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Credit Line Yale Center for British Art, Paul Mellon Collection

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Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851, British
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Aesacus and Hesperie
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Aesacus and Hesperie
1819
William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake Jerusalem, Plate 11, "To labours mighty...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
William Blake Jerusalem, Plate 24, "What have I said?...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 24, "What have I said?...."
1804 to 1820
William Blake Jerusalem, Plate 53, "Jerusalem / Chap. 3"
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
1804 to 1820
William Blake Jerusalem, Plate 78, "The Spectres of..."
William Blake, 1757–1827, British
Jerusalem, Plate 78, "The Spectres of..."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
William Blake Jerusalem, Plate 44, "With one accord...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 44, "With one accord...."
1804 to 1820
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 57, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 57, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 59, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
William Blake The First Book of Urizen, Plate 22 (Bentley 24)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 22 (Bentley 24)
1794
William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
ca. 1797
William Blake The First Book of Urizen, Plate 5 (Bentley 12)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 5 (Bentley 12)
1794
William Blake Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
William Blake The First Book of Urizen, Plate 4 (Bentley 24)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 4 (Bentley 24)
1794
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake For the Sexes: The Gates of Paradise, Plate 4, "Water"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 4, "Water"
1826
William Blake The First Book of Urizen, Plate 7 (Bentley 12)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 7 (Bentley 12)
1794
William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
Richard Wilson Gulliver Bound by the Lilliputians
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Gulliver Bound by the Lilliputians
undated
unknown artist Illustration to Tonson's Ovid Metamorphosis (one of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (one of four)
ca. 1710
Edward Goodall Fingal's Cave, Staffa
Print made by Edward Goodall, 1795–1870, British
Fingal's Cave, Staffa
1834
William Forrest Fingal's Cave Staffa
Print made by William Forrest, 1802–1889
Fingal's Cave Staffa
1836
William Richardson Ashestiel
Print made by William Richardson, active 1842–1877, British
Ashestiel
1835
Edward Goodall Fingal's Cave, Staffa
Print made by Edward Goodall, 1795–1870, British
Fingal's Cave, Staffa
1834
Sir Frank Short Aesacus and Hesperie
Print made by Sir Frank Short, 1857–1945, British
Aesacus and Hesperie
1896
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945, British
Pan and Syrinx
1896
Sir Frank Short Pan and Syrinx
Print made by Sir Frank Short, 1857–1945, British
Pan and Syrinx
1896
Edward Goodall Fingal's Cave, Staffa - from XLVII 'Scott's Poetical Works'
Print made by Edward Goodall, 1795–1870, British
Fingal's Cave, Staffa - from XLVII 'Scott's Poetical Works'
1834
Edward Goodall Fingal's Cave, Staffa
Print made by Edward Goodall, 1795–1870, British
Fingal's Cave, Staffa
1833
Henry Le Keux St. Herbert's Chapel
Print made by Henry Le Keux, 1787–1868, British
St. Herbert's Chapel
1834
Ralph Hudson The Pilgrim's Progress Illustrated, Uncut Panorama
Print made by Ralph Hudson, active ca. 1820, British
The Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Hovering over the Body reluctantly Parting with Life
1808
Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Hovering over the Body reluctantly Parting with Life
1808
Sir Frank Short Aesacus and Hesperie
Print made by Sir Frank Short, 1857–1945, British
Aesacus and Hesperie
1896