Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: animal art

Print made by Robert Polhill Bevan, 1865–1925, British

Huntsman and Hounds

1898-1899

Robert Polhill Bevan, 1865–1925, British

The Horse Mart (Barbican No. 1)

1920

Robert Polhill Bevan, 1865–1925, British

A Harrow in the Orchard

ca. 1896

Robert Polhill Bevan, 1865–1925, British

The Horse Mart

ca. 1917

Robert Polhill Bevan, 1865–1925, British

The Ploughing Team

1905 or 1906

Robert Polhill Bevan, 1865–1925, British

The Horse Mart (with further sketches in the margin)

ca. 1918

Robert Polhill Bevan, 1865–1925, British

Study for Mare and Foal, Lytchetts, Clayhidon

1917

Robert Polhill Bevan, 1865–1925, British

Sale at Ward's Repository (Wards No. 2)

1921

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

John R. Skeaping, 1901–1980, British

Open Ditch

1962

John R. Skeaping, 1901–1980, British

Imitation Australian

1962

Print made by George Stubbs, 1724–1806, British

A Horse Affrighted by a Lion

1788

Print made by George Stubbs, 1724–1806, British

A Sleeping Leopard

1791

George Stubbs, 1724–1806, British

A Foxhound on the Scent

1788

Print made by George Stubbs, 1724–1806, British

A Horse Affrighted by a Lion

1777

Print made by George Stubbs, 1724–1806, British

A Tiger and a Sleeping Leopard

1788

after George Stubbs, 1724–1806, British

Horses Fighting

undated

Robert Polhill Bevan, 1865–1925, British

Hounds in Covert

ca. 1896

Robert Polhill Bevan, 1865–1925, British

Horses Threshing, Pont Aven

1893

Robert Polhill Bevan, 1865–1925, British

Horse Dealers

ca. 1918

Robert Polhill Bevan, 1865–1925, British

The Meet

1898

Robert Polhill Bevan, 1865–1925, British

Horse in Breton Yard

undated

Robert Polhill Bevan, 1865–1925, British

Sussex Cart Horse

between 1905 and 1906

Robert Polhill Bevan, 1865–1925, British

Found, with further sketches in the margin

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Skylark

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Willow

1850

after Joseph Mallord William Turner, 1775–1851, British

Norham Castle, on the River Tweed, 1816

after Joseph Mallord William Turner, 1775–1851, British

Hedging and Ditching

1812

after Joseph Mallord William Turner, 1775–1851, British

North-West Front, Cassiobury, with Hounds and Huntsmen

after Joseph Mallord William Turner, 1775–1851, British

Swan

Etched by Joseph Mallord William Turner, 1775–1851, British

Bridge and Cows

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Bridge and Cows

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

The Bridge and Goats

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Bridge and Cows

1807

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

The Crypt of Kirkstall Abbey

1812

Edward Lear, 1812–1888, British

A Weasel

1832