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1. Parrots and Fruit with Other Birds and a Squirrel

Parrots and Fruit with Other Birds and a Squirrel
Creator:
Tobias Stranover, 1684–after 1735, German, active in Britain
Date:
between 1710 and 1724
Medium:
Oil on canvas
Dimensions:
44 1/2 x 62 1/2 inches (113 x 158.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Girl Bundling Asparagus

Girl Bundling Asparagus
Creator:
John Atkinson, active 1770–1775, British
Date:
1771
Medium:
Oil on canvas
Dimensions:
30 1/8 × 25 inches (76.5 × 63.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A Young Girl with an Enslaved Servant and a Dog

A Young Girl with an Enslaved Servant and a Dog
Creator:
Bartholomew Dandridge, baptized 1691–died in or after 1754, British
Date:
ca. 1725
Medium:
Oil on canvas
Dimensions:
48 x 48 inches (121.9 x 121.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Vine

The Vine
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
1852
Medium:
Etching and drypoint, retouched with graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 11 13/16 x 8 1/2 inches (30 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Vine

The Vine
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
1852
Medium:
Etching and drypoint on thick, smooth, cream wove paper
Dimensions:
Sheet: 4 3/4 x 6 5/16 inches (12 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Vine

The Vine
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
1852
Medium:
Etching and drypoint, retouched with white watercolor, gouache or chalk on thick, smooth, cream wove paper
Dimensions:
Sheet: 11 9/16 x 8 1/4 inches (29.3 x 20.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Joseph and Potiphar's Wife

Joseph and Potiphar's Wife
Creator:
William Blake, 1757–1827, British
Date:
1803 to 1805
Medium:
Watercolor, with pen, and black ink gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 1/16 × 12 1/2 inches (35.7 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Jerusalem, Plate 42, "Thus Albion sat...."

Jerusalem, Plate 42, "Thus Albion sat...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 85, "Became a Space & an Allegory...."

Jerusalem, Plate 85, "Became a Space & an Allegory...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)

Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Jerusalem, Plate 79, "My tents are fall'n...."

Jerusalem, Plate 79, "My tents are fall'n...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)

Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
Creator:
Simon Gribelin, 1662–1733, French, active in Britain
Date:
ca. 1720
Medium:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Relief Design for a Silver Salt Cellar

Relief Design for a Silver Salt Cellar
Creator:
Thomas Stothard, 1755–1834, British
Date:
undated
Medium:
Brown wash and graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 8 3/8 inches (11.4 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Design for a decoration incorporating motifs allusive to the Arts, Arms, and Religion

Design for a decoration incorporating motifs allusive to the Arts, Arms, and Religion
Creator:
Sir James Thornhill, 1675–1734, British
Date:
undated
Medium:
Pen and brown ink with brown wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/4 x 14 3/8 inches (17.1 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Figures and Animals in a Vineyard

Figures and Animals in a Vineyard
Creator:
John Frederick Lewis, 1804–1876, British
Date:
ca. 1829
Medium:
Watercolor and gouache with gum over graphite, with scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/2 × 20 1/2 inches (41.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Adam and Eve

Adam and Eve
Creator:
attributed to John Martin, 1789–1854, British
Date:
undated
Medium:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Apple, Grapes and a Cob-Nut

Apple, Grapes and a Cob-Nut
Creator:
William Henry Hunt, 1790–1864, British
Date:
ca. 1850
Medium:
Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 7 3/8 inches (12.7 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Design for an Ornamented Spandrel

Design for an Ornamented Spandrel
Creator:
Augustus Welby Northmore Pugin, 1812–1852, British
Date:
undated
Medium:
Graphite, pen and black ink, gray wash, and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 19 7/8 inches (32.1 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Study of a Vase

Study of a Vase
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 9/16 x 9 5/16 inches (31.9 x 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. [One of] Five Ceiling Designs

[One of] Five Ceiling Designs
Creator:
John Sanderson, active 1730; died 1774, British
Date:
undated
Medium:
Watercolor with pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 x 6 13/16 inches (10.2 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Richard and Maria Cosway, and Ottobah Cugoano

Richard and Maria Cosway, and Ottobah Cugoano
Creator:
Print made by Richard Cosway, 1742–1821, British
Date:
1784
Medium:
Etching and aquatint, printed in brown ink on medium, slightly textured, cream paper
Dimensions:
Sheet: 12 5/8 × 15 3/8 inches (32 × 39 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Beauty's Tribute (Elizabeth Cooper)

Beauty's Tribute (Elizabeth Cooper)
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703, British
Date:
undated
Medium:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Plate: 13 11/16 × 10 3/16 inches (34.8 × 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Bride

The Bride
Creator:
Print made by Edward Calvert, 1799–1883, British
Date:
1828
Medium:
Engraving and drypoint on thin, slightly textured, cream Asian paper
Dimensions:
Sheet: 4 5/16 x 7 inches (10.9 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Ruines de Château d'Arlay

Ruines de Château d'Arlay
Creator:
Print made by Richard Parkes Bonington, 1802–1828, British
Date:
1827
Medium:
Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:
Sheet: 13 5/16 x 18 1/8 inches (33.8 x 46.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Birth of Bacchus

Birth of Bacchus
Creator:
after Sir Joshua Reynolds, 1723–1792, British
Date:
1788
Medium:
Stipple engraving on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 20 5/8 × 15 1/2 inches (52.4 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The Ceiling in the Banqueting House at Whitehall

The Ceiling in the Banqueting House at Whitehall
Creator:
Print made by Simon Gribelin, 1662–1733, French, active in Britain
Date:
ca. 1720
Medium:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
Creator:
James Gillray, 1756–1815, British
Date:
1798
Medium:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 9/16 x 18 11/16 inches (34.4 x 47.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection