Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course
ca. 1765
Not on view
5
Joseph Mallord William Turner, 1775–1851, British
Off the Nore
between 1840 and 1845
Not on view
6
John R. Skeaping, 1901–1980, British
Mare and Foal
1980
Not on view
7
John R. Skeaping, 1901–1980, British
Racing - Hanging to the Left
1975
Not on view
8
John R. Skeaping, 1901–1980, British
Turning to Go Down
1976
Not on view
9
John R. Skeaping, 1901–1980, British
The York Trophy
1977
Not on view
10
John Martin, 1789–1854, British
Kensington Gardens
1815
Not on view
11
William Daniell, 1769–1837, British
Westminster Bridge and Abbey
1813
Not on view
12
John Martin, 1789–1854, British
Kensington Gardens
1815
Not on view
13
Thomas Woodward, 1801–1852, British
Horses in a Thunderstorm
1823
Not on view
14
Attributed to William Mulready, 1786–1863, Irish
Lock gate
undated
Not on view
15
Balthazar Nebot, active 1730–1762, Spanish, active in Britain (from 1729)
Fishmonger's stall
1737
Not on view
16
Sebastian Pether, 1790–1844, British
River Scene
1840
Not on view
17
Alexander Marshal, active 1651–died 1682, British
Flowers in a Delft Jar
1663
Not on view
18
Thomas Webster, 1800–1886, British
Ring O' Roses
ca. 1850
Not on view
19
James Pollard, 1792–1867, British
Outside the Pike and Anchor Inn at Ponders End, Middlesex
1834
Not on view
20
Edward Duncan, 1803–1882, British
Pheasant Shooting
1830
Not on view
21
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
Free West Indian Creoles in Elegant Dress
ca. 1780
Not on view
22
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
23
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
Planter and his Wife, with a Servant
ca. 1780
Not on view
24
John Berney Ladbrooke, 1803–1879, British
Crown Point, Whitlingham, near Norwich
1855
Not on view
25
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
A Leeward Islands Carib family outside a Hut
ca. 1780
Not on view
26
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
A West Indian Creole Woman Attended by her Black Servant
ca. 1780
Not on view
27
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
West Indian Women of Color, with a Child and Black Servant
ca. 1780
Not on view
28
Edward William Cooke, 1811–1880, British
Toulon (?)
1845 or after 1863
Not on view
29
unknown artist, nineteenth century
Canal under construction, possibly the Bude Canal
ca. 1840
Not on view
30
George Chinnery, 1774–1852, British
Josiah Andrew Hudleston (1799-1865)
1832
Not on view
31
unknown artist, eighteenth century
A View of Lambeth
ca. 1770
Not on view
32
Joseph Francis Nollekens, 1702–1748, Flemish, active in Britain (1708; from 1733)
Portrait of Two Boys, probably Joseph and John Joseph Nollekens
ca. 1745
Not on view
33
William Jones, active 1832–1836, British
Fishing: Playing a Fish
ca. 1830
Not on view
34
George Morland, 1763–1804, British
Foxhunting in Hilly Country
1792
Not on view
35
James Seymour, 1702–1752, British
A Bay Racehorse with Jockey Up
ca. 1730
Not on view
36
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket
ca. 1730
Not on view
37
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
ca. 1730
Not on view
38
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body
ca. 1730
Not on view
39
James Pollard, 1792–1867, British
Epsom Races: The Race Over
1834 to 1835
Not on view
40
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
ca. 1730
Not on view
41
James Ward, 1769–1859, British
A Border Leicester Ewe
between 1795 and 1800
Not on view
42
William Jones, active 1832–1836, British
Fishing: Bottom Fishing
ca. 1830
Not on view
43
Sir Alfred J. Munnings, 1878–1959, British
John Hay Whitney's Royal Minstrel, with Joe Childs up
ca. 1929
Not on view
44
James Pollard, 1792–1867, British
Epsom Races: Settling Day at Tattersalls
1834 to 1835
Not on view
45
James Pollard, 1792–1867, British
Epsom Races: Preparing to Start
1834 to 1835
Not on view
46
James Pollard, 1792–1867, British
Epsom Races: The Betting Post
1834 to 1835
Not on view
47
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Gentlemen Fishing
1794
