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Credit Line Yale Center for British Art, Paul Mellon Collection

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1. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1788
Medium:
Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1788
Medium:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1788
Medium:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1788
Medium:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1788
Medium:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1788
Medium:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1788
Medium:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1788
Medium:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1788
Medium:
Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1788
Medium:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1788
Medium:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The First Book of Urizen, Plate 18 (Bentley 21)

The First Book of Urizen, Plate 18 (Bentley 21)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)

The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The First Book of Urizen, Plate 5 (Bentley 12)

The First Book of Urizen, Plate 5 (Bentley 12)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)

The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The First Book of Urizen, Plate 12 (Bentley 22)

The First Book of Urizen, Plate 12 (Bentley 22)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Book of Thel, Plate 1, "Thel's Motto . . . ."

The Book of Thel, Plate 1, "Thel's Motto . . . ."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with watercolor and pen and green ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Book of Thel, Plate 1, "Thel's Motto . . . ."

The Book of Thel, Plate 1, "Thel's Motto . . . ."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)

The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The First Book of Urizen, Plate 25 (Bentley 26)

The First Book of Urizen, Plate 25 (Bentley 26)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. The First Book of Urizen, Plate 21 (Bentley 16)

The First Book of Urizen, Plate 21 (Bentley 16)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The First Book of Urizen, Plate 23 (Bentley 9)

The First Book of Urizen, Plate 23 (Bentley 9)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The First Book of Urizen, Plate 3 (Bentley 22)

The First Book of Urizen, Plate 3 (Bentley 22)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. The First Book of Urizen, Plate 7 (Bentley 12)

The First Book of Urizen, Plate 7 (Bentley 12)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Datur Hora Quieti

Datur Hora Quieti
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
1834
Medium:
Line engraving, Early Final Proof on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 8 5/8 inches (30.2 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Falstaff Instructing Bardolph

Falstaff Instructing Bardolph
Creator:
Robert Smirke, 1752–1845, British
Date:
1825
Medium:
Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 4 1/2 inches (15.2 x 11.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Falstaff Dragging the Body of Hotspur

Falstaff Dragging the Body of Hotspur
Creator:
Robert Smirke, 1752–1845, British
Date:
1825
Medium:
Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 4 15/16 inches (16.2 x 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. A Vintage

A Vintage
Creator:
William Finden, 1787–1852, British
Date:
1834
Medium:
Line engraving on thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:
Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Illustration to Beaumont and Fletcher

Illustration to Beaumont and Fletcher
Creator:
Michael "Angelo" Rooker, 1746–1801, British
Date:
undated
Medium:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 4 inches (17.5 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Samuel Butler

Samuel Butler
Creator:
unknown artist
Date:
undated
Medium:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/8 × 4 3/8 inches (12.4 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Landing of Columbus

The Landing of Columbus
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
1834
Medium:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 8 3/4 inches (30.2 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Venice, The Rialto - Moonlight

Venice, The Rialto - Moonlight
Creator:
Print made by William Miller, 1796–1882, British
Date:
1834
Medium:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/16 × 11 11/16 inches (43.3 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Loch Lomond

Loch Lomond
Creator:
Print made by William Miller, 1796–1882, British
Date:
1834
Medium:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Landing of Columbus

The Landing of Columbus
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
1834
Medium:
Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Lysander Awakening to See Helena

Lysander Awakening to See Helena
Creator:
Robert Smirke, 1752–1845, British
Date:
1825
Medium:
Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 4 1/4 inches (16.5 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Greatheart's Battle with Grim

Greatheart's Battle with Grim
Creator:
Richard Westall, 1765–1836, British
Date:
undated
Medium:
Watercolor with pen and black ink on moderately thick, slightly textured cream wove paper
Dimensions:
Sheet: 4 7/8 × 4 inches (12.4 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Venice, The Rialto - Moonlight

Venice, The Rialto - Moonlight
Creator:
Print made by William Miller, 1796–1882, British
Date:
1834
Medium:
Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/4 × 9 5/8 inches (36.2 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Loch Lomond

Loch Lomond
Creator:
Print made by William Miller, 1796–1882, British
Date:
1834
Medium:
Line engraving, early engraver's proof on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 8 5/8 × 6 3/4 inches (21.9 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Window West End, South Aisle, Saint Vincent

Window West End, South Aisle, Saint Vincent
Creator:
Augustus Welby Northmore Pugin, 1812–1852, British
Date:
undated
Medium:
Graphite, watercolor, pen and black ink, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 7/8 × 3 7/8 inches (22.5 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Datur Hora Quieti

Datur Hora Quieti
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
1833
Medium:
Line engraving, 3rd state on medium, smooth, beige wove paper
Dimensions:
Sheet: 10 9/16 × 6 1/16 inches (26.8 × 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. St. Sophia, Constantinople

St. Sophia, Constantinople
Creator:
Print made by Edward Francis Finden, 1791–1857, British
Date:
1833
Medium:
Etching and engraving, third state on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/2 × 4 1/16 inches (16.5 × 10.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Ticket: Anacreontic Society Meeting

Ticket: Anacreontic Society Meeting
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1773
Medium:
Etching, stipple engraving and line engraving in red ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 inches (14 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. When Swift They Saw John Gilpin Ride, Bare-Headed as Before

When Swift They Saw John Gilpin Ride, Bare-Headed as Before
Creator:
unknown artist
Date:
undated
Medium:
Pen and black ink and watercolor on thick, moderately textured, white wove paper
Dimensions:
Sheet: 3 3/4 × 4 inches (9.5 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Castellated Rhine

The Castellated Rhine
Creator:
Print made by Edward Francis Finden, 1791–1857, British
Date:
1833
Medium:
Line engraving, third state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 4 inches (16.8 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. The Field of Waterloo from Hougoumont

The Field of Waterloo from Hougoumont
Creator:
Print made by Edward Francis Finden, 1791–1857, British
Date:
1833
Medium:
Etching and engraving, third state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 8 5/8 inches (28.9 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Datur Hora Quieti

Datur Hora Quieti
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
1834
Medium:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:
Mount: 17 5/8 × 12 1/8 inches (44.8 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. The School of Homer

The School of Homer
Creator:
Print made by Edward Francis Finden, 1791–1857, British
Date:
1833
Medium:
Etching and engraving, 3rd state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 3 15/16 inches (16.8 × 10 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Smailholm Tower (Vignette)

Smailholm Tower (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
1834
Medium:
Line engraving; late state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 4 inches (17.1 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Bermerside

Bermerside
Creator:
John Horsburgh, 1791–1869, British
Date:
1834
Medium:
Line engraving; touched engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 8 7/8 × 6 5/8 inches (22.5 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Abbotsford, Vignette Title

Abbotsford, Vignette Title
Creator:
Print made by Henry Le Keux, 1787–1868, British
Date:
1834, reprinted 1851
Medium:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 3 3/4 inches (16.8 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. John Henderson as Iago

John Henderson as Iago
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1786
Medium:
Stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 13/16 × 8 1/16 inches (27.5 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. The Landing of Columbus

The Landing of Columbus
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
1834
Medium:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:
Mount: 17 5/8 × 12 1/16 inches (44.8 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Robin Hood and Clarinda Hunting Deer

Robin Hood and Clarinda Hunting Deer
Creator:
Joseph Slater, c. 1750– died after 1789
Date:
undated
Medium:
Gray wash and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 3 7/8 inches (13.7 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"

Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"
Creator:
Robert Smirke, 1752–1845, British
Date:
undated
Medium:
Oil and pen and brown ink on wove paper mounted on board
Dimensions:
Sheet: 2 1/2 x 3 3/4 inches (6.4 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. She Never Told Her Love, But Sat Like Patience on a Monument

She Never Told Her Love, But Sat Like Patience on a Monument
Creator:
Robert Smirke, 1752–1845, British
Date:
1827
Medium:
Brown ink with brown wash and gouache and oil on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Illustration for Don Quixote (with figures on a donkey)

Illustration for Don Quixote (with figures on a donkey)
Creator:
Robert Smirke, 1752–1845, British
Date:
undated
Medium:
Oil on moderately textured, brown laid paper
Dimensions:
Sheet: 5 x 4in. (12.7 x 10.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Malvolio Dancing

Malvolio Dancing
Creator:
Robert Smirke, 1752–1845, British
Date:
1827
Medium:
Black ink with brown wash and oil on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Malvolio abusing Maria, Fabian and Sir Toby

Malvolio abusing Maria, Fabian and Sir Toby
Creator:
Robert Smirke, 1752–1845, British
Date:
1822
Medium:
Pen and brown ink, brown wash, gouache, and oil, partly varnished on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 4 5/16 inches (15.5 x 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Isabella and Mariana Kneeling Before the Duke

Isabella and Mariana Kneeling Before the Duke
Creator:
Robert Smirke, 1752–1845, British
Date:
1822
Medium:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Falstaff with Mistress Quickly and Bardolph

Falstaff with Mistress Quickly and Bardolph
Creator:
Robert Smirke, 1752–1845, British
Date:
1825
Medium:
Pen and brown ink, brown wash, gouache and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 4 3/8 inches (15.3 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Ford in a Rage After Seeing Falstaff

Ford in a Rage After Seeing Falstaff
Creator:
Robert Smirke, 1752–1845, British
Date:
1821
Medium:
Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 15/16 x 4 1/2 inches (15.1 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Lady Mortimer's Welsh Song

Lady Mortimer's Welsh Song
Creator:
Robert Smirke, 1752–1845, British
Date:
1825
Medium:
Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 x 4 5/16 inches (17.7 x 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Master William Page and Sir Hugh Evans

Master William Page and Sir Hugh Evans
Creator:
Robert Smirke, 1752–1845, British
Date:
1821
Medium:
Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 x 4 1/2 inches (18.5 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Falstaff at Herne's Oak

Falstaff at Herne's Oak
Creator:
Robert Smirke, 1752–1845, British
Date:
1821
Medium:
Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 x 4 1/2 inches (18.6 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Hotspur and the Plotters at Bangor

Hotspur and the Plotters at Bangor
Creator:
Robert Smirke, 1752–1845, British
Date:
1825
Medium:
Graphite, pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 5 inches (16.8 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Ralph Cudworth

Ralph Cudworth
Creator:
George Vertue, 1684–1756, British
Date:
undated
Medium:
Stipple and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/16 × 3 15/16 inches (16.4 × 10 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Venice, The Rialto - Moonlight

Venice, The Rialto - Moonlight
Creator:
Print made by William Miller, 1796–1882, British
Date:
1834
Medium:
Line engraving, 1st state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 × 6 1/2 inches (29.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Greenwich Hospital

Greenwich Hospital
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
1834
Medium:
Line engraving, 1st state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Claudio and Isabella

Claudio and Isabella
Creator:
Robert Smirke, 1752–1845, British
Date:
1823
Medium:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Ferdinand Reunited with his Father

Ferdinand Reunited with his Father
Creator:
Robert Smirke, 1752–1845, British
Date:
1821
Medium:
Pen and brown ink, brown wash, and gouache on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 15/16 x 4 5/16 inches (15.1 x 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Viola and Olivia

Viola and Olivia
Creator:
Robert Smirke, 1752–1845, British
Date:
1822
Medium:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 x 4 3/8 inches (16.7 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Christopher Sly and the Page, as His Wife

Christopher Sly and the Page, as His Wife
Creator:
Robert Smirke, 1752–1845, British
Date:
1821
Medium:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, beige wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 x 4 7/16 inches (16.3 x 11.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Feste, as Sir Topas, addressing Malvolio

Feste, as Sir Topas, addressing Malvolio
Creator:
Robert Smirke, 1752–1845, British
Date:
1822
Medium:
Pen and brown ink, brown wash, gouache and oil, partly varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 x 4 5/16 inches (16.7 x 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Juliet About to Take her Sleeping Draught

Juliet About to Take her Sleeping Draught
Creator:
Robert Smirke, 1752–1845, British
Date:
1825
Medium:
Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 4 1/2 inches (16.5 x 11.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Katherina and Grumio

Katherina and Grumio
Creator:
Robert Smirke, 1752–1845, British
Date:
1821
Medium:
Pen and brown ink, brown wash, gouache, oil, and graphite on moderately thick, slightly textured, cream beige paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 4 3/8in. (16.2 x 11.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. The Landing of Columbus

The Landing of Columbus
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
1834
Medium:
Line engraving, 1st state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Miss Anna Brunton

Miss Anna Brunton
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1785
Medium:
Stipple engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 7/8 × 3 7/8 inches (14.9 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Loch Lomond

Loch Lomond
Creator:
Print made by William Miller, 1796–1882, British
Date:
1834
Medium:
line engraving, 1st state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 1/2 inches (29.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Datur Hora Quieti

Datur Hora Quieti
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
1834
Medium:
Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. John Henderson as Iago

John Henderson as Iago
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
before 1786
Medium:
Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 15/16 × 8 7/16 inches (27.8 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection