Credit Line: Yale Center for British Art, Paul Mellon Collection / Period: 19th century / Width [cm]: 35

Richard Parkes Bonington, 1802–1828, British

Calais Jetty, France

ca. 1824

John Sell Cotman, 1782–1842, British

Ruined House

between 1807 and 1810

Not on view

Samuel John Egbert Jones, active 1820–1845, British

Pheasant Shooting

mid-19th century

Not on view

Richard Parkes Bonington, 1802–1828, British

Barges on a River

1826

Not on view

Richard Parkes Bonington, 1802–1828, British

Grand Canal, Venice

1826

Not on view

Richard Parkes Bonington, 1802–1828, British

In the Forest at Fontainebleau

ca. 1825

Not on view

Frederick Richard Lee, 1798–1879, British

Southampton Water, near Hamble

after 1837

Not on view

unknown artist, nineteenth century

Mountainous Landscape with Figures and Cattle

1806 to 1807

Not on view

John Frederick Herring, 1795–1865, British

The Royal Mail Coach on the Road

1841

Not on view

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Etched by Joseph Mallord William Turner, 1775–1851, British

Jason

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Chain of Alps from Grenoble to Chamberi

1812

Edward Lear, 1812–1888, British

Amada, 9:30 am, 12 February 1867

1867

Edward Lear, 1812–1888, British

Wied Zurrik (Malta)

1848

William Blake, 1757–1827, British

The Parable of the Wise and Foolish Virgins

ca. 1825

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827, British

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

William Blake, 1757–1827, British

Illustrations to Dante's Divine Comedy

1827

Sir Robert Smirke the younger, 1781–1867, British

Architectural Drawing of a Stone Relief, Depicting a Bird of Prey

1802-1804

Sir Robert Smirke the younger, 1781–1867, British

Study of the Capital of a PIllar

1802-1804

Sir Robert Smirke the younger, 1781–1867, British

Study of the Capital of a Pillar

1802-1804

Sir Robert Smirke the younger, 1781–1867, British

Ruins at Capua

1802-1804

Sir Robert Smirke the younger, 1781–1867, British

View From Cori Towards Villetri

1802-1804

Print made by Sir Frank Short, 1857–1945, British

Huntsmen in a Wood

1891

Print made by George Cruikshank, 1792–1878, British

Fitting out. - Plate 1

1820

William James Muller, 1812–1845, British

Study of a Cottage by a lane

undated

James Duffield Harding, 1798–1863, British

Naples from the Strada Nouva, Nov.26, 1830

1830

John Frederick Lewis, 1804–1876, British

Interior of an Eastern House

between 1840 and 1851

John Frederick Lewis, 1804–1876, British

The Valley of Lutscheuen

1827

attributed to William James Muller, 1812–1845, British

Cleeve, Somerset, with Bridgewater Bay in the Distance

1841

unknown artist

Rusthill Common near Tunbridge Wells, Kent

ca. 1840

John Varley, 1778–1842, British

Mountainous Landscape with Lake

1840

William Simpson, 1823–1899, British

Graves of the Officers in the Fort on Cathcart's Hill

1854

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Citadel

1821

Print made by John Byrne, 1786–1847, British

Rome, Tomb of Cecilia Metella

1818-1820

Samuel De Wilde, 1748–1832, British

The Satirist

1807

James Holland, 1799–1870, British

Interior of the Church of San Giovanni e Paolo, Venice

1835ated

Alfred Diston, active 1818–1829

Part of the Bay of the Town of San Miguel, La Palma

undated

Henry Barlow Carter, 1804–1868, British

Scarborough Harbour, Yorkshire - Moonlight

1850

unknown artist

Culraven and Broadfield

undated

unknown artist

Townhead and Drummore

undated

unknown artist

Culdoch

undated

unknown artist

Senwick

undated

unknown artist

Mayfield

undated

unknown artist

Nuntons

undated

unknown artist

Little Kirkland

undated

unknown artist

Balgreddan and Whinny Liggate

undated

unknown artist

Netherthird

undated

attributed to John Middleton, 1826–1856, British

Woodland Scene with a Path Across a Stream

undated

Octavius Oakley, 1800–1867, British

A Gypsy Encampment

undated

Aaron Edwin Penley, 1807–1870, British

Cloud Study

undated

John Coney, 1786–1833, British

Austin Friars Monastery Middlesex

1825

Joseph Murray Ince, 1806–1859, British

An unidentified Gothic Mansion: Side View of the House with Garden

undated

unknown artist, nineteenth century

Balmangan

undated

Print made by William Bernard Cooke, 1778–1855, British

Martello Towers at Bexhill

1817

Print made by James C. Allen, active 1821–1831, British

St. Mawes, Cornwall

1814 to 1826

Thomas William Wood, 1855–1872, British

A Lion

undated

William Simpson, 1823–1899, British

The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860

ca. 1860

attributed to William Henry Hunt, 1790–1864, British

Beauvais

ca. 1831

unknown artist, nineteenth century

River Landscape with Men Fishing and Cattle

undated

William James Muller, 1812–1845, British

Study of a Rustic Interior Scene

undated

unknown artist, nineteenth century

Man with Hood and Landscape

undated

Sir Horace Jones, 1819–1887, British

Part of Goodrich Castle

1842

Print made by George Cooke, 1781–1834, British

Land's End, Cornwall

1814-1826

Sir Charles D'Oyly, 1781–1845, British, active in India

View of Hagia Sophia Mosque and Shadirvan Fountain, Istanbul

undated

Print made by James C. Allen, active 1821–1831, British

Ehrenbreitstein

1824

Print made by James C. Allen, active 1821–1831, British

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz

1824

Sir Jeffry Wyatville, 1766–1840, British

Lilleshall, Shropshire: East View

1826

Thomas Rowlandson, 1756–1827, British

Register Office for the Hiring of Servants

between 1800 and 1805

John Ruskin, 1819–1900, British

The Great Square at Torcello

1850

Thomas Rowlandson, 1756–1827, British

Serving Punch

between 1815 and 1820

David Roberts, 1796–1864, British

Lambeth

1861

David Roberts, 1796–1864, British

Sidmouth

1845

David Roberts, 1796–1864, British

Linlithgow Palace Courtyard, West Lothian

undated

John Doyle ('H.B.') A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

Print made by John Doyle ('H.B.'), 1797–1868, Irish

A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

1847

Print made by John Doyle ('H.B.'), 1797–1868, Irish

A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant

1847

Print made by John Doyle ('H.B.'), 1797–1868, Irish

The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure

1849

Print made by John Doyle ('H.B.'), 1797–1868, Irish

Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short

1849

Henry Thomas Alken, 1785–1851, British

Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's

1823

Henry Thomas Alken, 1785–1851, British

Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's

1823

Henry Thomas Alken, 1785–1851, British

Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's

1823

Henry Thomas Alken, 1785–1851, British

Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's

1823

Henry Thomas Alken, 1785–1851, British

Set of six with printed wrapper, and title-page: Shooting, or One Day's Sport of Three Real Good One's

1823

Henry Bright, 1810–1873, British

Cottages at Oxford

undated

Edward Duncan, 1803–1882, British

Notre Dame, Paris, from the Left Bank

1840