not on view
unknown artist Pierrepont House, Nottingham, Nottinghamshire
unknown artist, eighteenth century
Pierrepont House, Nottingham, Nottinghamshire
ca. 1705
Not on view
Frederick W. Watts At South Mickleham
Frederick W. Watts, 1800–1862, British
At South Mickleham
1829
Not on view
William Henry Millais Hayes Common
William Henry Millais, 1828–1899, British
Hayes Common
1852 to 1853
Not on view
Frederick W. Watts Rocky Hillside
Frederick W. Watts, 1800–1862, British
Rocky Hillside
ca. 1830
Not on view
Robert Polhill Bevan The Meet
Print made by Robert Polhill Bevan, 1865–1925, British
The Meet
1898-1899
Robert Polhill Bevan Found!
Print made by Robert Polhill Bevan, 1865–1925, British
Found!
1898-1899
Robert Polhill Bevan The Flying Pack
Print made by Robert Polhill Bevan, 1865–1925, British
The Flying Pack
1898-1899
Robert Polhill Bevan Who-o-p!
Print made by Robert Polhill Bevan, 1865–1925, British
Who-o-p!
1898-1899
Robert Polhill Bevan Over the Bank, Exmoor
Robert Polhill Bevan, 1865–1925, British
Over the Bank, Exmoor
ca. 1895
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851, British
Jason
1807
Edward Lear A View of the Pine Woods Above Cannes
Edward Lear, 1812–1888, British
A View of the Pine Woods Above Cannes
1869
Edward Lear Wady Feiran, Peninsula of Mt. Sinai
Edward Lear, 1812–1888, British
Wady Feiran, Peninsula of Mt. Sinai
ca. 1880
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888, British
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Gozo, near Malta
Edward Lear, 1812–1888, British
Gozo, near Malta
1866
Edward Lear Albania
Edward Lear, 1812–1888, British
Albania
between 1848 and 1849
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake Jerusalem, Plate 15, "And Hand & Hyle...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 15, "And Hand & Hyle...."
1804 to 1820
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
ca. 1797
William Blake Alas!; Plate 9
Print made by William Blake, 1757–1827, British
Alas!; Plate 9
1793
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
1794
William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
William Blake Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
Samuel Buck Bristol High Cross
Print made by Samuel Buck, 1696–1779, British
Bristol High Cross
1734
John Crome Road Scene, Trowse Hall, near Norwich
Print made by John Crome, 1768–1821, British
Road Scene, Trowse Hall, near Norwich
1813
Robert Dixon The Black Tower Norwich
Robert Dixon, 1780–1815, British
The Black Tower Norwich
between 1810 and 1811
Robert Dixon West Tower, Wymondham Church
Robert Dixon, 1780–1815, British
West Tower, Wymondham Church
1810
Charles Bretherton Postiglione Inglese
Print made by Charles Bretherton, ca. 1760–1783, British
Postiglione Inglese
1772
Henry William Bunbury The Siege of Namur
Print made by Henry William Bunbury, 1750–1811, British
The Siege of Namur
between 1773 and 1817
Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings
Print made by Jean B. C. Chatelain, 1710–1771, French
Wooded Landscape with a River Leading to Distant Buildings
undated
John Crome Back of the New Mills, Norwich
Print made by John Crome, 1768–1821, British
Back of the New Mills, Norwich
1812
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811, Irish
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
James Clark Cowdray Ruins
Print made by James Clark, 19th century
Cowdray Ruins
1824
Sir George Howland Beaumont seventh Baronet Lane with Figures, May 1802
Sir George Howland Beaumont seventh Baronet, 1753–1827, British
Lane with Figures, May 1802
1802
George Richmond Study of a Tree on a Grassy Bank
George Richmond, 1809–1896, British
Study of a Tree on a Grassy Bank
1866
unknown artist Design for Wall Paper
unknown artist
Design for Wall Paper
ca. 1760
Andrew Fyfe Eragrostis Tef
Andrew Fyfe, 1752–1824, British
Eragrostis Tef
1775
James Duffield Harding Willows by a Stream, Horse and Cart Crossing Bridge
