Print made by Frederick Christian Lewis the Elder, 1779–1856, British
The Field of Waterloo
1830
2
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
3
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
4
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
5
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
6
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
7
Print made by J. P. Quilley, active 1828
Boccaccio, the Bird Cage
1830
8
Print made by J. P. Quilley, active 1828
Boccaccio, the Bird Cage
1830
9
Thomas D. W. Dearn, 1777–1853
Two Small Cottages
1830
10
Richard Banks Harraden, 1778–1862, British
Downing College, Cambridge
1830
11
unknown artist
Design for Table - Elevation, View of Top, View of base
ca. 1835
12
Thomas D. W. Dearn, 1777–1853
A Country House
1830
13
Print made by Edward Goodall, 1795–1870, British
The Lake of Geneva; Frontispiece, Title Page, and Index
1830
14
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 3. "Then for hounds there was Nimble, so well that climbs rocks, / ... Young sly looks, that scent the strong breeze from the south, / ..."
ca. 1835
15
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 2. "Dick Thickset came mounted upon a fine black, / ... But the horse of all horses that rivall'd the day, / ..."
ca. 1835
16
Richard Ansdell, 1815–1885, British
Rabbit Shooting
undated
17
John Scott, 1774–1828, British
The Spaniel
1830
18
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 5. "The Scent is breast high, 'tis a burst from the find / ... When the Squire on his gallant Grey leading the group / ..."
ca. 1835
19
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 4. "Our horses thus all of the very best blood, / ... Thus having described you dogs, horses and crew, / ..."
ca. 1835
20
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 6. "Sly Reynard's brought home, while the horns sound a call / ... Come on then, do honour to this Jovial place, /..."
ca. 1835
21
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Chamber Floor Plan
1830
22
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Principal Floor Plan
1830
23
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Principal Floor Plan
1830
24
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Principal Floor Plan
1830
25
Studio of Sir Jeffry Wyatville, 1766–1840, British
Windsor Castle, Berkshire: View
after 1830
26
George Johann Scharf, 1788–1860, British
A View of High Street, Southwark, being the ancient Roadway leading from Old London Bridge taken July, 1830, previous to its Removal to the New Line of Approach
1830
27
George Johann Scharf, 1788–1860, British
A View of High Street, Southwark, being the ancient Roadway leading from Old London Bridge taken July, 1830, previous to its Removal to the New Line of Approach
1830
28
Fenner Sears & Co., active 1830
Piazza of Congress Hall, Saratoga Springs; page 43 (Volume Three)
1830
29
unknown artist, (Tyler)
Stables at Grittleton House, Wiltshire
ca. 1835
30
unknown artist, ( Tyler )
Church Yard Gate and Dwarf Avenue Gate, Grittleton House, Wiltshire
ca. 1835
31
unknown artist, (Tyler)
Stables at Grittleton House, Wiltshire
ca. 1835
32
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 1. "To Bachelor's Hall we good fellows invite, / Did you see us you'd swear, as we mount with a grace, / ..."
ca. 1835
33
James Thomas Linnell, 1826–1905, British
Two Children Feeding Rabbits in a Farmyard
1830s
34
unknown artist, (A. Cruse)
St. Martin, Outwich, Bishopsgate Street
1830
35
George Gladwin, active 1820s–1830s
Plans and Elevation of Goldsmiths Hall, erected 1835