Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
The Blacksmith's Shop
1771
2
Sir James Thornhill, 1675–1734, British
Jacob's Dream
1705
Not on view
3
Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
The Angel Binding Satan
ca. 1797
Not on view
4
unknown artist, eighteenth century
The Choir, Canterbury Cathedral
between 1712 and 1715
Not on view
5
Joseph Highmore, 1692–1780, British
The Angel of Mercy
ca. 1746
Not on view
6
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
7
Print made by William Blake, 1757–1827, British
Pity
ca. 1795
8
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
9
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
10
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
11
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
12
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
13
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
14
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
15
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
16
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
17
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
18
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
19
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
20
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
21
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
22
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
23
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
24
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
25
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
26
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
27
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
28
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
29
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
30
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
31
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
32
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
33
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
34
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
35
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
36
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
37
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
38
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
39
Thomas Carwitham, active 1723, British
Design for a Ceiling Decoration
1723
40
Sir James Thornhill, 1675–1734, British
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
41
Sir James Thornhill, 1675–1734, British
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
42
Sir James Thornhill, 1675–1734, British
The Birth of Venus
undated
43
John Flaxman, 1755–1826, British
The Creation of the Heavens
ca. 1790
44
John Flaxman, 1755–1826, British
Get Thee Behind Me, Satan
between 1783 and 1787
45
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
The Peasant's Dream, Paradise Lost, Book 1, 781-8
1793 to 1800
46
James Gillray, 1756–1815, British
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
47
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
For the Benefit of Mr. Borghi
1789
48
Richard Earlom, 1743–1822, British
The West Window of the Chapel, New College Oxford
1785
49
Print made by Simon Gribelin, 1662–1733, French, active in Britain
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
50
Print made by Simon Gribelin, 1662–1733, French, active in Britain