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Credit Line Yale Center for British Art, Paul Mellon Collection

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Vegetable Seller, Covent Garden
Creator:
Pieter Angillis, 1685–1734, Flemish, active in Britain (from ca. 1715)
Date:
ca. 1726
Medium:
Oil on panel
Dimensions:
13 5/8 x 10 5/8 inches (34.6 x 27 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London Cries: Last Dying Speech and Confession
Creator:
Paul Sandby, 1731–1809, British
Date:
ca. 1759
Medium:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London Cries: A Milkmaid
Creator:
Paul Sandby, 1731–1809, British
Date:
ca. 1759
Medium:
Watercolor, pen and brown ink with graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 5 7/8 inches (22.2 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figures on Bank of the Long Water, Hampton Court Palace
Creator:
Bernard Lens III, 1682–1740, British
Date:
undated
Medium:
Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 11/16 x 13 5/16in. (22.1 x 33.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Manning the Navy
Creator:
Samuel Collings, active 1784–1795, British
Date:
undated
Medium:
Pen and black ink with gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 8 1/2 inches (16.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lovelace in Prison
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1788
Medium:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection