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Credit Line Yale Center for British Art, Paul Mellon Collection

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Genre religious and mythological subject

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Subject Terms trees

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Search Results

1. The Vine

The Vine
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
1852
Medium:
Etching and drypoint, retouched with graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 11 13/16 x 8 1/2 inches (30 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Vine

The Vine
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
1852
Medium:
Etching and drypoint on thick, smooth, cream wove paper
Dimensions:
Sheet: 4 3/4 x 6 5/16 inches (12 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Vine

The Vine
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
1852
Medium:
Etching and drypoint, retouched with white watercolor, gouache or chalk on thick, smooth, cream wove paper
Dimensions:
Sheet: 11 9/16 x 8 1/4 inches (29.3 x 20.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Cypress Grove

The Cypress Grove
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
plate etched between ca. 1880 and 1883; impression printed in 1924
Medium:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 12 1/16 inches (27.8 x 30.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Morning of Life

The Morning of Life
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
1860-1861
Medium:
Etching, engraving and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 10 7/8 inches (19 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Morning of Life

No cover image available
Creator:
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:
1860-1861
Medium:
Etching, engraving and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 12 5/16 inches (22.6 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Glaucus and Scylla

Glaucus and Scylla
Creator:
Etched by Joseph Mallord William Turner, 1775–1851, British
Date:
between 1813 and 1823
Medium:
Etching and mezzotint, printed in brown ink Engraver's proof (h) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Apuleia in Search of Apuleius

Apuleia in Search of Apuleius
Creator:
Etched by Joseph Mallord William Turner, 1775–1851, British
Date:
between 1813 and 1823
Medium:
Etching and mezzotint, printed in brown ink Engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Apuleia in Search of Apuleius

Apuleia in Search of Apuleius
Creator:
Etched by Joseph Mallord William Turner, 1775–1851, British
Date:
between 1813 and 1823
Medium:
Etching, printed in brown ink; Modern impression, canceled plate on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Christ and the Woman of Samaria

Christ and the Woman of Samaria
Creator:
Etched by Joseph Mallord William Turner, 1775–1851, British
Date:
1819
Medium:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 17 1/4 inches (28.6 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Glaucus and Scylla

Glaucus and Scylla
Creator:
Etched by Joseph Mallord William Turner, 1775–1851, British
Date:
between 1813 and 1823
Medium:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 13 1/2 inches (25.4 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Glaucus and Scylla

Glaucus and Scylla
Creator:
Etched by Joseph Mallord William Turner, 1775–1851, British
Date:
1813 to 1823
Medium:
Etching and mezzotint, printed in brown ink Modern Impression on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 16 5/8 inches (33.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Deluge

The Deluge
Creator:
Engraved by Joseph Mallord William Turner, 1775–1851, British
Date:
between 1813 and 1823
Medium:
Mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Procris and Cephalus

Procris and Cephalus
Creator:
Print made by Joseph Mallord William Turner, 1775–1851, British
Date:
1812
Medium:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Rispah: 2nd Book of Samuel, Chap. 21

Rispah: 2nd Book of Samuel, Chap. 21
Creator:
Etched by Joseph Mallord William Turner, 1775–1851, British
Date:
1812
Medium:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Jason

Jason
Creator:
Etched by Joseph Mallord William Turner, 1775–1851, British
Date:
1807
Medium:
Etching and mezzotint, printed in brown ink First published state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

The Poems of Thomas Gray, Design 35, "Ode to Adversity."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Poems of Thomas Gray, Design 65, "The Bard."

The Poems of Thomas Gray, Design 65, "The Bard."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

The Poems of Thomas Gray, Design 83, "The Descent of Odin."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The Poems of Thomas Gray, Design 97, "Ode for Music."

The Poems of Thomas Gray, Design 97, "Ode for Music."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1788
Medium:
Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1788
Medium:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Jerusalem, Plate 11, "To labours mighty...."

Jerusalem, Plate 11, "To labours mighty...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Jerusalem, Plate 38, "His face and bosom...."

Jerusalem, Plate 38, "His face and bosom...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. America. A Prophecy, Plate 14, "So Cried He...."

America. A Prophecy, Plate 14, "So Cried He...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. America. A Prophecy, Plate 16, "In the Flames Stood...."

America. A Prophecy, Plate 16, "In the Flames Stood...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. America. A Prophecy, Plate 18, "Over the Hills...."

America. A Prophecy, Plate 18, "Over the Hills...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

The Poems of Thomas Gray, Design 3, "Ode on the Spring."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Poems of Thomas Gray, Design 5, "Ode on the Spring."

The Poems of Thomas Gray, Design 5, "Ode on the Spring."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. America. A Prophecy, Plate 4, "Silent as despairing love...."

America. A Prophecy, Plate 4, "Silent as despairing love...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Jerusalem, Plate 37, "And One stood forth...."

Jerusalem, Plate 37, "And One stood forth...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Jerusalem, Plate 49, "The secret coverts of Albion...."

Jerusalem, Plate 49, "The secret coverts of Albion...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Jerusalem, Plate 76

Jerusalem, Plate 76
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. The Poems of Thomas Gray, Design 53, "The Bard."

The Poems of Thomas Gray, Design 53, "The Bard."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Poems of Thomas Gray, Design 55, "The Bard."

The Poems of Thomas Gray, Design 55, "The Bard."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Poems of Thomas Gray, Design 57, "The Bard."

The Poems of Thomas Gray, Design 57, "The Bard."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Book of Thel, Plate 4, "Why should the mistress . . . ."

The Book of Thel, Plate 4, "Why should the mistress . . . ."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1826
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. For the Sexes: The Gates of Paradise, Plate 4, "Water"

For the Sexes: The Gates of Paradise, Plate 4, "Water"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1826
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1826
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1826
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1826
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Tobias and the Angel

Tobias and the Angel
Creator:
Print made by John Smith, 1652–1743, British
Date:
ca. 1685
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 5 1/16 x 6 9/16 inches (12.8 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Illustration to Tonson's Ovid Metamorphosis (two of four)

Illustration to Tonson's Ovid Metamorphosis (two of four)
Creator:
unknown artist
Date:
ca. 1710
Medium:
Pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 8 3/8 inches (35.9 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834, British
Date:
1820
Medium:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Diana and Actaeon: A Study for a Panel on a Staircase

Diana and Actaeon: A Study for a Panel on a Staircase
Creator:
follower of Sir James Thornhill, 1675–1734, British
Date:
undated
Medium:
Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 6 1/4in. (15.2 x 15.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Cain and Abel

Cain and Abel
Creator:
Attributed to John Martin, 1789–1854, British
Date:
undated
Medium:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. The Rescue of Lot

The Rescue of Lot
Creator:
John Martin, 1789–1854, British
Date:
1833
Medium:
Brown wash and brown ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:
Mount: 3 7/8 x 5 15/16 inches (9.8 x 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. The Daughters of Jerusalem Weeping by the Waters of Babylon

The Daughters of Jerusalem Weeping by the Waters of Babylon
Creator:
John Martin, 1789–1854, British
Date:
1834
Medium:
Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:
Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. The Woman at the Well

The Woman at the Well
Creator:
Attributed to John Martin, 1789–1854, British
Date:
undated
Medium:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Christ with Three Figures

Christ with Three Figures
Creator:
Attributed to John Martin, 1789–1854, British
Date:
undated
Medium:
Watercolor, pen and black ink, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. The Baptism of Christ

The Baptism of Christ
Creator:
Attributed to John Martin, 1789–1854, British
Date:
undated
Medium:
Watercolor, pen and brown ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. The Rising of the Waters

The Rising of the Waters
Creator:
Attributed to John Martin, 1789–1854, British
Date:
undated
Medium:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Apollo and Daphne

Apollo and Daphne
Creator:
Master of the Giants, active 1779, British
Date:
between 1770 and 1799
Medium:
Pen and black ink with gray washes and graphite; verso: pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 x 21 inches (35.9 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. The Rape of Persephone

The Rape of Persephone
Creator:
William P. Sherlock, c.1780–1850
Date:
undated
Medium:
Pen and brown ink and watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 17 1/8 × 23 1/8 inches (43.5 × 58.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834, British
Date:
1820
Medium:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Adam and Eve

Adam and Eve
Creator:
attributed to John Martin, 1789–1854, British
Date:
undated
Medium:
Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Madonna with a Rabbit

Madonna with a Rabbit
Creator:
William Callow, 1812–1908, British, active in France
Date:
undated
Medium:
Watercolor with gum arabic and gouache on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 6 3/4 inches (12.1 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Classical Scene: Minerva as the Goddess of Arts and Sciences

Classical Scene: Minerva as the Goddess of Arts and Sciences
Creator:
unknown artist
Date:
undated
Medium:
Gray wash with black and red chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 15 3/16 × 11 1/8 inches (38.5 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. A Large Christmas Card