James Duffield Harding, 1798–1863, British
Willows by a Stream, Horse and Cart Crossing Bridge
undated
Thomas Hearne Gundulf's Tower, Rochester Cathedral, Kent
Thomas Hearne, 1744–1817, British
Gundulf's Tower, Rochester Cathedral, Kent
undated
Charles Tomkins Reading Gate-Way
Charles Tomkins, 1757–1823, British
Reading Gate-Way
undated
Charles Warren The Eel Catcher
Charles Warren, 1767–1823, British
The Eel Catcher
undated
Peter Tillemans From Hampstead
Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708)
From Hampstead
1730
Richard Westall Wanstead House
Richard Westall, 1765–1836, British
Wanstead House
undated
George Barret Tree Study with Stags (Landscape)
George Barret, ca. 1728/32–1784, Irish
Tree Study with Stags (Landscape)
undated
Thomas Hearne The Poor House, Hadley, Hertfordshire
Thomas Hearne, 1744–1817, British
The Poor House, Hadley, Hertfordshire
1802
Thomas Hearne The Trees and River in the Park at Coleorton Hall, Leicestershire
Thomas Hearne, 1744–1817, British
The Trees and River in the Park at Coleorton Hall, Leicestershire
undated
Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries
Thomas Hearne, 1744–1817, British
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
Samuel Prout Bolton Abbey
Samuel Prout, 1783–1852, British
Bolton Abbey
undated
Cornelius Varley Study of Boats with Horses and Carts
Cornelius Varley, 1781–1873, British
Study of Boats with Horses and Carts
undated
Henry Moore Showery June, Picardy
Henry Moore, 1831–1895, British
Showery June, Picardy
between 1870 and 1880
William Pars Temple of Venus and Rome from the Colosseum
William Pars, 1742–1782, British
Temple of Venus and Rome from the Colosseum
1781
John Varley Two Donkeys in a Landscape
John Varley, 1778–1842, British
Two Donkeys in a Landscape
undated
William Henry Hunt Aldenham Church
William Henry Hunt, 1790–1864, British
Aldenham Church
ca. 1817
John Linnell Llanberis, North Wales
John Linnell, 1792–1882, British
Llanberis, North Wales
1813
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813, British
Nîmes from the Tour Magne
ca. 1765
Henry Moore High Tor, Matlock
Henry Moore, 1831–1895, British
High Tor, Matlock
undated
unknown artist Mountainous Landscape
unknown artist, nineteenth century
Mountainous Landscape
undated
unknown artist Roundway Park, Wiltshire: Exterior View
unknown artist, nineteenth century
Roundway Park, Wiltshire: Exterior View
ca. 1840
unknown artist Roundway Park, Wiltshire: Exterior View
unknown artist, nineteenth century
Roundway Park, Wiltshire: Exterior View
ca. 1840
Cornelius Varley Hartwell, Buckinghamshire
Cornelius Varley, 1781–1873, British
Hartwell, Buckinghamshire
1833
Sir Robert Smirke the younger Windsor Castle, Berkshire
Sir Robert Smirke the younger, 1781–1867, British
Windsor Castle, Berkshire
ca. 1823
Thomas Hearne Trees in Ashtead Park, Surrey
Thomas Hearne, 1744–1817, British
Trees in Ashtead Park, Surrey
undated
Thomas Hearne The Ruins of the College of Lincluden, near Dumfries
Thomas Hearne, 1744–1817, British
The Ruins of the College of Lincluden, near Dumfries
ca. 1806
John Linnell Terraced Cottages with Fallen Trees
imitator of John Linnell, 1792–1882, British
Terraced Cottages with Fallen Trees
undated
Patrick Nasmyth Part of Regent's Park
Patrick Nasmyth, 1787–1831, British
Part of Regent's Park
1805
Cornelius Varley Remains of Purton Hall, Staffordshire
Cornelius Varley, 1781–1873, British
Remains of Purton Hall, Staffordshire
1820
Benjamin West Road Scene in Windsor Forest
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Road Scene in Windsor Forest
undated
William Henry Hunt Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
William Henry Hunt, 1790–1864, British
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
unknown artist Carew Castle South Wales
unknown artist, nineteenth century
Carew Castle South Wales
undated
unknown artist Mountainous Landscape with Cows
unknown artist, nineteenth century
Mountainous Landscape with Cows
undated