Not on view
48
Edmund Bristow, 1787–1876, British
The Rat Trap
early to mid-nineteenth century
Not on view
49
Peter DeWint, 1784–1849, British
Landscape with Chestnut Tree
ca. 1835
Not on view
50
Edward Duncan, 1803–1882, British
Partridge Shooting
1830
Not on view
51
Peter Gaspar Scheemakers, 1691–1781, Flemish, active in Britain (from ca. 1720)
Cleopatra
ca. 1723
Not on view
52
Carroll Bassett, 1906–1972, American
Dublin
1934
Not on view
53
Herbert Haseltine, 1877–1962, American
Sudborne Premier, Suffolk Punch Stallion
1964-1965
Not on view
54
Francis Danby, 1793–1861, Irish
A Lake in Norway
ca. 1825
55
Francis Danby, 1793–1861, Irish
Sunset over a River Landscape
early 1840s
56
Robert Polhill Bevan, 1865–1925, British
Sale at Ward's Repository, No. 2
ca. 1918
57
Print made by John Constable, 1776–1837, British
The Ruins of Netley Abbey
1826
58
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Cypresses at the Villa d'Este, Tivoli
1838
59
George Stubbs, 1724–1806, British
Study for the Self-portrait in Enamel
ca. 1781
60
George Stubbs, 1724–1806, British
Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
1795 to 1806
61
William Hogarth, 1697–1764, British
A Rake's Progress, Plate II: His Levee
1735
62
William Hogarth, 1697–1764, British
A Rake's Progress, Plate III: He Revels
1735
63
William Hogarth, 1697–1764, British
A Rake's Progress, Plate IV: Goes to Court
1735
64
Print made by William Hogarth, 1697–1764, British
A Rake's Progress, Plate VII: In Fleet Street Prison
1735
65
William Hogarth, 1697–1764, British
A Rake's Progress, Plate VI: He Gambles
1735
66
William Hogarth, 1697–1764, British
The Distrest(ed) Poet
1740
67
William Hogarth, 1697–1764, British
A Rake's Progress, Plate VIII: In Bedlam
1735
68
William Hogarth, 1697–1764, British
The Bench
1758
69
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Entrance of Calais Harbour
1816
70
Etched by Joseph Mallord William Turner, 1775–1851, British
The Stork and Aqueduct
between 1813 and 1823
71
Joseph Mallord William Turner, 1775–1851, British
Barnard Castle
ca. 1825
72
Joseph Mallord William Turner, 1775–1851, British
Newark - upon - Trent
ca. 1796
73
Etched by Joseph Mallord William Turner, 1775–1851, British
Lake of Thun, Switzerland
1808
74
Etched by Joseph Mallord William Turner, 1775–1851, British
The Drawing of the Clyde
1809
75
Etched by Joseph Mallord William Turner, 1775–1851, British
Sheep-Washing, Windsor
1813 to 1823
76
Etched by Joseph Mallord William Turner, 1775–1851, British
Scene in the Campagna
1812
77
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
78
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 2, Title Page
1789
79
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
80
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
81
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
82
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
83
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
84
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
85
Sir Robert Smirke the younger, 1781–1867, British
Ruins of Messenia
1802-1804
86
Sir Robert Smirke the younger, 1781–1867, British
Ruins of Messenia
1802-1804
87
Sir Robert Smirke the younger, 1781–1867, British
Ruins of Sparta
1802-1804
88
Sir Robert Smirke the younger, 1781–1867, British
Landscape With Mountains in the Horizon
1802-1804
89
Giovanni Battista Borra, 1713–1770, Italian
The Members of a Corinthian Temple in Ruins at Ephesus
ca. 1750
90
Giovanni Battista Borra, 1713–1770, Italian
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
91
Giovanni Battista Borra, 1713–1770, Italian
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
92
Giovanni Battista Borra, 1713–1770, Italian
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
93
Giovanni Battista Borra, 1713–1770, Italian
Posizione delle Piramidi di Sachara
ca. 1750
94
Giovanni Battista Borra, 1713–1770, Italian
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
95
James Hakewill, 1778–1843, British
Holland Estate, St. Thomas in the East, View from the Change of Air House