<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Date 1830

Remove constraint Date: 1830

Image Available Unavailable

Remove constraint Image Available: Unavailable

Search Results

Frederick Christian Lewis the Elder The Field of Waterloo
Print made by Frederick Christian Lewis the Elder, 1779–1856, British
The Field of Waterloo
1830
William Davison Fishing Boats off Calais (The Pas de Calais)
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
William Davison Fishing Boats off Calais (The Pas de Calais)
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
William Davison Fishing Boats off Calais (The Pas de Calais)
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
William Davison Fishing Boats off Calais (The Pas de Calais)
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
William Davison Fishing Boats off Calais (The Pas de Calais)
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
J. P. Quilley Boccaccio, the Bird Cage
Print made by J. P. Quilley, active 1828
Boccaccio, the Bird Cage
1830
J. P. Quilley Boccaccio, the Bird Cage
Print made by J. P. Quilley, active 1828
Boccaccio, the Bird Cage
1830
Thomas D. W. Dearn Two Small Cottages
Thomas D. W. Dearn, 1777–1853
Two Small Cottages
1830
Richard Banks Harraden Downing College, Cambridge
Richard Banks Harraden, 1778–1862, British
Downing College, Cambridge
1830
unknown artist Design for Table - Elevation, View of Top, View of base
unknown artist
Design for Table - Elevation, View of Top, View of base
ca. 1835
Thomas D. W. Dearn A Country House
Thomas D. W. Dearn, 1777–1853
A Country House
1830
Edward Goodall The Lake of Geneva; Frontispiece, Title Page, and Index
Print made by Edward Goodall, 1795–1870, British
The Lake of Geneva; Frontispiece, Title Page, and Index
1830
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 3. "Then for hounds there was Nimble, so well that climbs rocks, / ... Young sly looks, that scent the strong breeze from the south, / ..."
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 3. "Then for hounds there was Nimble, so well that climbs rocks, / ... Young sly looks, that scent the strong breeze from the south, / ..."
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 2. "Dick Thickset came mounted upon a fine black, / ... But the horse of all horses that rivall'd the day, / ..."
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 2. "Dick Thickset came mounted upon a fine black, / ... But the horse of all horses that rivall'd the day, / ..."
ca. 1835
Richard Ansdell Rabbit Shooting
Richard Ansdell, 1815–1885, British
Rabbit Shooting
undated
John Scott The Spaniel
John Scott, 1774–1828, British
The Spaniel
1830
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 5. "The Scent is breast high, 'tis a burst from the find / ... When the Squire on his gallant Grey leading the group / ..."
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 5. "The Scent is breast high, 'tis a burst from the find / ... When the Squire on his gallant Grey leading the group / ..."
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 4. "Our horses thus all of the very best blood, / ... Thus having described you dogs, horses and crew, / ..."
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 4. "Our horses thus all of the very best blood, / ... Thus having described you dogs, horses and crew, / ..."
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 6. "Sly Reynard's brought home, while the horns sound a call / ... Come on then, do honour to this Jovial place, /..."
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 6. "Sly Reynard's brought home, while the horns sound a call / ... Come on then, do honour to this Jovial place, /..."
ca. 1835
Thomas Cundy Design for Grosvenor House, London: Chamber Floor Plan
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Chamber Floor Plan
1830
Thomas Cundy Design for Grosvenor House, London: Principal Floor Plan
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Principal Floor Plan
1830
Thomas Cundy Design for Grosvenor House, London: Principal Floor Plan
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Principal Floor Plan
1830
Thomas Cundy Design for Grosvenor House, London: Principal Floor Plan
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Principal Floor Plan
1830
Sir Jeffry Wyatville Windsor Castle, Berkshire: View
Studio of Sir Jeffry Wyatville, 1766–1840, British
Windsor Castle, Berkshire: View
after 1830
George Johann Scharf A View of High Street, Southwark, being the ancient Roadway leading from Old London Bridge taken July, 1830, previous to its Removal to the New Line of Approach
George Johann Scharf, 1788–1860, British
A View of High Street, Southwark, being the ancient Roadway leading from Old London Bridge taken July, 1830, previous to its Removal to the New Line of Approach
1830
George Johann Scharf A View of High Street, Southwark, being the ancient Roadway leading from Old London Bridge taken July, 1830, previous to its Removal to the New Line of Approach
George Johann Scharf, 1788–1860, British
A View of High Street, Southwark, being the ancient Roadway leading from Old London Bridge taken July, 1830, previous to its Removal to the New Line of Approach
1830
Fenner Sears & Co. Piazza of Congress Hall, Saratoga Springs; page 43 (Volume Three)
Fenner Sears & Co., active 1830
Piazza of Congress Hall, Saratoga Springs; page 43 (Volume Three)
1830
unknown artist Stables at Grittleton House, Wiltshire
unknown artist, (Tyler)
Stables at Grittleton House, Wiltshire
ca. 1835
unknown artist Church Yard Gate and Dwarf Avenue Gate, Grittleton House, Wiltshire
unknown artist, ( Tyler )
Church Yard Gate and Dwarf Avenue Gate, Grittleton House, Wiltshire
ca. 1835
unknown artist Stables at Grittleton House, Wiltshire
unknown artist, (Tyler)
Stables at Grittleton House, Wiltshire
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 1. "To Bachelor's Hall we good fellows invite, / Did you see us you'd swear, as we mount with a grace, / ..."
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 1. "To Bachelor's Hall we good fellows invite, / Did you see us you'd swear, as we mount with a grace, / ..."
ca. 1835
James Thomas Linnell Two Children Feeding Rabbits in a Farmyard
James Thomas Linnell, 1826–1905, British
Two Children Feeding Rabbits in a Farmyard
1830s
unknown artist St. Martin, Outwich, Bishopsgate Street
unknown artist, (A. Cruse)
St. Martin, Outwich, Bishopsgate Street
1830
George Gladwin Plans and Elevation of Goldsmiths Hall, erected 1835
George Gladwin, active 1820s–1830s
Plans and Elevation of Goldsmiths Hall, erected 1835
ca. 1835