A Large Christmas Card
Creator:
Print made by unknown artist
Date:
1895
Medium:
Line block print on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 1/4 x 6 1/8 inches (23.5 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834, British
Date:
1820
Medium:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Etching and stipple engraving with aquatint on cream card
Dimensions:
Image: 5 5/16 x 6 3/4 inches (13.5 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. The Miraculous Draught of Fishes

The Miraculous Draught of Fishes
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching and stipple engraving with color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 7 3/4 x 8 9/16 inches (19.7 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. The Death of Ananias

The Death of Ananias
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper mounted on cream card with cream card cutout pasted on top
Dimensions:
Mount: 7 15/16 x 9 5/8 inches (20.2 x 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Frontispiece design for John Fayram's "Eight Views after Nature"

Frontispiece design for John Fayram's "Eight Views after Nature"
Creator:
John Fayram, op.1713–1743, British
Date:
ca. 1739
Medium:
Pen, black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 5 7/8 inches (18.1 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Mrs. Abington as Thalia

Mrs. Abington as Thalia
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1783
Medium:
Stipple engraving printed in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 8 1/4 inches (26.8 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Sensibility

Sensibility
Creator:
Print made by Richard Earlom, 1743–1822, British
Date:
1789
Medium:
Color-printed stipple engraving and etching with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 9 5/8 inches (31.5 × 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Sensibility

Sensibility
Creator:
Print made by Richard Earlom, 1743–1822, British
Date:
1789
Medium:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 3/8 x 13 9/16 inches (44.2 x 34.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Hope Nursing Love

Hope Nursing Love
Creator:
Edward Fisher, 1722–1785, British
Date:
1771
Medium:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 19 7/8 × 14 1/8 inches (50.5 × 35.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Mercury and Argus

Mercury and Argus
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1841
Medium:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 29 1/4 × 19 inches (74.3 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Mercury and Argus

Mercury and Argus
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1841
Medium:
Etching and line engraving, second state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 29 1/2 × 22 3/4 inches (74.9 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Dido and Aeneas; The Morning of the Chase

Dido and Aeneas; The Morning of the Chase
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1842
Medium:
Etching and line engraving with graphite; engraver's proof (a), touched on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 21 1/8 × 28 1/8 inches (53.7 × 71.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Mercury and Herse

Mercury and Herse
Creator:
Print made by John Cousen, 1804–1880, British
Date:
1842
Medium:
Etching and line engraving; engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 27 1/2 × 23 inches (69.9 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Mercury and Argus

Mercury and Argus
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1841
Medium:
Etching and line engraving; fourth state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 29 5/8 × 22 1/2 inches (75.2 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Mercury and Herse

Mercury and Herse
Creator:
Print made by John Cousen, 1804–1880, British
Date:
1842
Medium:
Etching; open etched state on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 32 × 24 inches (81.3 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Capuchins of Our Lady of Médoux

Capuchins of Our Lady of Médoux
Creator:
Henry Swinburne, 1743–1803, British
Date:
undated
Medium:
Pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 5/16 × 11 1/8 inches (41.4 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Figure Study of a Bacchanalia Celebration in a Wooded Landscape

Figure Study of a Bacchanalia Celebration in a Wooded Landscape
Creator:
Robert Smirke, 1752–1845, British
Date:
undated
Medium:
Pen and brown ink, brown wash and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 3 15/16 × 9 3/8 inches (10 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Figure Study of a Bacchanalia Celebration in a Wooded Landscape

Figure Study of a Bacchanalia Celebration in a Wooded Landscape
Creator:
Robert Smirke, 1752–1845, British
Date:
undated
Medium:
Pen and brown ink, brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 3 5/8 × 9 1/2 inches (9.2 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. The Death of Ananias

The Death of Ananias
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 3/4 x 7 1/16 inches (12 x 18 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Christ's Charge to Peter

Christ's Charge to Peter
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. The Bacchante

The Bacchante
Creator:
Print made by Edward Calvert, 1799–1883, British
Date:
ca. 1827
Medium:
Wood-engraving on medium, smooth, cream Asian paper
Dimensions:
Sheet: 4 1/16 x 2 9/16 inches (10.3 x 6.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Allegorical Scene

Allegorical Scene
Creator:
Robert Smirke, 1752–1845, British
Date:
undated
Medium:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Image: 2 1/16 × 9 3/4 inches (5.2 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Iris

Iris
Creator:
Print made by Samuel Freeman, 1773–1857, British
Date:
1808
Medium:
Colored aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 15 3/4 x 11 5/8 inches (40 x 29.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection