Studies for the Portraits of Lord Eglinton, Lord Douglas and Lord Stradbroke in `The Waterloo Cup Coursing Meeting' (in the Walker Art Gallery), 1840
before 1841
Not on view
3
Lawrence Gahagan, 1756–1820, Irish
George III
ca. 1820
Not on view
4
James Tassie, 1735–1799, British
David Garrick
1780
Not on view
5
attributed to John Constable, 1776–1837, British
Wormingford Church
between 1813 and 1815
6
John Constable, 1776–1837, British
Leatherhead Church, Near Epsom, from the Northeast
1806
7
John Constable, 1776–1837, British
Dedham Vale from Langham
between 1830 and 1831
8
John Constable, 1776–1837, British
Dawn
between 1831 and 1832
9
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Pastoral Scene
1835
10
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Shoreham, Kent
between 1831 and 1832
11
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Thatched Cottage and Church
undated
12
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Crescent Moon
undated
13
George Stubbs, 1724–1806, British
Dog [A Foxhound on the Scent]
1788
14
George Romney, 1734–1802, British
A Pensive Lady
undated
15
William Blake, 1757–1827, British
The Book of Thel
1789
16
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 17
1821
17
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 18
1821
18
William Blake, 1757–1827, British
Epicurus
1821
19
William Blake, 1757–1827, British
Theocritus
1821
20
William Blake, 1757–1827, British
Octavius Augustus Cæsar
1821
21
William Blake, 1757–1827, British
From Antique Coins
1821
22
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 16
1821
23
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 15
1821
24
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 14
1821
25
William Blake, 1757–1827, British
Caius Julius Cæsar
1821
26
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Frontispiece
1821
27
William Blake, 1757–1827, British
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
28
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
29
William Blake, 1757–1827, British
An Angel with a Trumpet
between 1805 and 1808
30
William Blake, 1757–1827, British
Publius Virgilius Maro
1821
31
William Blake, 1757–1827, British
For Children. The Gates of Paradise, London, by William Blake
1793
32
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 14 (Bentley 14)
1794
33
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
1794
34
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)
1794
35
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 21 (Bentley 27)
1794
36
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 2, Title Page
1789
37
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
38
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
39
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
40
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
41
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
42
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
1794
43
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 8 (Bentley 9)
1794
44
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
1794
45
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
1794
46
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
1794
47
Print made by William Blake, 1757–1827, British
For Children. The Gates of Paradise, Title Page; Plate 2
1793
48
Print made by William Blake, 1757–1827, British
I Found Him Beneath a Tree; Plate 3
1793
49
Print made by William Blake, 1757–1827, British
Air; Plate 6
1793
50
Print made by William Blake, 1757–1827, British
Fire; Plate 7
1793
51
Print made by William Blake, 1757–1827, British
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
52
Print made by William Blake, 1757–1827, British
Alas!; Plate 9
1793
53
Print made by William Blake, 1757–1827, British
I Want! I Want!; Plate 11
1793
54
Print made by William Blake, 1757–1827, British
My Son! My Son!; Plate 10
1793
55
Print made by William Blake, 1757–1827, British
Help! Help!; Plate 12
1793
56
Print made by William Blake, 1757–1827, British
Does Thy God O Priest Take such Vengeance as This?; Plate 14
1793
57
Print made by William Blake, 1757–1827, British
Fear & Hope Are -- Vision; Plate 15
1793
58
Print made by William Blake, 1757–1827, British
I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
1793
59
Print made by William Blake, 1757–1827, British
What is Man!, Frontispiece; Plate 1
1793
60
Print made by William Blake, 1757–1827, British
Water; Plate 4
1793
61
Print made by William Blake, 1757–1827, British
Earth; Plate 5
1793
62
Print made by William Blake, 1757–1827, British
Aged Ignorance; Plate 13
1793
63
Print made by William Blake, 1757–1827, British
The Traveller Hasteth in the Evening; Plate 16
1793
64
Print made by William Blake, 1757–1827, British
Death's Door; Plate 17
1793
65
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
66
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
67
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
68
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 2, Title Page
1789
69
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
70
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
71
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
72
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
73
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
74
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 4 (Bentley 24)
1794
75
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 18 (Bentley 21)
1794
76
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)
1794
77
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)
1794
78
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 28 (Bentley 27)
1794
79
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
80
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 10, "12: Los Howld in a Dismal Stupor...." (Bentley 7)
1794
81
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)
1794
82
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 15 (Bentley 14)
1794
83
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
1794
84
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)
1794
85
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)
1794
86
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)
1794
87
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
88
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
89
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)
1794
90
Sir Robert Smirke the younger, 1781–1867, British
Ancient Inscriptions in Greek Alphabet
1802-1804
91
Sir Robert Smirke the younger, 1781–1867, British
Arcadia
1802-1804
92
Sir Robert Smirke the younger, 1781–1867, British
Tombstone
1802-1804
93
Sir Robert Smirke the younger, 1781–1867, British
Study of an Ornamental Chair
1802-1804
94
Luigi Balugani, 1737–1770, Italian
Uschis (Coccinea abyssinica)
undated
95
Print made by Miles Edmund Cotman, 1810–1858, British
Study of Trees on the Banks of the Yare
1846
96
Henry Swinburne, 1743–1803, British
Narbonne, France
undated
97
Henry Swinburne, 1743–1803, British
One of Four Sketches, of Ceilings, in the Vatican Gallery
1777 to 1778
98
Henry Swinburne, 1743–1803, British
One of Four Sketches, of Ceilings, in the Vatican Gallery
1777 to 1778
99
Henry Swinburne, 1743–1803, British
One of Four Sketches, of Ceilings, in the Vatican Gallery
1777 to 1778
100
Attributed to George Perfect Harding, 1780–1853, British
Iconographie Anglaise par Reynolds et Autres: Dr. Richard D. Bentley