<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Period 18th century-19th century

Remove constraint Period: 18th century-19th century

Associated Places City of Westminster

Remove constraint Associated Places: City of Westminster

Search Results

unknown artist Elevation of the Ordnance Office
unknown artist
Elevation of the Ordnance Office
after 1780
Charles Gore A Large Church (Westminster Abbey) at Sunset
Attributed to Charles Gore, 1729–1807, British
A Large Church (Westminster Abbey) at Sunset
undated
Alexander Nasmyth Westminster Abbey from Dean's Yard
Alexander Nasmyth, 1758–1840, British
Westminster Abbey from Dean's Yard
undated
Paul Sandby A Family in Hyde Park
Paul Sandby, 1731–1809, British
A Family in Hyde Park
undated
Frederick Nash Ambulatory, Westminster Abbey
Frederick Nash, 1782–1856, British
Ambulatory, Westminster Abbey
undated
George Sidney Shepherd Green Park
George Sidney Shepherd, 1784–1862, British
Green Park
ca. 1830
Thomas Hosmer Shepherd The Houses of Parliament
Thomas Hosmer Shepherd, 1792–1864, British
The Houses of Parliament
undated
Thomas Rowlandson Hyde Park Corner
Thomas Rowlandson, 1756–1827, British
Hyde Park Corner
undated
John Carter Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
John Carter Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
John Carter, 1748–1817, British
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
John Carter Half the Plan of Ceiling, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
John Carter Plan of Moldings, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
John Carter Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
John Carter Plan of Moldings, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
John Carter Impost moldings, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Impost moldings, St Stephen's Chapel
between 1790 and 1802
John Carter Details of Imposts and Bases of Columns, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
John Carter Impost and Base of Columns, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
George Shepheard The Banqueting House, Whitehall, from the River
George Shepheard, ca. 1770–1842, British
The Banqueting House, Whitehall, from the River
ca. 1810
George Moutard Woodward 'A Whistler!'
George Moutard Woodward, ca. 1760–1809, British
'A Whistler!'
undated
John Carter East View of Modern Buildings in Continuation from St Stephen's Chapel
John Carter, 1748–1817, British
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
John Carter PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
Print made by John Carter, 1748–1817, British
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
John Carter South View in the Entrance of Porch at West End of St. Stephen's Chapel West
John Carter, 1748–1817, British
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
John Carter Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
John Carter Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
Attributed to John Carter, 1748–1817, British
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
John Carter Capitals, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Capitals, St Stephen's Chapel
between 1790 and 1802
John Carter Springing of an Arch, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
Thomas Rowlandson Soldiers in St. James Park
Thomas Rowlandson, 1756–1827, British
Soldiers in St. James Park
undated
John Carter Front and Profile of the Work under the Window Sills, St Stephen's Chapel
Attributed to John Carter, 1748–1817, British
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
John Carter View of Modern Gateway in South East Angle of Dean's Yard
John Carter, 1748–1817, British
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
unknown artist Royal Humane Society's Receiving House in Hyde Park
Print made by unknown artist, ( J. Cary )
Royal Humane Society's Receiving House in Hyde Park
undated
unknown artist Gateway Leading into Dean's Yard
unknown artist
Gateway Leading into Dean's Yard
undated