Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
ca. 1840
6
James Duffield Harding, 1798–1863, British
View of the Clifton Suspension Bridge
undated
7
Print made by John Crome, 1768–1821, British
Front of the New Mills
1813
8
Samuel Jackson, 1794–1869, British
The Avon near Bristol
undated
9
Print made by William Bernard Cooke, 1778–1855, British
Lulworth Cove, Dorset
1811-1812
10
Print made by William Bernard Cooke, 1778–1855, British
Margate
1822
11
Print made by William Bernard Cooke, 1778–1855, British
Margate
1823
12
Print made by William Miller, 1796–1882, British
Coombe-Martin, Devonshire
1814 to 1826
13
Print made by William Miller, 1796–1882, British
Portsmouth, Hampshire
1825
14
Print made by Robert Wallis, 1794–1878, British
Folkstone, Kent
1825
15
Print made by John Landseer, 1769–1852, British
Fall of the Tees
1821
16
Print made by John Landseer, 1769–1852, British
Fall of the Tees
1818-1823
17
Print made by John Pye, 1782–1874, British
Junction of the Greta and Tees at Rokeby
1818-1823
18
Print made by Samuel Rawle, 1771–1860, British
Brignall Church
1821
19
Print made by James C. Allen, active 1821–1831, British
Aldborough
ca. 1830
20
John Linnell, 1792–1882, British
Scene in Kent
undated
21
Print made by Henry Hulsberg, active 1700s–died 1729, Netherlandish, active in London
Cobham Hall, Kent: The Elevation of Cobham Hall in Kent
1715 to 1725
22
Print made by William Bernard Cooke, 1778–1855, British
Lulworth Cove, Dorset
1812
23
Print made by William Bernard Cooke, 1778–1855, British
Dartmouth, Devon
1814
24
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Dock, from Mount Edgecumbe
1816
25
Print made by George Cooke, 1781–1834, British
Pendennis Castle and Entrance of Falmouth Harbour
1814 to 1826
26
Print made by George Cooke, 1781–1834, British
Pendennis Castle, and Entrance of Falmouth Harbour
1814-1826
27
Print made by William Bernard Cooke, 1778–1855, British
East & West Looe, Cornwall
1818
28
Print made by William Bernard Cooke, 1778–1855, British
Minehead, Somersetshire
1820
29
Print made by William Bernard Cooke, 1778–1855, British
Minehead, Somersetshire
1820
30
Print made by William Bernard Cooke, 1778–1855, British
Margate
1823
31
Print made by James C. Allen, active 1821–1831, British
St. Mawes, Cornwall
1814 to 1826
32
Print made by William Miller, 1796–1882, British
Coombe-Martin, Devonshire
1814 to 1826
33
Print made by John Wykeham Archer, 1808–1864, British
Richmond Castle and Town
1820
34
Print made by John Wykeham Archer, 1808–1864, British
Richmondshire Castle and Town
1820
35
Print made by James C. Allen, active 1821–1831, British
Addingham Mill on the Warfe
1821
36
Print made by Thomas Higham, 1796–1844, British
Egglestone Abbey, near Barnard Castle
1818-1823
37
Print made by John Pye, 1782–1874, British
Wycliffe, near Rokeby
1823
38
Print made by John Scott, 1774–1828, British
Aysgarth Force
1818-1823
39
Print made by John Wykeham Archer, 1808–1864, British
Crook of the Lune, Looking towards Hornby Castle
1821
40
Attributed to Robert Udney, 1740–1808
The Paper Mill at Rickmansworth
between 1765 and 1781
41
William Kent, ca.1686–1748, British
The Treasury, Whitehall, London: Alternate Elevations of the Facade
ca. 1733
42
James Baker Pyne, 1800–1870, British
Figures on a Cliff Path near Dover
1839
43
Paul Sandby, 1731–1809, British
View at Charlton, Kent
ca. 1783
44
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
45
Robert Havell, 1769–1832, British
Crofton Hall, Yorkshire
1813
46
Print made by William Bernard Cooke, 1778–1855, British
Lyme Regis
1814
47
Print made by William Bernard Cooke, 1778–1855, British
Plymouth, with Mount Batten
1817
48
Print made by William Bernard Cooke, 1778–1855, British
Plymouth, from Mount Batten
1817
49
Print made by Robert Wallis, 1794–1878, British
Virginia Water No. 1
1828-1832
50
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
51
Print made by William Miller, 1796–1882, British
Berwick on Tweed
1834
52
John Buckler FSA, 1770–1851, British
South View of Montacute House
1811
53
John Buckler FSA, 1770–1851, British
North West View of Cobham hall, Kent, the Seat of the Right honourable the Earl of Darnley
1820
54
John Buckler FSA, 1770–1851, British
South East View of Chatsworth House
1812
55
Thomas Girtin, 1775–1802, British
Ripon Minster, Yorkshire
1800
56
Thomas Rowlandson, 1756–1827, British
An Audience at Drury Lane Theatre
undated
57
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Rather a Dangerous Kind of Hug
1847
58
Print made by Day & Co., 1824–1913, British
Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
1839
59
unknown artist
A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford
60
Robert Havell, 1769–1832, British
Crofton
1813
61
Robert Havell, 1769–1832, British
Crofton
1813
62
Robert Havell, 1769–1832, British
Crofton Hall, Yorkshire
1813
63
John Carter, 1748–1817, British
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
64
Print made by R.C. Roffe, active in London 1806–1835, British
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c
1827
65
John Buckler FSA, 1770–1851, British
North West View of Montacute House, Somersetshire, The Seat of John Phelips Esqr
1811
66
John Buckler FSA, 1770–1851, British
North West view of Burleigh House The Seat of the Marquis of Exeter
1817
67
John Buckler FSA, 1770–1851, British
South West View of Burleigh House
1817
68
John Buckler FSA, 1770–1851, British
South West View of Chatsworth House Derbyshire the Seat of His Grace the Duke of Devonshire
1812
69
John Buckler FSA, 1770–1851, British
South West View of Cobham hall Kent, the Seat of the Right Honourable the Earl of Darnley
1820
70
John Buckler FSA, 1770–1851, British
South View of Longleat, Wiltshire; the Seat of the Marquis of Bath
1821
71
John Buckler FSA, 1770–1851, British
Westwood Park near Droitwich, Worcestershire, the Seat of Sir John Packington Bart
1820
72
John Buckler FSA, 1770–1851, British
South view of Holland House, Middlesex, the Seat of Lord Holland
1812
73
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
74
Peter DeWint, 1784–1849, British
Windsor from below the Locks
undated
75
Joshua Cristall, 1768–1847, British
Trees near Hastings
1807
76
Thomas Rowlandson, 1756–1827, British
Sandown Fort
undated
77
Thomas Rowlandson, 1756–1827, British
The Undercliff, Steephill, Isle of Wight
undated
78
Print made by Thomas Higham, 1796–1844, British
Egglestone Abbey, near Barnard Castle
1818-1823
79
Print made by William Radclyffe, 1780–1855, British
Hornby Castle, from Tatham Church
1822
80
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1819
81
Print made by John Landseer, 1769–1852, British
High Force or Fall of the Tees
1821
82
Print made by John Scott, 1774–1828, British
Aysgarth Force
1820
83
Print made by Robert Brandard, 1805–1862, British
Crossing the Brook
1838
84
Print made by William Bernard Cooke, 1778–1855, British
Lulworth Cove, Dorset
1811-1812
85
Print made by James C. Allen, active 1821–1831, British
Dunwich, Suffolk
ca. 1830
86
Print made by Edward Goodall, 1795–1870, British
Richmond Hill
1826-1832
87
Print made by James C. Allen, active 1821–1831, British
Aldborough
ca. 1830
88
Print made by Robert Wallis, 1794–1878, British
Virginia Water No. 1
1828
89
Print made by David Lucas, 1802–1881, British
A Lock on the Stour, Suffolk
1831
90
Print made by William Day, 1764–1807
The High Street, Southampton
1828
91
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1819
92
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Lovelace in Prison
1788
93
Charles Grignion, 1717–1810, British
A Perspective View of the Foundling Hospital with Emblematic Figures