Sketch for 'The Last Supper,' St. Mary's, Weymouth
between 1719 and 1720
Not on view
2
Louis Laguerre, 1663–1721, French, active in Britain (from ca. 1684)
The Rape of Proserpine, design for the staircase of Devonshire House, London
ca. 1704
Not on view
3
Sir James Thornhill, 1675–1734, British
A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
ca. 1715
4
Print made by Edward Goodall, 1795–1870, British
St. Julienne's Chapel
1834
5
follower of Sir James Thornhill, 1675–1734, British
Diana and Actaeon: A Study for a Panel on a Staircase
undated
6
follower of Sir James Thornhill, 1675–1734, British
The Fall of Phaeton: A Study for a Ceiling
undated
7
unknown artist, eighteenth century
Sketch for the Oil Painting "The Conversion of St. Paul"
undated
8
Sir James Thornhill, 1675–1734, British
Design for a Ceiling
undated
9
John Martin, 1789–1854, British
The Daughters of Jerusalem Weeping by the Waters of Babylon
1834
10
Attributed to James Miller, active 1773–1814
A Christening at the Vatican with Swiss Papal Guard, etc
undated
11
Attributed to Domenico Mondo, 1723– c.1808, Italian
Study for Ceiling: Apollo and other Figures
undated
12
Sir James Thornhill, 1675–1734, British
Design of Apollo and the Python for a Painted over-door Decoration
undated
13
Print made by James Basire the younger, 1769–1822, British
Inside View of the East End of Merton College Chapel
1802
14
Print made by James Mitan, 1776–1822, British
Turin from the Portico of the Superga Church
1820
15
Sir James Thornhill, 1675–1734, British
A Design for a Ceiling
undated
16
Sir James Thornhill, 1675–1734, British
Design for a Ceiling at Addiscombe: Bacchus and Ariadne
undated
17
Sir James Thornhill, 1675–1734, British
Apollo and the Muses
undated
18
Sir James Thornhill, 1675–1734, British
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
19
Sir James Thornhill, 1675–1734, British
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
20
William James Muller, 1812–1845, British
The Church of the Holy Sepulchre
between 1838 and 1840
21
Sir James Thornhill, 1675–1734, British
Design for a Wall Panel
undated
22
Print made by Bartholomew Howlett, 1767–1827, British
Grantham Church
1797
23
Print made by Joseph Powell, 1780–1834, British
Winchester Cross
1800
24
Print made by Edward Goodall, 1795–1870, British
Columbus and his Son
1834
25
Attributed to Daniel Lysons, 1762–1834, British
Brass Chrism of Constance Bownell and her Baby from Heston Church
1796-1811
26
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
27
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
28
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
29
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
30
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
31
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
32
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
33
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
34
Print made by Walker & Cockerell, 1851–1933, British
St. Mary's Church, Dover
1903
35
James Moore, 1762–1799, British
Stonehenge
1791
36
Attributed to Augustin Heckel, 1690–1770, German
Album of Fifty-five Ornamental Designs
undated
37
Samuel Davis, 1760–1819, British
Sculpture depicting three heads
undated
38
Giovanni Battista Cipriani, 1727–1785, Italian, active in Britain (1755-85)
Design for a Monument to the Memory of Michaelangelo
undated
39
Attributed to Augustin Heckel, 1690–1770, German
A Grotesque with Horns on Head and Chin
undated
40
Attributed to Augustin Heckel, 1690–1770, German
Two Figures in the Woods
undated
41
Attributed to Augustin Heckel, 1690–1770, German
Anchor and Rudder
undated
42
Attributed to Augustin Heckel, 1690–1770, German
Theatre Masks and Muscial Instruments
undated
43
Attributed to Augustin Heckel, 1690–1770, German
Shield and Sword
undated
44
Attributed to Augustin Heckel, 1690–1770, German
A Grotesque
undated
45
Attributed to Augustin Heckel, 1690–1770, German
A Grotesque
undated
46
Attributed to Augustin Heckel, 1690–1770, German
A Grotesque
undated
47
Attributed to Augustin Heckel, 1690–1770, German
A Grotesque
undated
48
Attributed to Augustin Heckel, 1690–1770, German
A Grotesque
undated
49
Attributed to Augustin Heckel, 1690–1770, German
A Grotesque
undated
50
Attributed to Augustin Heckel, 1690–1770, German
An Urn
undated
51
Attributed to Augustin Heckel, 1690–1770, German
Spindles and Thread
undated
52
Attributed to Augustin Heckel, 1690–1770, German
A Grotesque Mask
undated
53
Attributed to Augustin Heckel, 1690–1770, German
Design for a Cartouche
undated
54
Attributed to Augustin Heckel, 1690–1770, German
Sketches of Figures
undated
55
Attributed to Augustin Heckel, 1690–1770, German
Design for a Cartouche
undated
56
Attributed to Augustin Heckel, 1690–1770, German
Three Mythological Figures
undated
57
Attributed to Augustin Heckel, 1690–1770, German
Mythological Figures
undated
58
Attributed to Augustin Heckel, 1690–1770, German
Hunting Scene
undated
59
Attributed to Augustin Heckel, 1690–1770, German
Design for a Cartouche with Figures Holding Hands
undated
60
Attributed to Augustin Heckel, 1690–1770, German
Two Figures by a Tree
undated
61
Attributed to Augustin Heckel, 1690–1770, German
Baroque Colonnade
undated
62
Attributed to Augustin Heckel, 1690–1770, German
A Grotesque with Horns
undated
63
Attributed to Augustin Heckel, 1690–1770, German
Bacchus & Ariadne; Design for a Gold Box
ca. 1730
64
Attributed to Augustin Heckel, 1690–1770, German
Mythological Symbol
undated
65
Attributed to Augustin Heckel, 1690–1770, German
Scythe and Wheat
undated
66
Attributed to Augustin Heckel, 1690–1770, German
A Grotesque with an Open Mouth
undated
67
Attributed to Augustin Heckel, 1690–1770, German
Masonry Tools
undated
68
Attributed to Augustin Heckel, 1690–1770, German
A Grotesque
undated
69
Attributed to Augustin Heckel, 1690–1770, German
A Grotesque
undated
70
Attributed to Augustin Heckel, 1690–1770, German
Ouroboros and Winged Hourglass
undated
71
Attributed to Augustin Heckel, 1690–1770, German
Design for a Cartouche with Putto
undated
72
Attributed to Augustin Heckel, 1690–1770, German
Design for a Cartouche of Cupid and Diana
undated
73
Attributed to Augustin Heckel, 1690–1770, German
Design for a Cartouche
undated
74
Attributed to Augustin Heckel, 1690–1770, German
Design for a Cartouche with Putti
undated
75
Attributed to Augustin Heckel, 1690–1770, German
Design for a Cartouche
undated
76
Attributed to Augustin Heckel, 1690–1770, German
A Grotesque with Beak Facing Left
undated
77
Attributed to Augustin Heckel, 1690–1770, German
Design for a Cartouche with Putti
undated
78
Attributed to Augustin Heckel, 1690–1770, German
Design for a Cartouche
undated
79
Attributed to Augustin Heckel, 1690–1770, German
Portrait of a Man Facing Right
undated
80
Attributed to Augustin Heckel, 1690–1770, German
A Lion
undated
81
Attributed to Augustin Heckel, 1690–1770, German
Design for a Cartouche
undated
82
Attributed to Augustin Heckel, 1690–1770, German
Two Columns with a Head of a Woman and a Grotesque Head
undated
83
Attributed to Augustin Heckel, 1690–1770, German
Classical Heads of Man and Woman
undated
84
Attributed to Augustin Heckel, 1690–1770, German
Design for a Cartouche
undated
85
Attributed to Augustin Heckel, 1690–1770, German
Design for a Cartouche with Mythological Figures
undated
86
Print made by John Scott, 1774–1828, British
Crypt in Kirkstall Abbey, Yorkshire
1814
87
Print made by James Mitan, 1776–1822, British
Turin from the Portico of the Superga Church
1820
88
Print made by W. R. Smith, active 1819–1851
Leicester Abbey
1834
89
Print made by W. R. Smith, active 1819–1851
Leicester Abbey
1834
90
Print made by James H. Kernot, active early 19th century
St. Catherine's Hill, near Guildford, Surrey
1832
91
Print made by James Redway, active 1827–1838
Christ Church College, Oxford
1834
92
Print made by William Miller, 1796–1882, British
Durham Cathedral
1836
93
Isaac Weld, 1774–1856, Irish
Arco di Druso
1818
94
Augustus Welby Northmore Pugin, 1812–1852, British
Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk
undated
95
Henry Swinburne, 1743–1803, British
Capuchins of Our Lady of Médoux
undated
96
Print made by James Baylis Allen, 1803–1876, British
Decline of Carthage
between 1859 and 1861
97
William Pars, 1742–1782, British
Sketch of Centaurs and Lapiths From a Frieze
undated
98
Print made by J. C. Varrall, active 1815–1827
Valle Crucis Abbey, Denbighshire
1828
99
Print made by Edward Goodall, 1795–1870, British
Dido Building Carthage
between 1859 and 1861
100
Print made by James T. Willmore, 1800–1863, British