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Credit Line Yale Center for British Art, Paul Mellon Collection

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Genre literary theme

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Height [cm] 39

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William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
Edward Goodall Valombre
Print made by Edward Goodall, 1795–1870, British
Valombre
1834
Edward Goodall The Boy of Egremond
Print made by Edward Goodall, 1795–1870, British
The Boy of Egremond
1834
Thomas Watson Elizabeth Ann Sheridan (née Linley) as St. Cecilia
Thomas Watson, 1743–1781, British
Elizabeth Ann Sheridan (née Linley) as St. Cecilia
1779
John Faber the Younger Sir Richard Steele
John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain
Sir Richard Steele
1733
John Raphael Smith Joseph Warton, Master of Winchester College
John Raphael Smith, 1752–1812, British
Joseph Warton, Master of Winchester College
1786
Francesco Bartolozzi Reverend Hugh Blair, D.D.
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Reverend Hugh Blair, D.D
1801
Philip Dawe Gadshill
Print made by Philip Dawe, ca.1745–ca.1809, British
Gadshill
1796
Robert Pollard Edwin and Angelina
Robert Pollard, 1755–1838, British
Edwin and Angelina
1785
Robert Pollard The Hermitage of Warkworth
Robert Pollard, 1755–1838, British
The Hermitage of Warkworth
1787
Francesco Bartolozzi Lovelace in Prison
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Lovelace in Prison
1788
William Woollett MacBeth meeting the Witches
William Woollett, 1735–1785, British
MacBeth meeting the Witches
1770
Francesco Bartolozzi Alphonso and Aciloe
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Alphonso and Aciloe
1788
Simon François Ravenet Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
Simon François Ravenet, 1706–1774, French, active in Britain
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
John Dixon Garrick as Abel Drugger in "The Alchemist"
Print finished by John Dixon, ca. 1740–1811, Irish
Garrick as Abel Drugger in "The Alchemist"
1776
Jacobus Houbraken Benjamin Johnson
Jacobus Houbraken, 1698–1780, Dutch
Benjamin Johnson
1738
Mathieu Liart Cephalus lamenting the Death of Procris
Print made by Mathieu Liart, 1736–1782, British
Cephalus lamenting the Death of Procris
1783
Mathieu Liart Venus Lamenting the Death of Adonis
Print made by Mathieu Liart, 1736–1782, British
Venus Lamenting the Death of Adonis
1783